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  • 1.
    Saleem, Faseeh
    Högskolan i Borås, Akademin för textil, teknik och ekonomi.
    Body and design: Alternative ontologies in body based design processes2024Doktorsavhandling, monografi (Övrigt vetenskapligt)
    Abstract [en]

    The human body is a central aspect in design and is considered to be a fundamental starting point in body-based design processes. During the design process, both the existential and functional aspects of the body are explored in relation to the different activities that need to be considered with regard to the design of clothing, dress, and its association with objects in the world. Within these design processes, the models and alternatives to the human body that are used to develop designs are often confined by the body’s spatial and structural characteristics. This thesis both explores conceptions of the body and challenges conventional design methods and design thinking in fashion design processes in order to open up for alternative bodies as a methodological foundation.

    Alternative aesthetic approaches and understandings of the body were explored through experiments, reflections, dialogues, and discussions. Observations on the insights attained are presented, as are the results of a process of insight sorting and an analysis workshop with both fashion and textile design students. Mixed methods and speculative design were used within the qualitative research approach, providing a creative spark for the research process. The explorations and their outcomes bridge theory relating to artistic research and art and design research.

    This thesis suggests a set of concepts that have emerged from workshops and experiments that questioned preconceived notions of the body and facilitated a process of re-learning fashion-design processes. The explorations resulted in tools and methods that augment knowledge of and provide alternatives to standard methods used in fashion-design processes. They are alternative ways of working, constituting knowledge of recursive design methods and facilitating the enhancement of artistic approaches to design practices. The body alternatives that emerged from the exploratory experiments provide artistic openness in design thinking and introduce conceptions of the body that can facilitate or improve design practice. The results also contribute knowledge regarding design methods in general and how to facilitate learning regarding alternative methodological foundations and what a body could be within fashion-design education programmes.

    Ladda ner fulltext (pdf)
    fulltext
    Ladda ner (pdf)
    spikblad
  • 2. Esfahani, Soheila K (Utställningsansvarig, utställningskommissarie)
    Esfahani, Soheila K (Redaktör)
    Saleem, Faseeh (Redaktör)
    Högskolan i Borås, Akademin för textil, teknik och ekonomi.
    Saleem, Faseeh (Formgivare)
    Högskolan i Borås, Akademin för textil, teknik och ekonomi.
    DRAFTS 5: DISAPORIC BODIES2024Övrigt (Refereegranskat)
    Abstract [en]

    The term ‘diaspora’ has evolved in the fields of both art and design, and is often cited in discussions of identity. Existing artistic explorations are reflections on diverse experiences of culture and identification, and express alternative narratives. They challenge the conventional structures of established thoughts and stimulate the need to further augment our understanding.

    The multiplatform event ‘Diasporic Bodies’ brings together a group of artists from the Department of Visual Arts at Western University, London, Canada, and design researchers from the Body and Space Research Lab at the Swedish School of Textiles, University of Borås, Sweden. The artistic outputs focus on similarities between cultures, explorations of artefacts with connotations of cultural translation involving active processes of identification in terms of how materials and expressions are used to create relational aesthetics, and alternative approaches to modernity.

    The works, which have been produced by artists and researchers from both Western University and the University of Borås, were exhibited at the Cohen Commons at the Department of Visual Arts at Western University in January 2024, and are accompanied by a catalogue documenting the research and artistic outputs. A series of workshops and talks will be held at Western University in conjunction with the exhibition.

    Ladda ner fulltext (pdf)
    fulltext
  • 3. Qayyum, Tazeen (Utställningsansvarig, utställningskommissarie)
    Anwar, Faisal (Utställningsansvarig, utställningskommissarie)
    Saleem, Faseeh (Utställningsansvarig, utställningskommissarie, Redaktör, Formgivare)
    Högskolan i Borås, Akademin för textil, teknik och ekonomi.
    Forssblad, Matilda (Formgivare, Redaktör)
    Högskolan i Borås, Akademin för textil, teknik och ekonomi.
    DRAFTS 4: BODY AND SPACE RELATIONS2023Övrigt (Refereegranskat)
    Abstract [en]

    The study of the interaction between body and space has taken centre stage in recent design and architectural debates. Space is being re-examined for its fluidity and ability to adapt, give dimensions, and how space measures change when understood as time. In contrast, the body inhibits this space and time and constantly changes.

