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  • 451.
    Åkerlund, Louise
    Högskolan i Borås, Institutionen Textilhögskolan.
    [ ]2012Independent thesis Basic level (degree of Bachelor)Oppgave
    Abstract [en]

    “Modern physics teaches us that even empty space has a kind of structure and it is charged with energy. The void is never so “empty” as we imagine: it is rather our lack of sensory organs, which leads us to believe that there may be gaps. “

  • 452.
    Bågander, Linnea
    Högskolan i Borås, Akademin för textil, teknik och ekonomi.
    BODY OF MOVEMENT2017Kunstnerisk output (Granskad)
    Abstract [en]

    Pictures and videos exhibited at Everything and Everybody as materials 2017. 

    The work exemplifies how the body can extend into materiality and through this it questions the borders of the body not only in form, which is usually the case in fashion design, but also in movement qualities as temporal form. Further it high lightens the importance of awareness of movement qualities in materials of dress as they express the form.

    The body is extended by its angular structure into the geometric form. 3 examples of the work was displayed. In its simplest form as lines connected with elastics, then the structure dressed in fabric and one where the structure is extended as squares. 

  • 453.
    Bågander, Linnea
    Högskolan i Borås, Akademin för textil, teknik och ekonomi.
    Neidert Sestan, Nicole
    Cuttlefish2017Kunstnerisk output (Granskad)
    Abstract [en]

    The performance Cuttlefish questions the form, identity and movement qualities of the dancer and through this it opens up for the discussion, what is a body? The body forms, the viewer can relate to on an emotional level, they became new personas and identities through the new movement qualities and forms. The costume design suggests and push both the choreography and the narrative further, since these new bodies, in themselves, are a choreography and narrative.

    Performed at Falkhallen events venue in Falkenberg, Sweden on 26th of September 2017

  • 454.
    Dumitrescu, Delia ()
    Högskolan i Borås, Akademin för textil, teknik och ekonomi.
    Kooroshnia, Marjan ()
    Högskolan i Borås, Akademin för textil, teknik och ekonomi.
    Keune, Svenja ()
    Högskolan i Borås, Akademin för textil, teknik och ekonomi.
    Talman, Riikka ()
    Högskolan i Borås, Akademin för textil, teknik och ekonomi.
    Kapur, Jyoti ()
    Högskolan i Borås, Akademin för textil, teknik och ekonomi.
    Exhibition on on-going research, experimental work and prototypes in textile design from the Smart Textiles Design Lab at Techtextil 2017 in Frankfurt on 9-12th May 20172017Kunstnerisk output (Ogranskad)
  • 455.
    Talman, Riikka ()
    Högskolan i Borås, Akademin för textil, teknik och ekonomi.
    Exhibition on on-going research, experimental work and prototypes in textile design from the Smart Textiles Design Lab at the PhD exhibition at “Shaping (Un)common Grounds”, ArcInTex-conference, Eindhoven, the Netherlands on 2014/10/13-172014Kunstnerisk output (Ogranskad)
  • 456.
    Kapur, Jyoti ()
    Högskolan i Borås, Akademin för textil, teknik och ekonomi.
    Suarez, Daniel ()
    UDK, Berlin.
    Resetar, Iva ()
    UDK, Berlin.
    Beyer, Bastian ()
    RCA, London.
    Cabrero, Marina ()
    RCA, London.
    Exhibition: Research through Collaboration2016Kunstnerisk output (Granskad)
  • 457.
    Bågander, Linnea
    Högskolan i Borås, Akademin för textil, teknik och ekonomi.
    Kent, Karolin
    Karolin Kent, movement and visual art.
    INSIDE/OUTSIDE: Horizontal2017Kunstnerisk output (Granskad)
    Abstract [en]

    The performance INSIDE/OUTSIDE questions the borders of the body both through how material movement allow the body to extend in scale and by changing the inside and outside perspective of dress. Through this it also questions the notion of wearing. The form suggest and instructs the choreography and becomes a co-choreographer pushing the narrative further and opening up for interaction between bodies through its materiality.

