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  • 9501.
    Talman, Riikka (Designer)
    University of Borås, Faculty of Textiles, Engineering and Business.
    Exhibition on on-going research, experimental work and prototypes in textile design from the Smart Textiles Design Lab at the PhD exhibition at “Shaping (Un)common Grounds”, ArcInTex-conference, Eindhoven, the Netherlands on 2014/10/13-172014Artistic output (Unrefereed)
  • 9502.
    Kapur, Jyoti (Designer)
    University of Borås, Faculty of Textiles, Engineering and Business.
    Suarez, Daniel (Designer)
    UDK, Berlin.
    Resetar, Iva (Designer)
    UDK, Berlin.
    Beyer, Bastian (Designer)
    RCA, London.
    Cabrero, Marina (Designer)
    RCA, London.
    Exhibition: Research through Collaboration2016Artistic output (Refereed)
  • 9503.
    Stasiulyte, Vidmina (Artist)
    University of Borås, Faculty of Textiles, Engineering and Business. The Swedish School of Textiles.
    Nachtigall, Toy (Artist)
    Mackey, Angella (Artist)
    Svechtarova, Mila (Artist)
    Bertin, Marion (Artist)
    Rivera, Esteban (Videographer)
    Heisler, Christopher (Actor)
    Future Ways of Wearing: AHTI2016Artistic output (Unrefereed)
    Abstract [en]

    Collaborative project Ahti is a speculative short film about the first human being

    born in space. The story is happening in the future. It’s 2076 and there is no water

    left on our Blue Palnet Earth. Ahti is the main character of this story. Ahti collects ice

    from asteroids and brings it back to the nearest space station. Ahti is wearing the

    same suit every day. It is like a second skin. The skin has different properties, which

    protect and allow walking on any surface, levitating, communicating, storing energy,

    and etc.

  • 9504.
    Stasiulyte, Vidmina (Artist)
    University of Borås, Faculty of Textiles, Engineering and Business. The Swedish School of Textiles.
    Future Ways of Wearing: Wearing Sound2016Artistic output (Unrefereed)
    Abstract [en]

    Presentation of the research project - Sonic Fashion Library

  • 9505.
    Hellberg, Sara (Editor)
    University of Borås, Professional Services.
    Süld, Karin (Editor)
    University of Borås, Professional Services.
    Guide till Harvardsystemet2017Other (Other (popular science, discussion, etc.))
    Abstract [sv]

    Detta är en guide till Harvardsystemet.

  • 9506.
    Bågander, Linnea
    University of Borås, Faculty of Textiles, Engineering and Business.
    Kent, Karolin (Choreographer)
    Movement and visual art.
    INSIDE/OUTSIDE - Landscape2018Artistic output (Refereed)
    Abstract [en]

    The interactive textile sculpture INSIDE/OUTSIDE questions the borders of the body through material form and movement. The form suggest and instructs the choreography and becomes a co-choreographer pushing the narrative further and opening up for interaction between bodies through its materiality. Exhibited at Järnhallen Gotehburg 12-20 may 2018. 

  • 9507.
    Bågander, Linnea
    University of Borås, Faculty of Textiles, Engineering and Business.
    Kent, Karolin (Choreographer)
    Movement and visual art.
    INSIDE/OUTSIDE - tunnel2018Artistic output (Refereed)
    Abstract [en]

    The interactive performance INSIDE/OUTSIDE questions the borders of the body both through how material movement allow the body to extend in scale and by changing the inside and outside perspective of dress. Through this it also questions the notion of wearing. The form suggest and instructs the choreography and becomes a co-choreographer pushing the narrative further and opening up for interaction between bodies through its materiality.

  • 9508.
    Bågander, Linnea
    University of Borås, Faculty of Textiles, Engineering and Business.
    Kent, Karolin
    Karolin Kent, movement and visual art.
    INSIDE/OUTSIDE: Horizontal2017Artistic output (Refereed)
    Abstract [en]

    The performance INSIDE/OUTSIDE questions the borders of the body both through how material movement allow the body to extend in scale and by changing the inside and outside perspective of dress. Through this it also questions the notion of wearing. The form suggest and instructs the choreography and becomes a co-choreographer pushing the narrative further and opening up for interaction between bodies through its materiality.