    The relationship between body and space is interdependent and intertwined, where they constantly affect, shape, and impress one another. The nuances, spirit and social implications of the many cultures and spaces we inhabit imprint on the body, while the body is where identity, reflexivity, soul, and mind mediate; thus, the two incessantly become sites of shifting cultural meaning.

    This multi-platform event brings together an international and multigenerational group of artists, researchers and designers to share current understandings, opportunities and challenges of Body and Space Relations through basic experimental art and design research. The exhibition explores empirical artistic expressions and functional aesthetic ideas to examine the role of objects and materiality in cultural sociology, the relation between bodily perception and space, and how it affects people’s art experience whenencountered in an unconventional setting.

    Curators: Tazeen Qayyum,Faisal Anwar and Faseeh Saleem

    Ladda ner fulltext (pdf)
    fulltext
  • 4.
    Saleem, Faseeh
    Högskolan i Borås, Akademin för textil, teknik och ekonomi.
    Reimagining the Body – Perspectives from Artistic Design Research2023Ingår i: Experiences of Fashion: Multiple Perspectives Symposium, 2023Konferensbidrag (Övrigt vetenskapligt)
    Abstract [en]

    The human body and technology shape each other, forming human subjectivity and objectivity. This hybrid relation between the human body and technology concerns relational ontology, and is part of an ongoing discourse that considers humans and technology to be indivisible concepts. The digital technology incorporated in fashion practices expedites design processes, but the artistic relationship between the two has the potential to aid further exploration of design possibilities. The digital editing tools used in design processes mediate human experiences and practices. The research presented in this paper aimed to explore the artistic possibilities of fashion design processes by reimagining the body and observing and exploring material interactions physically and digitally through the use of editing tools. This provided artistic openness in design thinking in relation to the development of a silhouette for clothing. The exploratory process provided a method of reimagining the body, and the use of digital editing tools suggested alternative expressions for silhouettes. The artistic design process amalgamated alternative body from physical and digital design. The exploratory experiment augmented knowledge of standard methods used in fashion design processes, suggesting alternative ways of approaching these processes. The outcome addresses the ways in which new silhouettes are created using physical and digital interfaces, constituting knowledge of recursive design methods and facilitating enhancement of artistic approaches to fashion design practices. 

    Ladda ner fulltext (pdf)
    Experiences of Fashion: Multiple Perspectives Symposium
  • 5.
    Bogdanienė, Egle Ganda
    et al.
    Lithuanian Artists' Union.
    Mažeikaitė-Teiberė, Saulė
    Lithuanian Artists' Union.
    Gutautė, Solveiga
    Lithuanian Artists' Union.
    Stasiulyte, Vidmina
    Högskolan i Borås, Akademin för textil, teknik och ekonomi. The Swedish School of Textiles.
    Saleem, Faseeh
    Högskolan i Borås, Akademin för textil, teknik och ekonomi.
    Kazlienė, Viktorija
    1st International Art Triennial Unpredictable Futures UFNA: DRAFTS (Design Research Artifacts in the Context of Exhibition)2022Övrigt (Refereegranskat)
    Abstract [en]

    The 1st International Art Triennial Unpredictable Futures is a project of visions and research that responds to the current issues of the space and Anthropocene era focused on predicting life outside the Earth. The project is implemented in Molėtai and its environs, the town which, thanks to Lithuanian scientists and artists already several decades ago, became a place of visual, pragmatic, prognostic, ontological, and other connections with space. The 1st International Art Triennial Unpredictable Futures (UFNA) will search for answers to the question of what the world of the future will be.

    Interactions between the matter and bodies, cosmic light and sound, alpha, beta, and other particles, black holes, gravity, and other space experiences will be embodied in artifacts. With the help of traditional and interdisciplinary media, triennial participants worldwide will present their work, identify their relationship with space, their own, and other bodies, explore innovative materials and technologies, or even use the enigmatic X (12) dimension. The triennial presents art and design objects, artistic research from more than 60 artists, and art researchers from Denmark, Iran, Canada, Lithuania, New Zealand, Pakistan, Sweden, Switzerland, Germany, Finland, and Romania. The research project DRAFTS: Design Research Artifacts in the Context of Exhibition is a part of the UFNA Art Triennial that presents emerging topics in the field of fashion and textile design. 