    Dance performance performed at the Falkhallen events venue in Falkenberg, Sweden on May 10, 2017 and the ‘everything and everybody as material’ conference, June 7-9, 2017 

    Dance performance performed at the Falkhallen events venue in Falkenberg, Sweden on May 10, 2017 and the ‘everything and everybody as material’ conference, June 7-9, 2017 

  • 458.
    Bågander, Linnea
    Högskolan i Borås, Akademin för textil, teknik och ekonomi.
    Kent, Karolin
    Karolin Kent, movement and visual art.
    INSIDE/OUTSIDE: Vertical2017Kunstnerisk output (Granskad)
    Abstract [en]

    The performance INSIDE/OUTSIDE questions the borders of the body both through how material movement allow the body to extend in scale and by changing the inside and outside perspective of dress. Through this it also questions the notion of wearing. The form suggest and instructs the choreography and becomes a co-choreographer pushing the narrative further and opening up for interaction between bodies through its materiality. This version of INSIDE/OUTSIDE, is developed to create interaction and somatic experience for the audience with their bodies, each other, the materiality and the dancer. 

    Dance performance performed at Improspekcije festival, Zagreb, Croatia, 10-11 of November

  • 459.
    Kapur, Jyoti ()
    Högskolan i Borås, Akademin för textil, teknik och ekonomi.
    Performative exhibit: Touch of smell2017Kunstnerisk output (Granskad)
    Abstract [en]

    The exploration of material is in a performance, that is investigating how human interactions develop when spaces are designed using smell as a design material. In the digital world, the touch and the sensation to the physical materials are lacking in everyday life. However, at the same time, the need to be connected to ourselves through our body is ever growing. This however is quite unlike to our affinity of moving fast in all aspects of life. As Juhani Pallasmaa (2012) points out that a haptic architecture brings about slowness and intimacy which is understood and appreciated only gradually with time. Also, written by Ezio Manzini (1989) touch being the most analytic of all the human senses, can help us explore the shapes and surfaces of a material better than the eyes.

    In an attempt to re-initiate the experience through the sense of smell and touch, this paper aims to question how can smells be used as a design material in our living environments. Speculating buildings and interior spaces, using invisible immaterial, this research is focusing on ways of designing interactions with smells and how these interactions open or close architectural spaces without having physical boundaries. In this paper, the design experiments are investigating how we will respond and interact with smell in architectural spaces.

  • 460.
    Bågander, Linnea
    Högskolan i Borås, Akademin för textil, teknik och ekonomi.
    Reflect2018Kunstnerisk output (Granskad)
    Abstract [en]

    Video dokumentation of 'reflect' exhibited 26/05 - 30/09 2018 at Transfashinal, Kalmar Art Museum.

    The work explored the relation of form and surface through having a reflective surface that changes the appearance of the form through its interaction with the environment. 

  • 461.
    Bågander, Linnea
    Högskolan i Borås, Akademin för textil, teknik och ekonomi.
    Niedert, Nicole
    SKINNING/TRUE MESH 16:9 full time texture2019Kunstnerisk output (Granskad)
  • 462.
    Kapur, Jyoti (, )
    Högskolan i Borås, Akademin för textil, teknik och ekonomi.
    Stasiulyte, Vidmina (, )
    Högskolan i Borås, Akademin för textil, teknik och ekonomi.
    Keune, Svenja (, )
    Tomico, Oscar ()
    Barcelona School of Design and Engineering.
    Keith, Sara ()
    School of Textiles and Design, Heriot Watt University.
    Suarez, Daniel ()
    UDK, Berlin.
    Resetar, Iva ()
    UDK, Berlin.
    Beyer, Bastian ()
    RCA, London.
    Cabrero, Marina ()
    RCA, London.
    Gowrishankar, Ramyah ()
    UDK, Berlin.
    Pečiulytė, Justė ()
    VAA, Vilnius.
    Lundberg, Sara ()
    VAA, Vilnius.
    Pineyro, Ana ()
    RCA, London.
    Nachtigall, Troy ()
    Tu/e, Eindhoven.
    Mackey, Angella ()
    Svechtarova, Mila ()
    Bertin, Marion ()
    SPECULATE, COLLABORATE, DEFINE - TEXTILE THINKING FOR FUTURE WAYS OF LIVING2017Kunstnerisk output (Granskad)
    Abstract [en]

    About the exhibition

    How can we design for the future? In this avant-garde exhibition architects, interaction, fashion and textile designers show their works in progress when they speculate about, collaborate on, and define how to strengthen the foundations of design for more sustainable forms of living. 