    Dance performance performed at the Falkhallen events venue in Falkenberg, Sweden on May 10, 2017 and the ‘everything and everybody as material’ conference, June 7-9, 2017 

    Dance performance performed at the Falkhallen events venue in Falkenberg, Sweden on May 10, 2017 and the ‘everything and everybody as material’ conference, June 7-9, 2017 

  • 9509.
    Bågander, Linnea
    University of Borås, Faculty of Textiles, Engineering and Business.
    Kent, Karolin
    Karolin Kent, movement and visual art.
    INSIDE/OUTSIDE: Vertical2017Artistic output (Refereed)
    Abstract [en]

    The performance INSIDE/OUTSIDE questions the borders of the body both through how material movement allow the body to extend in scale and by changing the inside and outside perspective of dress. Through this it also questions the notion of wearing. The form suggest and instructs the choreography and becomes a co-choreographer pushing the narrative further and opening up for interaction between bodies through its materiality. This version of INSIDE/OUTSIDE, is developed to create interaction and somatic experience for the audience with their bodies, each other, the materiality and the dancer. 

    Dance performance performed at Improspekcije festival, Zagreb, Croatia, 10-11 of November

  • 9510.
    Oudhuis, Margareta (Editor)
    University of Borås, Faculty of Caring Science, Work Life and Social Welfare.
    Riestola, Päivi (Editor)
    University of Borås, Faculty of Caring Science, Work Life and Social Welfare.
    Ledarskap för livskraftiga organisationer2016Report (Other academic)
    Abstract [sv]

    Sverige har sedan lång tid tillbaka varit världsledande när det gäller ett inkluderande ledarskap med en medarbetarorienterad styrning. Utvecklingen sedan 1990-talet har dock medfört att nya ägarformer och en mångfald skilda lednings- och styrningsprinciper har tillkommit som ställer nya krav på ledarskapet, vilket inneburit en rad utmaningar för chefer som utövar ett inkluderande ledarskap.

    Rapporten grundar sig i en forskningscirkel som rör frågan om svenskt management med ett inkluderande ledarskap fortsatt är relevant i dagens globala värld. I forskningscirkeln har ingått två arbetslivsforskare och fem chefer och ledare i ideell och privat sektor. Gemensamt för alla deltagare är en tro på ett inkluderande ledarskap som ett sätt att leda för att bibehålla och utveckla livskraft i organisationer.

    Resultatet visar att ett inkluderande ledarskap fortsatt är relevant och har framtiden för sig. Närhet och tillit mellan chef och medarbetare visar sig vara nödvändigt för att kunna utveckla och upprätthålla organisatorisk resiliens eller långsiktig livskraft. 

  • 9511.
    Kooroshnia, Marjan (Artist)
    University of Borås, Faculty of Textiles, Engineering and Business.
    ON TEXTILE PRINTING WITH THERMOCHROMIC INKS2017Artistic output (Refereed)
    Abstract [en]

    What are thermochromic inks? They are colouring agents characterised by their ability to, when printed on textiles, change colour in response to temperature fluctuations. Below their activation temperature they are coloured, and above their activation temperature they are clear or have a light hue. They are usually blended with static pigments, allowing them to change from one colour to another. 

    Do the thermochromic inks offer other design possibilities rather than only change from one colour to another? What if thermochromic inks are mixed with static pigments in different proportions? What is the behaviour of prints produced using these mixtures when they are heated or cooled? What if multiple colours could be concealed or revealed at once? What if thermochromic colour mixtures are printed in layers on top of each other?What if thermochromic inks have different activation temperatures? And what if the states of thermochromic colour transitions between non-heated, heated, and cooled are properly visualised?

    Marjan Kooroshnia is a textile designer and lecturer at the Swedish School of Textiles, University of Borås. Much of Marjan’s time as a Master’s student in Textile Design was spent at the printing lab, learning about thermochromic inksbehavior when printed on textiles and designing dynamic surface patterns. In her PhD research she has explored the design properties and potentials of leuco dye-based thermochromic inks when printed on textiles in order to obtain an understanding and facilitate the design of dynamic surface patterns. 