    Ladda ner fulltext (pdf)
    UFNA catalog
  • 6.
    Saleem, Faseeh
    Högskolan i Borås, Akademin för textil, teknik och ekonomi.
    Design And Body: Exploring Conceptions Of The Body In Fashion Design Processes2022Licentiatavhandling, monografi (Övrigt vetenskapligt)
    Abstract [en]

    The human body has been considered to be an active element and is a common starting point of fashion design processes. However, during these processes, understanding of the body and how it is used to design is often confined by the body’s standard spatial and structural characteristics. The research presented in this thesis aimed to examine body alternatives in fashion design processes in order to explore and open up for alternative body expressions for developing silhouettes for clothing. 

    Alternative aesthetic approaches and understandings of the body as a design tool were researched through experimental explorations, reflections, dialogue, and discussions. These created an embodied dialogue between thought and execution which was further developed and informed by the EDI (Embodied Design Ideation) framework for analysing and refining understandings of the interactions between the body, materials, and movement. These explorations and their outcomes bridge the theory of research for the art and research for art and design.  

    The explorations were based on the varied ways in which the body is perceived during body-material interactions, and were explored through movement, human-technology interfaces, and an exploratory workshop conducted at the Swedish School of Textiles. These explorations expanded our understanding of the body’s aesthetics in relation to material interactions and embodied experiences. The explorations questioned our preconceived conceptions of the body and facilitated a process of re-learning these through fashion design. 

    The results of the explorations were alternative methods and tools that use the body as a central variable in fashion design. The research culminated in the development of conceptions of the body in design processes that increase the design possibilities by introducing new concepts, tools, and methods. The body alternatives developed provide an openness in terms of design thinking and introduce conceptions of the body that can facilitate or improve design practice. The results have implications for design methods and contribute to methods in general and fashion design education programmes in terms of how they facilitate design processes.

    Ladda ner fulltext (pdf)
    fulltext
  • 7.
    Tepe, Jan (Utställningsansvarig, utställningskommissarie)
    Högskolan i Borås, Akademin för textil, teknik och ekonomi.
    Saleem, Faseeh (Utställningsansvarig, utställningskommissarie)
    Högskolan i Borås, Akademin för textil, teknik och ekonomi.
    Stasiulyte, Vidmina (Utställningsansvarig, utställningskommissarie)
    Högskolan i Borås, Akademin för textil, teknik och ekonomi.
    Greinke, Berit (Utställningsansvarig, utställningskommissarie)
    DRAFTS:3: Communicating knowledge through design research artefacts2022Övrigt (Refereegranskat)
    Abstract [en]

    DRAFTS:3 invited more than 80 researchers and designers to discuss the role of artefacts in research and design activities within disciplines such as fashion, textile, and interaction design. Specific to the third iteration of DRAFTS, researchers and designers contributed material and immaterial artefacts to the exhibition with the aim of framing discussions around the role of artefacts in communicating knowledge. The various schools of thought that the participating researchers and designers follow, allowed for a multifaceted dialogue to emerge, suggesting various approaches to communicating knowledge through design research artefacts.

    This multifaceted dialogue was expressed through three events across two venues: A ten-day research exhibition was held at designtransfer in an international collaboration between the Berlin University of the Arts, Germany and the University of Borås, Sweden. 45 design researchers from various academic institutions across Canada, Germany, Iran, Lithuania, Netherlands, New Zealand, Pakistan, Romania Sweden, and the United Kingdom showcased their work together.

    A symposium was held at designtransfer that invited all participating exhibitors to present and discuss their perspective on the role of artefacts in communicating knowledge in relation to their exhibited projects. The dialogue that emerged was further deepened by two keynote presentations, which were held by Sarah Kettley, Professor of Material and Design Innovation at University of Edinburgh, Scotland and Daniëlle Bruggeman, Professor of Fashion at ArtEZ - University of the Arts in Arnhem, the Netherlands.

    A one-day pop-up exhibition was held at the Berlin Open Lab that featured the work of 36 students enrolled at various academic institutions in MA Fashion Design, MA Textile Design, MA Costume Design, MA Product Design, MA Design & Computation, MA Spiel & Objekt, MS Physics, and BA Fashion Design to exhibit their projects in the context of the DRAFTS:3 theme.

    Together, these events suggested various perspectives on questions relevant to DRAFTS:3: What is an artefact? What roles do artefacts play in design practices and research? How do design practitioners and researchers communicate ideas and knowledge through artefacts? What are the possibilities and challenges of artefacts when communicating ideas and knowledge? What do design practitioners and researchers need to mind for framing the role of the artefact in this context?

    All contributors to the three events suggest varying perspectives to these questions on the following pages. These perspectives may show similarities to one another, or challenge each other. Together, they are a time stamp of evolving perspectives on the role of artefacts in practicing and communicating design and design research.

