Change search
Refine search result
1 - 15 of 15
CiteExportLink to result list
Permanent link
Cite
Citation style
  • apa
  • harvard1
  • ieee
  • modern-language-association-8th-edition
  • vancouver
  • Other style
More styles
Language
  • de-DE
  • en-GB
  • en-US
  • fi-FI
  • nn-NO
  • nn-NB
  • sv-SE
  • Other locale
More languages
Output format
  • html
  • text
  • asciidoc
  • rtf
Rows per page
  • 5
  • 10
  • 20
  • 50
  • 100
  • 250
Sort
  • Standard (Relevance)
  • Author A-Ö
  • Author Ö-A
  • Title A-Ö
  • Title Ö-A
  • Publication type A-Ö
  • Publication type Ö-A
  • Issued (Oldest first)
  • Issued (Newest first)
  • Created (Oldest first)
  • Created (Newest first)
  • Last updated (Oldest first)
  • Last updated (Newest first)
  • Disputation date (earliest first)
  • Disputation date (latest first)
  • Standard (Relevance)
  • Author A-Ö
  • Author Ö-A
  • Title A-Ö
  • Title Ö-A
  • Publication type A-Ö
  • Publication type Ö-A
  • Issued (Oldest first)
  • Issued (Newest first)
  • Created (Oldest first)
  • Created (Newest first)
  • Last updated (Oldest first)
  • Last updated (Newest first)
  • Disputation date (earliest first)
  • Disputation date (latest first)
Select
The maximal number of hits you can export is 250. When you want to export more records please use the Create feeds function.
  • 1.
    Femenías, Paula
    et al.
    Department of Architecture, Chalmers University of Technology, Gothenburg, Sweden.
    Fridh, Kristina
    Academy of Design and Crafts (HDK), University of Gothenburg, Sweden.
    Zetterblom, Margareta
    University of Borås, Faculty of Textiles, Engineering and Business.
    Keune, Svenja
    University of Borås, Faculty of Textiles, Engineering and Business.
    Talman, Riikka
    University of Borås, Faculty of Textiles, Engineering and Business.
    Henrysson, Erica
    Department of Architecture, Chalmers University of Technology, Gothenburg, Sweden.
    Mörk, Klara
    The Swedish School of Textiles (THS), University of Borås, Sweden.
    Earthy textiles. Experiences from a joint Teaching Encounter between Textile Design and Architecture2017In: Cumulus REDO Conference Proceedings Design School Kolding 30 May – 2 June 2017 / [ed] Anne Louise Bang,Mette Mikkelsen, Anette Flinck, 2017, p. 236-251Conference paper (Refereed)
    Abstract [en]

    This paper presents experiences from a two-day teaching workshop where first year students in architecture meet with first year students in textile design for an assignment on building structures with textile, soil and plants designing for indoor gardening with the aim of inspiring for more sustainable lifestyles. The background is a research project on textile architecture with the objective of exploring this new field and to establish a platform for long-term collaboration between the disciplines of architecture and textile design. The paper addresses pedagogical challenges in the meeting between first-years students of different disciplines and traditions, but also in the meeting between research and undergraduate teaching. The students produced creative results but had difficulties in exploring the full complexity of the task. An evaluative discussion is based on observations, photo documentation, notes during group discussions, follow-up questionnaires among the students and reflections among involved researchers.

  • 2.
    Heinzel, Tincuta
    et al.
    ‘Ion Mincu’ University of Architecture and Urbanism.
    Keune, Svenja
    University of Borås, Faculty of Textiles, Engineering and Business. Svensson AB.
    Walker, Sarah
    Nottingham Trent University.
    Peciulyte, Juste
    Vilnius Academy of Arts.
    Al Dente Textiles: Notes on edible textiles as economic and ecological intermediality2016In: SOCIOTECHNICAL ENVIRONMENTS: PROCEEDINGS OF THE 6TH STS ITALIA CONFERENCE 2016 / [ed] STEFANO CRABU, PAOLO GIARDULLO, FRANCESCO MIELE, MAURO TURRINI, Via Carducci 32, 20123, Milano, 2016Conference paper (Refereed)
    Abstract [en]

    One of the red lines of aesthetics as modern established discipline was the definition of media categories and disciplines in order to support ‘efficient’ ways of expression. The debate between Gotthold Lessing and Charles Batteux in the 18th century, and later on the propositions of artists and critics in the beginning of the 20th century, have all emphasized the need of a certain ‘aesthetic efficiency’ of artistic production. This aesthetic ‘efficiency’, a term of economical ascendency, was to be achieved by taking into account the limitations of materials used by different forms of expressions and the sensorial channels they were addressing. The present paper questions the notions of ‘media efficiency’, ‘economy of attention’ and ‘media ecology’ through an intermedia research based on a series of experiments with edible materials, conducted during a workshop on textile interactions in the frame of ArcInTex Conference at the Swedish School of Textiles in Borås in April 2016. The paper suggests that the present intermediality researches are the signs of a new paradigm that tries to exceed the modern industrial affordances schemas.