    In this exhibition, she presents her Ph.D. thesis, in which she has investigated different methods to create diverse colour changing effects on textiles. The prints displayed in this exhibition show a wide range of aesthetic possibilities offered by thermochromic inks on textiles.

  • 9512.
    Kooroshnia, Marjan (Artist)
    University of Borås, Faculty of Textiles, Engineering and Business.
    ON TEXTILE PRINTING WITH THERMOCHROMIC INKS2017Artistic output (Refereed)
    Abstract [en]

    What are thermochromic inks? They are colouring agents characterised by their ability to when printed on textiles, change colour in response to temperature fluctuations. Below their activation temperature they are coloured, and above their activation temperature they are clear or have a light hue. They are usually blended with static pigments, allowing them to change from one colour to another. 

    Do the thermochromic inks offer other design possibilities rather than only change from one colour to another? What if thermochromic inks are mixed with static pigments in different proportions? What is the behaviour of prints produced using these mixtures when they are heated or cooled? What if multiple colours could be concealed or revealed at once? What if thermochromic colour mixtures are printed in layers on top of each other?What if thermochromic inks have different activation temperatures? And what if the states of thermochromic colour transitions between non-heated, heated, and cooled are properly visualised?

    Marjan Kooroshnia is a textile designer and lecturer at the Swedish School of Textiles, University of Borås. Much of Marjan’s time as a Master’s student in Textile Design was spent at the printing lab, learning about thermochromic ink sbehavior when printed on textiles and designing dynamic surface patterns. In her PhD research, she has explored the design properties and potentials of leuco dye-based thermochromic inks when printed on textiles in order to obtain an understanding and facilitate the design of dynamic surface patterns. 

    In this exhibition, she presents her Ph.D. thesis, in which she has investigated different methods to create diverse colour changing effects on textiles. The prints displayed in this exhibition show a wide range of aesthetic possibilities offered by thermochromic inks on textiles.

  • 9513.
    Kooroshnia, Marjan (Artist)
    University of Borås, Faculty of Textiles, Engineering and Business.
    ON TEXTILE PRINTING WITH THERMOCHROMIC INKS2017Artistic output (Refereed)
    Abstract [en]

    What are thermochromic inks? They are colouring agents characterised by their ability to, when printed on textiles, change colour in response to temperature fluctuations. Below their activation temperature they are coloured, and above their activation temperature they are clear or have a light hue. They are usually blended with static pigments, allowing them to change from one colour to another. 

    Do the thermochromic inks offer other design possibilities rather than only change from one colour to another? What if thermochromic inks are mixed with static pigments in different proportions? What is the behaviour of prints produced using these mixtures when they are heated or cooled? What if multiple colours could be concealed or revealed at once? What if thermochromic colour mixtures are printed in layers on top of each other?What if thermochromic inks have different activation temperatures? And what if the states of thermochromic colour transitions between non-heated, heated, and cooled are properly visualised?

    Marjan Kooroshnia is a textile designer and lecturer at the Swedish School of Textiles, University of Borås. Much of Marjan’s time as a Master’s student in Textile Design was spent at the printing lab, learning about thermochromic inksbehavior when printed on textiles and designing dynamic surface patterns. In her PhD research she has explored the design properties and potentials of leuco dye-based thermochromic inks when printed on textiles in order to obtain an understanding and facilitate the design of dynamic surface patterns. 

    In this exhibition, she presents her Ph.D. thesis, in which she has investigated different methods to create diverse colour changing effects on textiles. The prints displayed in this exhibition show a wide range of aesthetic possibilities offered by thermochromic inks on textiles.

  • 9514.
    Kooroshnia, Marjan (Artist)
    University of Borås, Faculty of Textiles, Engineering and Business.
    ON TEXTILE PRINTING WITH THERMOCHROMIC INKS2018Artistic output (Refereed)
    Abstract [en]

    What are thermochromic inks? They are colouring agents characterised by their ability to, when printed on textiles, change colour in response to temperature fluctuations. Below their activation temperature they are coloured, and above their activation temperature they are clear or have a light hue. They are usually blended with static pigments, allowing them to change from one colour to another. 

