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Critical Textile Topologies X Planet City: The intersection of design practice and research
Högskolan i Borås, Akademin för textil, teknik och ekonomi.ORCID-id: 0000-0002-3210-1696
Högskolan i Borås, Akademin för textil, teknik och ekonomi.ORCID-id: 0000-0003-0359-6738
Högskolan i Borås, Akademin för textil, teknik och ekonomi.ORCID-id: 0000-0002-2724-1395
2021 (Engelska)Ingår i: Research in Arts and EducationArtikel i tidskrift (Refereegranskat) [Forskning på konstnärlig grund] In press
Hållbar utveckling
Verkets författare anser att innehållet i publikationen faller inom ämnet hållbar utveckling.
Abstract [en]

This paper discusses the collaborative project the authors undertook for the speculativefilm Planet City in the context of a research program titled Critical Textile Topologies. Itoutlines the experimental design research methodology undertaken in the project, andreflects on the tension between design practice and design research that occurred in thedevelopment of multimorphic textile-based forms using whole garment weaving. Afteroutlining the project as a whole, two key areas are discussed: The negotiation betweenexpectations relating to design practice and the requirements of experimental designresearch; and the emergence of multimorphic understanding of this kind ofinterdisciplinary design practice. Planet City provided the researchers with a clear‘laboratory’ context to experiment within, rapidly driving the research forward in order topresent a speculative vision for the future. The paper presents this research as an exampleof interdisciplinarity situated at the borderline between practice and research,demonstrating that when balance is maintained between various practical and researchdrivers new knowledge and an enticing vision for the future can be developed.

Ort, förlag, år, upplaga, sidor
Aalto University, 2021.
Nyckelord [en]
Multimorphic design, design practice, Interdisciplinary design research, collaboration, whole garment weaving
Nationell ämneskategori
Design
Forskningsämne
Textil och mode (konstnärlig)
Identifikatorer
URN: urn:nbn:se:hb:diva-24389OAI: oai:DiVA.org:hb-24389DiVA, id: diva2:1508313
Tillgänglig från: 2020-12-10 Skapad: 2020-12-10 Senast uppdaterad: 2023-06-12Bibliografiskt granskad
Ingår i avhandling
1. Zero Waste Systems Thinking: Multimorphic Textile-Forms
Öppna denna publikation i ny flik eller fönster >>Zero Waste Systems Thinking: Multimorphic Textile-Forms
2020 (Engelska)Doktorsavhandling, sammanläggning (Övrigt vetenskapligt) [Forskning på konstnärlig grund]
Abstract [en]

Zero Waste System Thinking: Multimorphic Textile-Forms is situated in the context of the rapidly unfolding environmental crisis and the dominant response to this in the industry - the circular economy. It began by building on existing knowledge around sustainable fashion and textiles, and zero waste design practice. The research program is constructed from three interconnected theories: transition design; post-anthropocentric design; and design as future-making. It adopts a transition design “posture” of holistic zero waste system design to develop processes for garment design and manufacturing.

Zero Waste Systems Thinking: Multimorphic Textile-Forms explores the theoretical, aesthetic and technical development of systems and methods for zero waste textile-forms. It presents a range of experimental field tests, as well as interviews and design experiments using a variety of prototyping methods to deepen understanding of the existing context, and to propose methods and theory for a new understanding of the relationship between designer and system, textile and form. Outside of fully fashioned or 3D knitting, methods for simultaneous textile-form design and construction are limited. Conventionally, weaving is a two-dimensional practice – which through cutting and sewing may become form. Cut-and-sew is the most common method of garment construction used in industry; however, it can also be exploitative, time-consuming and wasteful. The current shallow understanding of the relationship between woven textiles and form limits how designers could transform industries and the built environment. This research questions how technology can further shape form-making, and follows some of the lines of inquiry forged by the work of Issey Miyake and Dai Fujiwara in A-POC, and recent explorations on whole garment weaving by Anna Piper, Jacqueline Lefferts, and Claire Harvey. This research undertook a series of experiments which aimed to expand the form-design methods available for whole garment weaving in the context of zero waste system design. The multimorphic and analogue-digital craft practice develops new understandings of textile design and manufacturing elements, such as jacquard looms and weave structures, for use in micro-manufacturing contexts. Its holistic and disruptive reshaping of form-making has the potential to future-make the industry, our cities and our social fabric.

Ort, förlag, år, upplaga, sidor
Borås: Högskolan i Borås, 2020
Serie
University of Borås studies in artistic research ; 37
Nationell ämneskategori
Design
Forskningsämne
Textil och mode (konstnärlig)
Identifikatorer
urn:nbn:se:hb:diva-23961 (URN)978-91-89271-05-0 (ISBN)978-91-89271-06-7 (ISBN)
Disputation
2021-01-21, M404, Borås, 13:00
Opponent
Anmärkning

Doctoral seminar will be held online at:https://hb-se.zoom.us/j/68071176889

Tillgänglig från: 2020-12-10 Skapad: 2020-10-21 Senast uppdaterad: 2020-12-10Bibliografiskt granskad

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McQuillan, HollyWalters, KathrynPeterson, Karin

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