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  • 1.
    Stasiulyte, Vidmina (Artist)
    University of Borås, Faculty of Textiles, Engineering and Business. The Swedish School of Textiles.
    Beyond Seeing: Noisy Bodies2018Artistic output (Unrefereed)
    Abstract [en]

    The dress is a part of constructing and defining our identity. As a form of visual communication, clothing is a powerful means of making statements. Currently, fashion design products are developed based on the transmission of an image, referred to as a ‘culture-screen’, which makes the interaction process focused on the visual experience. Although sound, touch, and smell are elements of clothing, the visual sense is predominant in fashion and fashion education, and fashion is essentially understood as a system of visual components. As an alternative to this dominant focus on visuality, fashion could be explored as a sound-based interaction between the body and dress. The existing study of sound ontology in fashion is limited; thus, it is a largely new and interesting territory to be potentially explored. What is a sonic identity in the field of fashion? My research Aesthetics of the Invisible: Toward a Sonic Fashion Ontology is widening the notion of what aesthetics is by developing a new direction for fashion design on non-visual aesthetics based on sonic expressions. The sound is considered as a design-thinking material and an alternative, experimental way of defining a form for a silhouette. The sound installation Noisy Bodies is a part of the research practice–Sonic Fashion Library. The Noisy Bodies consist of 40 selected sound records of clothing, shoes, and accessory. The audience is invited to explore an acoustic dimension of fashion by listening to this sonic collage.

  • 2.
    Bågander, Linnea
    University of Borås, Faculty of Textiles, Engineering and Business.
    Neidert, Nicole (Choreographer)
    Cuttlefish2018Artistic output (Refereed)
    Abstract [en]

    The performance Cuttlefish questions the form, identity and movement qualities of the dancer and through this it opens up for the discussion, what is a body? The body forms, the viewer can relate to on an emotional level, they became new personas and identities through the new movement qualities and forms. The costume design suggests and push both the choreography and the narrative further, since these new bodies, in themselves, are a choreography and narrative.Dansers: Viktoria Andersson, Anton Borgström och Linn Ragnarsson

  • 3.
    Bågander, Linnea
    University of Borås, Faculty of Textiles, Engineering and Business.
    Kent, Karolin (Choreographer)
    Movement and visual art.
    INSIDE/OUTSIDE - Landscape2018Artistic output (Refereed)
    Abstract [en]

    The interactive textile sculpture INSIDE/OUTSIDE questions the borders of the body through material form and movement. The form suggest and instructs the choreography and becomes a co-choreographer pushing the narrative further and opening up for interaction between bodies through its materiality. Exhibited at Järnhallen Gotehburg 12-20 may 2018. 

  • 4.
    Bågander, Linnea
    University of Borås, Faculty of Textiles, Engineering and Business.
    Kent, Karolin (Choreographer)
    Movement and visual art.
    INSIDE/OUTSIDE - tunnel2018Artistic output (Refereed)
    Abstract [en]

    The interactive performance INSIDE/OUTSIDE questions the borders of the body both through how material movement allow the body to extend in scale and by changing the inside and outside perspective of dress. Through this it also questions the notion of wearing. The form suggest and instructs the choreography and becomes a co-choreographer pushing the narrative further and opening up for interaction between bodies through its materiality.

  • 5.
    Kooroshnia, Marjan (Artist)
    University of Borås, Faculty of Textiles, Engineering and Business.
    ON TEXTILE PRINTING WITH THERMOCHROMIC INKS2018Artistic output (Refereed)
    Abstract [en]

    What are thermochromic inks? They are colouring agents characterised by their ability to, when printed on textiles, change colour in response to temperature fluctuations. Below their activation temperature they are coloured, and above their activation temperature they are clear or have a light hue. They are usually blended with static pigments, allowing them to change from one colour to another. 

    Do the thermochromic inks offer other design possibilities rather than only change from one colour to another? What if thermochromic inks are mixed with static pigments in different proportions? What is the behaviour of prints produced using these mixtures when they are heated or cooled? What if multiple colours could be concealed or revealed at once? What if thermochromic colour mixtures are printed in layers on top of each other?What if thermochromic inks have different activation temperatures? And what if the states of thermochromic colour transitions between non-heated, heated, and cooled are properly visualised?

    Marjan Kooroshnia is a textile designer and lecturer at the Swedish School of Textiles, University of Borås. Much of Marjan’s time as a Master’s student in Textile Design was spent at the printing lab, learning about thermochromic inksbehavior when printed on textiles and designing dynamic surface patterns. In her PhD research she has explored the design properties and potentials of leuco dye-based thermochromic inks when printed on textiles in order to obtain an understanding and facilitate the design of dynamic surface patterns. 

    In this exhibition, she presents her Ph.D. thesis, in which she has investigated different methods to create diverse colour changing effects on textiles. The prints displayed in this exhibition show a wide range of aesthetic possibilities offered by thermochromic inks on textiles.

  • 6.
    Bågander, Linnea
    University of Borås, Faculty of Textiles, Engineering and Business.
    Reflect2018Artistic output (Refereed)
    Abstract [en]

    Video dokumentation of 'reflect' exhibited 26/05 - 30/09 2018 at Transfashinal, Kalmar Art Museum.

    The work explored the relation of form and surface through having a reflective surface that changes the appearance of the form through its interaction with the environment. 

  • 7.
    Bågander, Linnea
    University of Borås, Faculty of Textiles, Engineering and Business.
    Square2018Artistic output (Refereed)
    Abstract [en]

    Video dokumentation of 'square' exhibited 26/05 - 30/09 2018 at Transfashinal, Kalmar Art Museum. 

    The work explores a possible spatial expression of the body by extending the angular structure into the geometric form of the square. 

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