    Do the thermochromic inks offer other design possibilities rather than only change from one colour to another? What if thermochromic inks are mixed with static pigments in different proportions? What is the behaviour of prints produced using these mixtures when they are heated or cooled? What if multiple colours could be concealed or revealed at once? What if thermochromic colour mixtures are printed in layers on top of each other?What if thermochromic inks have different activation temperatures? And what if the states of thermochromic colour transitions between non-heated, heated, and cooled are properly visualised?

    Marjan Kooroshnia is a textile designer and lecturer at the Swedish School of Textiles, University of Borås. Much of Marjan’s time as a Master’s student in Textile Design was spent at the printing lab, learning about thermochromic inksbehavior when printed on textiles and designing dynamic surface patterns. In her PhD research she has explored the design properties and potentials of leuco dye-based thermochromic inks when printed on textiles in order to obtain an understanding and facilitate the design of dynamic surface patterns. 

    In this exhibition, she presents her Ph.D. thesis, in which she has investigated different methods to create diverse colour changing effects on textiles. The prints displayed in this exhibition show a wide range of aesthetic possibilities offered by thermochromic inks on textiles.

  • 9515.
    Kooroshnia, Marjan (Artist)
    University of Borås, Faculty of Textiles, Engineering and Business.
    ON TEXTILE PRINTING WITH THERMOCHROMIC INKS2017Artistic output (Unrefereed)
    Abstract [en]

    What are thermochromic inks? They are colouring agents characterised by their ability to, when printed on textiles, change colour in response to temperature fluctuations. Below their activation temperature they are coloured, and above their activation temperature they are clear or have a light hue. They are usually blended with static pigments, allowing them to change from one colour to another. 

    Do the thermochromic inks offer other design possibilities rather than only change from one colour to another? What if thermochromic inks are mixed with static pigments in different proportions? What is the behaviour of prints produced using these mixtures when they are heated or cooled? What if multiple colours could be concealed or revealed at once? What if thermochromic colour mixtures are printed in layers on top of each other?What if thermochromic inks have different activation temperatures? And what if the states of thermochromic colour transitions between non-heated, heated, and cooled are properly visualised?

    Marjan Kooroshnia is a textile designer and lecturer at the Swedish School of Textiles, University of Borås. Much of Marjan’s time as a Master’s student in Textile Design was spent at the printing lab, learning about thermochromic inksbehavior when printed on textiles and designing dynamic surface patterns. In her PhD research she has explored the design properties and potentials of leuco dye-based thermochromic inks when printed on textiles in order to obtain an understanding and facilitate the design of dynamic surface patterns. 

    In this exhibition, she presents her Ph.D. thesis, in which she has investigated different methods to create diverse colour changing effects on textiles. The prints displayed in this exhibition show a wide range of aesthetic possibilities offered by thermochromic inks on textiles.

     

     

  • 9516.
    Kooroshnia, Marjan (Artist)
    University of Borås, Faculty of Textiles, Engineering and Business.
    ON TEXTILE PRINTING WITH THERMOCHROMIC INKS2017Artistic output (Refereed)
    Abstract [en]

    What are thermochromic inks? They are colouring agents characterised by their ability to, when printed on textiles, change colour in response to temperature fluctuations. Below their activation temperature they are coloured, and above their activation temperature they are clear or have a light hue. They are usually blended with static pigments, allowing them to change from one colour to another. 

    Do the thermochromic inks offer other design possibilities rather than only change from one colour to another? What if thermochromic inks are mixed with static pigments in different proportions? What is the behaviour of prints produced using these mixtures when they are heated or cooled? What if multiple colours could be concealed or revealed at once? What if thermochromic colour mixtures are printed in layers on top of each other?What if thermochromic inks have different activation temperatures? And what if the states of thermochromic colour transitions between non-heated, heated, and cooled are properly visualised?

    Marjan Kooroshnia is a textile designer and lecturer at the Swedish School of Textiles, University of Borås. Much of Marjan’s time as a Master’s student in Textile Design was spent at the printing lab, learning about thermochromic inksbehavior when printed on textiles and designing dynamic surface patterns. In her PhD research she has explored the design properties and potentials of leuco dye-based thermochromic inks when printed on textiles in order to obtain an understanding and facilitate the design of dynamic surface patterns. 