    Ladda ner fulltext (pdf)
    fulltext
  • 8.
    Saleem, Faseeh (Utställningsansvarig, utställningskommissarie)
    Högskolan i Borås, Akademin för textil, teknik och ekonomi.
    Khan, Rohma Moid (Utställningsansvarig, utställningskommissarie)
    Atawar, Rakhshanda (Utställningsansvarig, utställningskommissarie)
    Ahmad, Imran (Utställningsansvarig, utställningskommissarie)
    SOMATIC PROVOCATIONS2022Konstnärlig output (Ogranskad)
    Abstract [en]

    This collaborative project, entitled: SOMATIC PROVOCATIONS, brings together a group of internationally acclaimed academicians, researchers, designers, and artists associated with the field of fashion and textile. The aim is to share and exchange diverse somatic perspectives in design processes through basic experimental art and design research projects. 

    To manifest our thoughts an introductory webinar was held, followed by a symposium, finally culminating into an exhibition of selected works. The exhibition was curated to generate and demonstrate knowledge of current philosophical inquiries on the body through both pedagogical experiences and practice. 

    The project was launched in partnership with COLABS, Lahore, Pakistan and exhibited at Art Next Project and Tasweer Ghar.

    Ladda ner fulltext (pdf)
    SOMATIC PROVOCATIONS Catalogue
  • 9.
    Saleem, Faseeh
    Högskolan i Borås, Akademin för textil, teknik och ekonomi.
    "SPHERICAL TUBE"2022Övrigt (Refereegranskat)
    Abstract [en]

    The sculptural form titled: “Spherical tube” from - spheres and knitted tube series 1 - is a research artifact. This exploration examines alternative notions of the body in fashion design processes to explore and open up alternative possible bodily expressions. The form is developed based on the nine head proportion method of sketching in the material by using nine spheres as an alternative of body parts. The nine spheres draped in the knitted tubular structure interrogate alternative forms and bodily expression. The exploration opens up a dialogue on the scale and proportion of visualizing a body in material sketching. The outcome reflects on the pliability because of the use of material, that needs to be considered to develop alternative silhouettes along with the body and dress interactions.

    Ladda ner fulltext (pdf)
    fulltext
  • 10.
    Saleem, Faseeh
    Högskolan i Borås, Akademin för textil, teknik och ekonomi.
    Spherical Tube: Rethinking Design Thinking for Alternative Methods in Fashion Sketching2022Ingår i: Conference Proceedings CIVAE 2022: 4th Interdisciplinary and Virtual Conference on Arts in Education May 11-12, 2022 / [ed] MusicoGuia, Madrid, 2022Konferensbidrag (Refereegranskat)
    Abstract [en]

    The prevalent method of sketching in fashion design education is primarily based on the ‘nine heads’ reference, wherein the body is divided into nine equal sections from the head to the ankles. This method facilitates the drawing of shape, form, and constructional design details when making dress, but limits exploration of the silhouette. The research presented in this article challenged this by exploring a method of sketching in which materials, in the form of nine spheres held together by a knitted, tubular structure, were draped to investigate the artistic potential of alternative forms and body-textile expressions. This exploration resulted in openness in design thinking and a dialogue regarding the scale and proportions of the body with regard to sketching using materials. The findings contribute to the fashion design education field by suggesting an alternative starting point and sketching method for making dress.  

    Ladda ner fulltext (pdf)
    fulltext
  • 11.
    Tepe, Jan
    et al.
    Högskolan i Borås, Akademin för textil, teknik och ekonomi.
    Saleem, Faseeh
    Högskolan i Borås, Akademin för textil, teknik och ekonomi.
    The Body and Textiles at the Intersection of the Physical and the Digital Through Movement: Investigating Alternative Body-Textile Expressions for Fashion Design2022Ingår i: [ ] With Design: Reinventing Design Modes. IASDR 2021. / [ed] Bruyns, G.; Wei, H., Springer Nature, 2022, s. 2168-2182Konferensbidrag (Refereegranskat)
    Abstract [en]

