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  • 1. Brödje, Catrine
    Bourdieu och tiotalets svenska litterära fält: Kvinnliga författare i skuggan2001Inngår i: Häften för Kritiska Studier, ISSN 0345-4789, Vol. 34, nr 1, s. 51-61Artikkel i tidsskrift (Fagfellevurdert)
  • 2. Brödje, Catrine
    Den drunknade kvinnan: En förändrad genusordning i början av förra seklet2002Inngår i: Samlaren: tidskrift för svensk litteraturvetenskaplig forskning, ISSN 0348-6133, E-ISSN 2002-3871, Vol. 123, s. 111-129Artikkel i tidsskrift (Fagfellevurdert)
    Abstract [en]

    Catrine Brödje, Women's death by drowning. A literary motif at the turn of the century 1900 

    The picture of a dead woman was a common motif around the previous turn of the century. In the four literary texts that I am studying in this essay, a woman drowns. The texts are Georg Heym's poem "Die Tote im Wasser", Bertolt Brecht's ballad "Vom ertrunkenen Mädchen", Kate Chopin's novel The Awakening and Anna Lenah Elgström's short story "Det sjungande barnet". 

    It is strange that women's death by drowning is a common motif in these four different texts published between 1899 and 1927 in Sweden, Germany and the United States. It may be a coincidence, but the common motif is there and therefore calls for a comparison.

    Brecht's, Heym's, Chopin's and Elgström's texts are read in the light of the changed gender order, which was a result of the discourse on modernity in the early 1900s, and thereby the different gendered views on the motif women's death by drowning are made visible. The essay will explore the possibility of letting female and male writers establish a dialogue, where both the female and the male voices are heard instead of stopping at the fact that the motif of women's death by drowning becomes solely a male monologue.

  • 3.
    Brödje, Catrine
    Högskolan i Halmstad, Kontext & kulturgränser (KK).
    En heteromedial läsning av Molly Johnsons roman Pansarkryssaren (1955)2010Inngår i: Översättning – adaption, interpretation, transformation: IASS 2010 proceedings : föredrag vid den 28:e studiekonferensen i International Association of Scandinavian Studies (IASS) i Lund 3-7 augusti 2010 / [ed] Claes-Göran Holmberg och Per Erik Ljung, Lund: Lund University Open Access , 2010Konferansepaper (Fagfellevurdert)
  • 4.
    Brödje, Catrine
    Stockholms universitet, Stockholm, Sverige.
    Ett annat tiotal: En studie i Anna Lenah Elgströms tiotalsprosa1998Doktoravhandling, monografi (Annet vitenskapelig)
    Abstract [en]

    This thesis investigates the literary texts by Elgström in relation to the political, cultural and literary context of the years between 1910 and 1920.

    Among her contemporaries Elgström was important, but today she is completely unknown. The literary criticism of her time is one of the reasons why her writings have been transferred to the periphery. When she made her début, Elgström was very positively received. After that, the literary critics were not capable of seeing the innovative aspects of her prose of that period and a discussion of incomprehensibility was initiated, in which words like hysterical, extatic and exalted became catchwords. It appears that Elgström created a form of expression that was not yet accepted in literature. The male dominated literary criticism was at a loss and Elgström was ignored.

    The prose she wrote during the period in question has a distinctly experimental approach. In her literary texts, that are violating the standard conventions, Elgström appears as a female modernist and creates alternative images in the form of feminist and pacifist utopias. Expressionism is the modernist movement that can mainly be related to her prose of this period. Like the expressionists, she expresses a new sense of life which is permeated with religious conceptions.

    In the study the female modernism is seen in a feminist perspective, as well as in a perspective of gender theory where networks constitute an important basis. Elgström often worked in female networks and thus she became an important figure in the context of female literature and female politics of that time.

    By showing Elgström's kinship with the nation-wide early Swedish modernism, the Finno-Swedish modernism and the German expressionism, as well as by illustrating Elgström's position in the context of female literature and female politics of that time, the study contributes to a different image of the 1910s.