    In this exhibition, she presents her Ph.D. thesis, in which she has investigated different methods to create diverse colour changing effects on textiles. The prints displayed in this exhibition show a wide range of aesthetic possibilities offered by thermochromic inks on textiles.

     

     

  • 9517.
    Kapur, Jyoti (Designer)
    University of Borås, Faculty of Textiles, Engineering and Business.
    Kirkilytė-Jankauskienė, Giedre (Dancer)
    Lithuanian Academy of Music and Theatre, Vilnius.
    Performance: Smells, space and body movement2016Artistic output (Refereed)
  • 9518.
    Kapur, Jyoti (Designer)
    University of Borås, Faculty of Textiles, Engineering and Business.
    Performative exhibit: Touch of smell2017Artistic output (Refereed)
    Abstract [en]

    The exploration of material is in a performance, that is investigating how human interactions develop when spaces are designed using smell as a design material. In the digital world, the touch and the sensation to the physical materials are lacking in everyday life. However, at the same time, the need to be connected to ourselves through our body is ever growing. This however is quite unlike to our affinity of moving fast in all aspects of life. As Juhani Pallasmaa (2012) points out that a haptic architecture brings about slowness and intimacy which is understood and appreciated only gradually with time. Also, written by Ezio Manzini (1989) touch being the most analytic of all the human senses, can help us explore the shapes and surfaces of a material better than the eyes.

    In an attempt to re-initiate the experience through the sense of smell and touch, this paper aims to question how can smells be used as a design material in our living environments. Speculating buildings and interior spaces, using invisible immaterial, this research is focusing on ways of designing interactions with smells and how these interactions open or close architectural spaces without having physical boundaries. In this paper, the design experiments are investigating how we will respond and interact with smell in architectural spaces.

  • 9519.
    På andras villkor: skolans möte med elever med funktionshinder2006Report (Other academic)
    Abstract [sv]

    Denna utvärdering av hur tillgänglig utbildningen är för elever med funktionshinder har särskilt tagit fasta på elevernas egna beskrivningar av sin skolkarriär. I studien undersöks och analyseras vad som är väsentligt för tillgängligheten i grund- och gymnasieskolan och vad som kan ses som hindrande. Slutsatserna handlar inte i första hand om de tekniska och materiella lösningarna utan snarare om sådant som kan sammanfattas i kompetens, kreativitet och professionalism. Sådant som bidrar till att göra eleverna delaktiga i sin egen utveckling.

  • 9520.
    Bågander, Linnea
    University of Borås, Faculty of Textiles, Engineering and Business.
    Reflect2018Artistic output (Refereed)
    Abstract [en]

    Video dokumentation of 'reflect' exhibited 26/05 - 30/09 2018 at Transfashinal, Kalmar Art Museum.

    The work explored the relation of form and surface through having a reflective surface that changes the appearance of the form through its interaction with the environment. 

  • 9521.
    Eson Bodin, Ulla
    University of Borås, Swedish School of Textiles.
    Simultan Hommage á Sonia Delaunay2007Artistic output (Unrefereed)
  • 9522.
    Dumitrescu, Delia (Designer)
    University of Borås, Faculty of Textiles, Engineering and Business.
    Kooroshnia, Marjan (Designer)
    University of Borås, Faculty of Textiles, Engineering and Business.
    Kapur, Jyoti (Designer)
    University of Borås, Faculty of Textiles, Engineering and Business.
    Keune, Svenja (Designer)
    University of Borås, Faculty of Textiles, Engineering and Business.
    Landin, Hanna (Designer)
    University of Borås, Faculty of Textiles, Engineering and Business.
    Talman, Riikka (Designer)
    University of Borås, Faculty of Textiles, Engineering and Business.
    Smart Textiles design: advancement of methods and expressions at MoOD and Indigo 172017Artistic output (Unrefereed)
  • 9523.
    Kapur, Jyoti (Designer, Curator)
    University of Borås, Faculty of Textiles, Engineering and Business.
    Stasiulyte, Vidmina (Designer, Curator)
    University of Borås, Faculty of Textiles, Engineering and Business.
    Keune, Svenja (Curator, Designer)
    Tomico, Oscar (Curator)
    Barcelona School of Design and Engineering.
    Keith, Sara (Curator)
    School of Textiles and Design, Heriot Watt University.
    Suarez, Daniel (Designer)
    UDK, Berlin.
    Resetar, Iva (Designer)
    UDK, Berlin.
    Beyer, Bastian (Designer)
    RCA, London.
    Cabrero, Marina (Designer)
    RCA, London.
    Gowrishankar, Ramyah (Designer)
    UDK, Berlin.
    Pečiulytė, Justė (Designer)
    VAA, Vilnius.
    Lundberg, Sara (Designer)
    VAA, Vilnius.
    Pineyro, Ana (Designer)
    RCA, London.
    Nachtigall, Troy (Designer)
    Tu/e, Eindhoven.
    Mackey, Angella (Designer)
    Svechtarova, Mila (Designer)
    Bertin, Marion (Designer)
    SPECULATE, COLLABORATE, DEFINE - TEXTILE THINKING FOR FUTURE WAYS OF LIVING2017Artistic output (Refereed)
    Abstract [en]