    The prevalent body-dress paradigms in fashion education and industry primarily consider the physical interaction of the human body in relation to the textile material. This needs to be further investigated due to the ongoing digitalisation of the fashion system, which often results in a limited understanding of design methods with regard to how the body and dress influence each other. The research presented in this article aims to challenge the prevalent body-dress paradigms in fashion design by suggesting alternative methods for designing in the digital space using the human body and textiles. In this research, we investigated the artistic potential for fashion design by inverting the prevalent body-dress movement paradigm using motion-capture technology. A mixed-reality installation was developed as a design tool and used as a sketching method to translate textile movement in physical space into human-body movement in digital space. Alternative body-textile expressions were recorded and analysed based on sketching methods. The findings suggest that the resulting physical and digital bodily forms created possibilities for designing alternative types of dress, beyond jackets, shirts, and trouser. The findings contribute to the fashion design field in both academia and industry by suggesting alternative body-textile expressions as the starting points and criteria for designing dress from a different perspective than is commonly practiced. This could support designers in creating alternative types of dress that are not predominated by established characterisations of dress in the fashion field.

  • 12.
    Saleem, Faseeh
    Högskolan i Borås, Akademin för textil, teknik och ekonomi.
    Alternative notions of the body in fashion design2021Ingår i: Conference Proceedings CIVAE 2021: 3rd Interdisciplinary and Virtual Conference on Arts in Education / [ed] MusicoGuia, MusicoGuia Magazine , 2021Konferensbidrag (Refereegranskat)
    Abstract [en]

    The body is central, a reference and starting point in fashion design. The purpose of this researchpaper is to re-contextualize the understanding of the body and explore its varied perception in fashiondesign development. To investigate this artistic research perspective a workshop was conducted withBA1 fashion design students to explore possible alternative notions of the body. The purpose was to rethink and re-discover the pre-conceived notions of the body and its scale in fashion design processes.This questioned the idea of fashion and further reflected on what could a body be in fashion designdevelopment rather than what it is. The explorations were done through a workshop with the studentsto stimulate their analytical and conceptual skills. The two-day workshop included methods of experimentations, reflections, dialogue, and discussions. The task was planned to keep in mind the four categories of learning i.e., directed, exploratory, productive, and reflective. The facilitative tools i.e., verbalizing thinking during the process through discussions, cooperative learning methods while working intogroups were applied to develop dialogue and questioning. This discourse about body approximationand alternatives gave a new perspective on fashion design development. The result of the explorationsis alternative models for understanding the body as a central variable in fashion design. The resultshave implications for design methods in fashion design development. 

    Ladda ner fulltext (pdf)
    fulltext
  • 13.
    Saleem, Faseeh
    Högskolan i Borås, Akademin för textil, teknik och ekonomi.
    DRAFTS: Design Research Artefacts in the Context of Exhibition2021Övrigt (Refereegranskat)
    Ladda ner fulltext (pdf)
    fulltext
    Ladda ner (jpg)
    sphere of body
    Ladda ner (jpg)
    Museum of Moleti, Cube as body, Sphere as body
    Ladda ner (jpg)
    ufna poster
    Ladda ner (mp4)
    video intro
    Ladda ner (pdf)
    description of the work
  • 14.
    Saleem, Faseeh (Utställningsansvarig, utställningskommissarie, Formgivare, Forskare)
    Högskolan i Borås, Akademin för textil, teknik och ekonomi. -.
    DRAFTS: Design Research Artifacts as an Intermediary Knowledge: Research Exhibition at Pakistan Institute of Fashion and Design (PIFD), Lahore, Pakistan2021Konstnärlig output (Granskad)
    Abstract [en]

    The experimental explorations are based on the varied perception of the body and body-material expressions. The research artifact ‘knitted tube’ interaction with various bodies questions the preconceived notions of the body in fashion and textile design development. The results of the exploration are alternative methods for understanding the body as a central variable in fashion and textile design practices. The body alternative provides freedom in design thinking and develops idiosyncratic design methods for fashion and textile design.  

    The research artifact, ‘serves as input into knowledge production and as output for knowledge communication’. As inputs artifact gives the insight to start a research project, inspire new explorations with analyzing outcome which further help to formulate a research question. As outputs artifact highlight whether the research inquiry needs reformulation; demonstrate experimental knowledge of the creative process along with strengthening the findings to articulate in written outputs (Nimkulrat, 2013).  