    The exhibition Speculate, collaborate, define – textile thinking for future ways of living, is a work in progress by the PhD students in the ArcInTexETN project. ArcInTexETN is an EU-funded training network of early stage researchers exploring new expressions of living through textile thinking.  They collaborate in three scales – building, interior, and body – looking into methods for turning current scientific knowledge into the design of new forms of living.

    With videos as their main medium, the students present different takes on the subject. In “Ahti”, a speculative short film about the first human being born in space, the story is set in the future. It’s 2076 and there is no water left on our planet Earth. Ahti wears the same suit every day, like a second skin. The skin has different properties that protect him and allow him to walk on any surface, levitate, communicate and store energy.

    Have you heard about the Wolpertinger? It’s a hybrid animal whose appearance evokes the idea that, however different the parts are, they constitute a whole, functioning organism. With the animal as an analogue, a collection of videos are projections of different pieces of work, showing a patchwork of cooperation, exposing the working process of collaborative design.

    The film “What is interior?” presents an interior landscape, a shifting view of this paradoxical space, narrated by a linguistic review that argues to define the term interior. The film gives an examination of the definitions that frame the term, as well as creating the fleeting textures that shapes it.

    In addition to the video projections there are also three individual installations. So, bring your nose and your curiosity! This is not only an audio-visual exhibition.

  • 463.
    Bågander, Linnea
    Högskolan i Borås, Akademin för textil, teknik och ekonomi.
    Square2018Kunstnerisk output (Granskad)
    Abstract [en]

    Video dokumentation of 'square' exhibited 26/05 - 30/09 2018 at Transfashinal, Kalmar Art Museum. 

    The work explores a possible spatial expression of the body by extending the angular structure into the geometric form of the square. 

  • 464.
    Kapur, Jyoti (, )
    Högskolan i Borås, Akademin för textil, teknik och ekonomi.
    Pečiulytė, Justė (, )
    VAA, Vilnius.
    Staging a smelly atmosphere2017Kunstnerisk output (Granskad)
    Abstract [en]

    As a collaborative proposal for a presentation at the Symposium, we suggest a performance/workshop format. The invited participant enacts a specific spatial atmosphere of a design studio, where smells are quintessential to a working space and also to the design process. This workshop/performance becomes a method to investigate, how the spaces can be arranged using the olfactive boundaries. If the tactile surfaces create non-visual expressions going beyond a graphical and visual representation. And how change in smells make a distinctive effect in design decisions and design processes for a designer.

    Additionally, the workshop/performance is an experimental research presentation format that enables an activated state (smells) and gives a playground for learning. It is a way to display, explore and finally, to discuss the ‘designer experience’ conveyed by embodied interactions with the materials.

    We use the design studio as  a framework which is susceptible to be adaptive, hence open for negotiation with existing conditions. We also estimate the importance for it to articulate the tactile, visual and verbal aspects of the designing environment. Therefore, studio as a stage, a material setting to improvise and enact with, is more specifically what interests us.

  • 465.
    Keune, Svenja
    Högskolan i Borås, Akademin för textil, teknik och ekonomi. Svensson AB.
    Textile Farming: Speculate, collaborate, define – textile thinking for future ways of living. Textile museum in Borås, March 23 -7 May 20172017Kunstnerisk output (Ogranskad)
  • 466.
    Kapur, Jyoti ()
    Högskolan i Borås, Akademin för textil, teknik och ekonomi.
    Workshop: Playing with Smells2017Kunstnerisk output (Granskad)
    Abstract [en]

    The aim of this workshop is creating games for interacting with smells by exploring different textile materials, shapes and forms of different sizes. Some smells will be pleasant and others will not. This workshop is intended to bring back the attention to human instinctive senses of touch and smell through the physical materials.

    The idea of creating games is to provide a multi-sensorial experience and playful interaction with the textile objects and materials. This is challenging to distract the attention onto something analogue in the midst of the fast and the digital way of interactions within our environment. However, the sense of smell does not need a conscious attention, the smells around us send messages even without being focussed on the source of smells. These messages are interpreted subjectively based on individual experiences, and learnt associations for example, disgust or appeal. The reaction or reflex to smells happens while the other senses are stimulated at the same time. However, to be able to make the experience with smells more tangible, the interactions in the games are designed through the sense of touch. This gives a sense of almost a synesthetic experience. 

78910 451 - 466 of 466
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