    About the exhibition

    How can we design for the future? In this avant-garde exhibition architects, interaction, fashion and textile designers show their works in progress when they speculate about, collaborate on, and define how to strengthen the foundations of design for more sustainable forms of living. 

    The exhibition Speculate, collaborate, define – textile thinking for future ways of living, is a work in progress by the PhD students in the ArcInTexETN project. ArcInTexETN is an EU-funded training network of early stage researchers exploring new expressions of living through textile thinking.  They collaborate in three scales – building, interior, and body – looking into methods for turning current scientific knowledge into the design of new forms of living.

    With videos as their main medium, the students present different takes on the subject. In “Ahti”, a speculative short film about the first human being born in space, the story is set in the future. It’s 2076 and there is no water left on our planet Earth. Ahti wears the same suit every day, like a second skin. The skin has different properties that protect him and allow him to walk on any surface, levitate, communicate and store energy.

    Have you heard about the Wolpertinger? It’s a hybrid animal whose appearance evokes the idea that, however different the parts are, they constitute a whole, functioning organism. With the animal as an analogue, a collection of videos are projections of different pieces of work, showing a patchwork of cooperation, exposing the working process of collaborative design.

    The film “What is interior?” presents an interior landscape, a shifting view of this paradoxical space, narrated by a linguistic review that argues to define the term interior. The film gives an examination of the definitions that frame the term, as well as creating the fleeting textures that shapes it.

    In addition to the video projections there are also three individual installations. So, bring your nose and your curiosity! This is not only an audio-visual exhibition.

  • 9524.
    Stasiulyte, Vidmina (Artist)
    University of Borås, Faculty of Textiles, Engineering and Business. The Swedish School of Textiles.
    Mackey, Angella (Artist)
    Nachtigall, Troy (Artist)
    Bertin, Marion (Artist)
    Svechtarova, Mila (Artist)
    Heisler, Christopher (Actor)
    Rivera, Esteban (Videographer)
    Speculate, Collaborate, Define: AHTI2017Artistic output (Unrefereed)
    Abstract [en]

    Collaborative project Ahti is a speculative short film about the first human being

    born in space. The story is happening in the future. It’s 2076 and there is no water

    left on our Blue Palnet Earth. Ahti is the main character of this story. Ahti collects ice

    from asteroids and brings it back to the nearest space station. Ahti is wearing the

    same suit every day. It is like a second skin. The skin has different properties, which

    protect and allow walking on any surface, levitating, communicating, storing energy,

    and etc.

  • 9525.
    Stasiulyte, Vidmina (Artist)
    University of Borås, Faculty of Textiles, Engineering and Business. The Swedish School of Textiles.
    Bågander, Linnea (Dancer)
    University of Borås, Faculty of Textiles, Engineering and Business.
    Speculate, Collaborate, Define: Sound Map2017Artistic output (Unrefereed)
    Abstract [en]

    What is the notion of a sounding body? During a collaborative project Sound Map me and PhD student Linnea Bågader were exploring the relationship between the body, movement, and sound. Various attachable sounding objects choreographed the movements of body and inspired to speculate on the future identity and behavior based on sonic expressions. Map format installation invites to listen and explore the bodily rhythms as an echo of a particular sound. During a collaborative project Sound Map, PhD students Vidmina Stasiulyte and Linnea Bågader were exploring the relationship between the body, movement, and sound. Various attachable sounding objects choreographed the movements of body and inspired to speculate on the future identity and behavior based on sonic expressions. 