    Ladda ner fulltext (pdf)
    project description
    Ladda ner fulltext (pdf)
    DRAFTS CATALOGUE
    Ladda ner (mov)
    film .mov
    Ladda ner (jpg)
    invite front
    Ladda ner (jpg)
    invite back
  • 15.
    Saleem, Faseeh
    Högskolan i Borås, Akademin för textil, teknik och ekonomi.
    Knitted expressions Movement as material in Textile Design2021Konferensbidrag (Refereegranskat)
    Abstract [en]

    The study focuses on exploring and manipulating materiality in knitting technique. Material is not only a substance but an experience that can be visual or tactile. The emphasis is on movement and how textile materiality effects and restricts it. Various techniques from basic to advance level have been learned and combined on silver reed knitting machine to create stimulating textural samples. Elastic materials like lyca both black, white, nude along with rubber and wool yarns have been explored keeping in mind the conceptual framework. The technique is not taken just as a surface but more of creating structures with strength and greater stretch ability investigating aesthetic expression. This study helps to explore material and its structural properties. It would assist to evolve and consider the ways in which bodies and textiles interact with each other. The combination of techniques in samples resulted in dramatic forms specially when taken off the machine. All samples explore materiality combining various knit structures which creates interesting results both tactile and visual.

    Ladda ner fulltext (pdf)
    abstract
    Ladda ner fulltext (pdf)
    poster
  • 16.
    Saleem, Faseeh
    Högskolan i Borås, Akademin för textil, teknik och ekonomi.
    The body as moving structure in Fashion Design processes2021Ingår i: ADADA + CUMULUS 2021 Proceedings of the 19th annual conference of Asia Digital Art and Design Association, 2021Konferensbidrag (Refereegranskat)
    Abstract [en]

    The human body movement is idiosyncratic and always challenging to document. This research explores ephemeral body movements and their documentation through the body-machine interface. The aim is to explore the body’s aesthetics and find possibilities of the use of the body as a moving structure in fashion design processes. These ephemeral body movements are documented through an installation setup consisting of a computer, posenet (the machine learning model), camera both video and computer screen. This reflects on how the machine interface translates the body and its movement through embodied interaction. The human body is translated into seventeen dots forming new bodily expressions based on the spatial level and structural characteristics of it while moving. The installation setup serves as a method in general or in fashion design processes to create alternative design expressions.  

    Ladda ner fulltext (pdf)
    fulltext
  • 17.
    Saleem, Faseeh (Konstnär)
    Högskolan i Borås, Akademin för textil, teknik och ekonomi.
    BODY2020Konstnärlig output (Granskad)
    Abstract [en]

    To unveil the real description of BODY and not making it accurate consciously, series of drawings were embroidered by blindfolding myself. It explores the understanding of real or unreal, perfect or imperfect bodies and not precieving body like a body. The technique and material restricts as well as gives freedom of expression in perceving body. 

    Ladda ner fulltext (png)
    fulltext
  • 18.
    Saleem, Faseeh (Formgivare)
    Högskolan i Borås, Akademin för textil, teknik och ekonomi.
    EMBODY2020Konstnärlig output (Granskad)
    Abstract [en]

    Embody focuses on the interaction of textiles with body, movement and space. This piece makes an artistic inquiry through knitted form into the ´notion of feminine beauty´ and its conventional associations with an hourglass figure. The piece in this exhibit subverts, challenges and questions these assumptions. 

    Ladda ner fulltext (pdf)
    fulltext
    Ladda ner (jpg)
    image
  • 19.
    Saleem, Faseeh
    Högskolan i Borås, Akademin för textil, teknik och ekonomi.
    TUBE!: Exploring material and movement expression by body encountering knitted structure and machine.2020Proceedings (redaktörskap) (Övrigt vetenskapligt)
    Abstract [en]

    The installation investigates the interaction of body within confined textile structure (knitted tube 1, hanging + knitted tube 2 on floor) and document body and movement explorations changing the aesthetic expression. The ephemeral embodied explorations are documented by using machine learning model Posenet that can estimate human movement. This will reflect on the outcome of existing methods and studying how the EDI (embodied design ideation) framework can be used to develop new methods for fashion and textile design processes. The EDI (embodied design ideation) method has been actively referred to by the researchers both in the field of human-computer interaction (HCI) and embodied interaction. These methods help to view body and material within the thought context and draw relationship that is used to inform a design. Posenet is used as a sketching tool to document spatial levels and structural characteristics of body while moving. This further identifies how and where movement occurs. The results question the limitation of technology and highlight through experiment when and where Posenet stops identifying body movement.

    Ladda ner fulltext (pdf)
    fulltext
  • 20.
    Saleem, Faseeh (Formgivare)
    Högskolan i Borås, Akademin för textil, teknik och ekonomi.
    THE EIGHTH GARDEN: An exhibition blurring the boundaries between art and craft2019Konstnärlig output (Granskad)
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    image
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    image
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