  • 5.
    Brödje, Catrine
    Högskolan i Halmstad, Kontext & kulturgränser (KK).
    Eva Heggestad, Alice Lyttkens i och om 1930-talet. Skrifter från Centrum för genusvetenskap. Uppsala 20092010Inngår i: Samlaren: tidskrift för svensk litteraturvetenskaplig forskning, ISSN 0348-6133, E-ISSN 2002-3871, Vol. 131, s. 476-478Artikkel, omtale (Annet vitenskapelig)
  • 6. Brödje, Catrine
    Frisk och sjuk litteratur. Gunilla Domellöf, Mätt med främmande mått. Idéanalys av kvinnliga författares samtidsmottagande och romaner 1930-19352001Inngår i: Kvinnovetenskaplig tidskrift, ISSN 0348-8365, Vol. 22, nr 3-4, s. 127-130Artikkel, omtale (Fagfellevurdert)
  • 7.
    Brödje, Catrine
    Högskolan i Halmstad, Kontext & kulturgränser (KK).
    Hur gör litteratur motstånd mot krig? Sofi Qvarnström, Motståndets berättelser. Anna Lenah Elgström, Marika Stiernstedt, Elin Wägner och första världskriget2010Inngår i: Tidskrift för litteraturvetenskap, ISSN 1104-0556, E-ISSN 2001-094X, Vol. 40, nr 1, s. 77-79Artikkel, omtale (Annet vitenskapelig)
  • 8.
    Brödje, Catrine
    Högskolan i Halmstad, Kontext & kulturgränser (KK).
    I en imaginär dialog2004Inngår i: Fortællingen i Norden efter 1960: [den 24. IASS-studiekonference 2002] / [ed] Anker Gemzøe, Aalborg: Aalborg Universitetsforlag , 2004, s. 304-309Kapittel i bok, del av antologi (Annet (populærvitenskap, debatt, mm))
  • 9.
    Brödje, Catrine
    Department of Comparative Literature, Lund University, Lund, Sweden.
    Kanon, genre och genus: Anna Lenah Elgström och Birgitta Trotzig2003Inngår i: Genrer och genreproblem: Teoretiska och historiska perspektiv / [ed] Beata Agrell & Ingela Nilsson, Göteborg: Daidalos , 2003, s. 151-157Kapittel i bok, del av antologi (Fagfellevurdert)
  • 10.
    Brödje, Catrine
    Högskolan i Halmstad, Kontext & kulturgränser (KK).
    Kritikern och Den nya kvinnan. Exemplen Fredrik Böök, Anna Lenah Elgström och Elin Wägner2003Inngår i: Horisont (Svenska Österbottens litteraturförening), ISSN 0439-5530, nr 4, s. 13-20Artikkel i tidsskrift (Fagfellevurdert)
  • 11.
    Brödje, Catrine
    Högskolan i Halmstad, Kontext & kulturgränser (KK).
    Kropp och kön i Frida Steenhoffs tidiga dramatik - från Lejonets unge (1896) till Kärlekens rival (1912)2008Konferansepaper (Annet vitenskapelig)
  • 12. Brödje, Catrine
    Mötet mellan liv och död – Anna Lenah Elgström och Birgitta Trotzig2002Inngår i: Signum : katolsk orientering om kyrka, kultur, samhälle, ISSN 0347-0423, Vol. 28, nr 2, s. 8-21Artikkel i tidsskrift (Fagfellevurdert)
  • 13. Brödje, Catrine
    "Se kvinnorna". Marika Stiernstedt, Hjalmar Söderberg och den genuspolitiska kontexten i början av 1900-talet2012Inngår i: Samlaren: tidskrift för svensk litteraturvetenskaplig forskning, ISSN 0348-6133, E-ISSN 2002-3871, Vol. 133, s. 223-241Artikkel i tidsskrift (Fagfellevurdert)
    Abstract [en]

    "'Se kvinnorna'. Marika Stiernstedt, Hjalmar Söderberg and the gender-political context at the beginning of the 20th century"

    This study discusses the concept of intertextuality by examining Martin Bircks ungdom (1901) and Doktor Glas (1906) by Hjalmar Söderberg and Lilas äktenskap (1910) by Marika Stiernstedt in the context of early 20th century gender-political discussion. Stiernstedt and Söderberg raise questions about sex, gender, love, sexuality and morality against a backdrop of works such as Lifslinjer I (1903) by Ellen Key, Ny kärlek. En bok för mogna andar (1902) by Elisabeth Dauthenday (1902) and to some extent Fyra böcker om Kristi efterföljelse (1894) by Thomas a Kempis. Stiernstedt and Söderberg show in their literary work that the contemporary gender-political discussion was characterized by security and perplexity. The female protagonists in their novels seem to be trapped in what Birgitta Holm calls “the no man's land of feminine desire", that is, in a borderland between an increasingly loosened Victorian ideal woman and an even more vague idea of the New Woman. However, although these three women live under entirely different conditions, they can still be regarded as forerunners to the New Woman.

  • 14.
    Brödje, Catrine
    Högskolan i Halmstad, Kontext & kulturgränser (KK).
    Steve Sem-Sandbergs roman Theres - en annan berättelse om Ulrike Meinhof, eller?2007Konferansepaper (Annet vitenskapelig)
    Fulltekst (pdf)
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