  • 9526.
    Bågander, Linnea
    University of Borås, Faculty of Textiles, Engineering and Business.
    Square2018Artistic output (Refereed)
    Abstract [en]

    Video dokumentation of 'square' exhibited 26/05 - 30/09 2018 at Transfashinal, Kalmar Art Museum. 

    The work explores a possible spatial expression of the body by extending the angular structure into the geometric form of the square. 

  • 9527.
    Kapur, Jyoti (Designer, Actor)
    University of Borås, Faculty of Textiles, Engineering and Business.
    Pečiulytė, Justė (Designer, Actor)
    VAA, Vilnius.
    Staging a smelly atmosphere2017Artistic output (Refereed)
    Abstract [en]

    As a collaborative proposal for a presentation at the Symposium, we suggest a performance/workshop format. The invited participant enacts a specific spatial atmosphere of a design studio, where smells are quintessential to a working space and also to the design process. This workshop/performance becomes a method to investigate, how the spaces can be arranged using the olfactive boundaries. If the tactile surfaces create non-visual expressions going beyond a graphical and visual representation. And how change in smells make a distinctive effect in design decisions and design processes for a designer.

    Additionally, the workshop/performance is an experimental research presentation format that enables an activated state (smells) and gives a playground for learning. It is a way to display, explore and finally, to discuss the ‘designer experience’ conveyed by embodied interactions with the materials.

    We use the design studio as  a framework which is susceptible to be adaptive, hence open for negotiation with existing conditions. We also estimate the importance for it to articulate the tactile, visual and verbal aspects of the designing environment. Therefore, studio as a stage, a material setting to improvise and enact with, is more specifically what interests us.

  • 9528.
    Student Projects, The Swedish School of Textiles2003Other (Other academic)
  • 9529.
    Student Projects, The Swedish School of Textiles2004Other (Other academic)
  • 9530.
    Blomgren, Erika (Creator, Illustrator)
    University of Borås, Swedish School of Textiles.
    Studies in ink and pencil2014Artistic output (Unrefereed)
  • 9531.
    Keune, Svenja
    University of Borås, Faculty of Textiles, Engineering and Business. Svensson AB.
    Textile Farming: Speculate, collaborate, define – textile thinking for future ways of living. Textile museum in Borås, March 23 -7 May 20172017Artistic output (Unrefereed)
  • 9532.
    The Nordic Textile Journal 2003: Table of Contents, Editorial information2003Other (Other academic)
  • 9533.
    The Nordic Textile Journal 2004: Table of Contents, Editorial information2004Other (Other academic)
  • 9534.
    The Nordic Textile Journal 2006-07: Table of Contents, Editorial information2007Other (Other academic)
  • 9536.
    The Nordic Textile Journal 2009 Special Edition: Fashion & Clothing: Table of Contents, Introduction, Editorial information2009Other (Other academic)
  • 9537.
    Kapur, Jyoti (Designer)
    University of Borås, Faculty of Textiles, Engineering and Business.
    Workshop: Playing with Smells2017Artistic output (Refereed)
    Abstract [en]

    The aim of this workshop is creating games for interacting with smells by exploring different textile materials, shapes and forms of different sizes. Some smells will be pleasant and others will not. This workshop is intended to bring back the attention to human instinctive senses of touch and smell through the physical materials.

    The idea of creating games is to provide a multi-sensorial experience and playful interaction with the textile objects and materials. This is challenging to distract the attention onto something analogue in the midst of the fast and the digital way of interactions within our environment. However, the sense of smell does not need a conscious attention, the smells around us send messages even without being focussed on the source of smells. These messages are interpreted subjectively based on individual experiences, and learnt associations for example, disgust or appeal. The reaction or reflex to smells happens while the other senses are stimulated at the same time. However, to be able to make the experience with smells more tangible, the interactions in the games are designed through the sense of touch. This gives a sense of almost a synesthetic experience. 

188189190191 9501 - 9537 of 9537
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