  • 3.
    Keune, Svenja
    University of Borås, Faculty of Textiles, Engineering and Business. Svensson AB.
    Co–designing with plants.: Degrading as an overlooked potential for interior aesthetics based on textile structures.2017In: The Design Journal.: An International Journal for All Aspects of Design / [ed] Loredana Di Lucchio, Lorenzo Imbesi, Paul Atkinson, 5 Howick Place, London, SW1P 1WG: Taylor & Francis Group, 2017, Vol. 20, p. 4742-4744Conference paper (Refereed)
    Abstract [en]

    This research explores the dynamic qualities of plant degradation in textile structures for interior and aims to develop alternative aesthetics, interactions, life–cycles and applications for living with plants by referring to outdoor expressions and experiences. A series of material explorations illustrates the potential of corn seeds in textile indoor applications, focusing on aesthetics and material properties of degradation to create an interplay of texture, structure, form and color. The hybrid textiles refer to Blaisse view on curtains as fluid atmospheres and second skin, challenging the static nature of architecture and reinforcing the dialogue between landscape and interior. Bringing aesthetics of decay into interior spaces not only challenges the nature of materials, it also invites to rethink the aesthetic and cultural bias towards natural processes in interior scenarios.

  • 4.
    Keune, Svenja
    University of Borås, Faculty of Textiles, Engineering and Business. Svensson AB.
    Growing textile hybrid structures: Using Plants for Dynamic Textile Transformation, an Approach Towards Biophilic Urbanism2017In: / [ed] Alberto T. Estévez, 2017, Vol. 3, p. 264-275Conference paper (Refereed)
    Abstract [en]

    This paper attempts to illustrate a „Material System“ that can exemplify a hybrid material behavior through a designed assembly of two categories of materials (biological and textile). The transformable system is achieved by natural dynamic transformations, using the potential of seeds for their passive and active, adaptive and responsive characteristics. The paper will showcase a series of experiments illustrating alternative forms of plant organization, human management and dynamic transformation in textile interior scenarios. The use of jacquard double weave structures on industrial machines allows a variety of patterns and constructions. Pocket weave is used in order to create enclosures capable of accommodating external elements such as seeds seamlessly. Activated by surrounding factors and forms of human management, the final prototypes, presented within an interior scenario, attempt to utilize the various behavioral properties, creating a non–tech responsive structure. Consequently, the research opens up the design space for climate responsive architectural structures where the responsive capacity is embedded in the structure of the material system itself. The paper aims to contribute to the future development of biophilic design and biodesign in the context of textile and interior design.

  • 5.
    Keune, Svenja
    University of Borås, Faculty of Textiles, Engineering and Business. Svensson AB.
    On Textile Farming2018Conference paper (Other academic)
  • 6.
    Keune, Svenja
    University of Borås, Faculty of Textiles, Engineering and Business.
    On Textile Farming: Living Indoors2019Doctoral thesis, monograph (Other academic)
    Abstract [en]

    Horticultural practices are increasingly entering the private realm due to the popularity of urban gardening, indoor gardening systems, and architectural propositions to join living spaces for people and vegetable cultivation in order to promote more resilient and sustainable ways of living. While new research into symbiotic processes between living organisms and their ability to sense and reason triggers new works of art, culture, design, and architecture, the organisation of indoor plants remains mainly unaffected. This is due to the fact that many of the examples that aim to bring together people and plants in an architectural context are characterised by rigid materials and technical systems that separate people and plants from each other and feature relatively unnatural environments, compositions, and expressions. In proposing an alternative perspective on this, On Textile Farming explores textiles as flexible systems for integrating plant growth in textile materials. The collaboration with AB Ludvig Svensson, a developer and producer of textiles for interiors and greenhouses, involved a joint approach to the two distinct areas of climate screens and interior textiles. Through experimental methods, interactions between plants and textiles were explored using double-weave structures to integrate seeds and substrate. A methodological framework is proposed wherein the processes and materials of textile and spatial design open up for environmental parameters, e.g. changes in time, climate, and material behaviour. The design concepts ‘textile permeability’, ‘seasonal textiles’, and ‘textile climate’ describe the interactions between plants, textiles, and space, and can be seen as first steps towards an interior textile ecosystem in which spaces are composed of relationships between biotic and abiotic components, causing the natural and the artificial to intersect. ‘Spatial permeability’, ‘seasonal interiors’ and ‘spatial climates’ expand the three textile concepts towards space and describe interactions between different spatial qualities that were explored through autobiographical research; for this, an experimental house was built in a rural region of Sweden and lived in. In this context, textiles be-came flexible interfaces between the inside and the outside, guiding growth and melting into seasonal expressions that blurred nature and artifice.

  • 7.
    Keune, Svenja
    University of Borås, Faculty of Textiles, Engineering and Business.
    On Textile Farming: Seeds as Material for Textile Design2018Licentiate thesis, monograph (Other academic)
    Abstract [en]

    Presently, designing with living systems such as insects, fungi and bacteria has become an area of extended interest, proposing collaborative processes of designing and manufacturing - as a solution for symbiotic ways of living. On the scale of the interior, modern systems for interior gardening, combining both functional, e.g., food supply, purifying the air, and aesthetic values, experience exceptional popularity, ensuring a complementary perspective on horticultural landscapes indoors. As a result, the spaces where people live and crops grow increasingly intersect and therefore open

    up for developments that bridge both areas and where aesthetic perspectives become equally important. However, modern indoor gardening systems are shaped by commercial horticultural practices, bringing reservoirs such as buckets, tubs or tanks, mostly built of plastic, into the homes. Textile Farming aims to explore alternative forms of plant organisation by blending seeds and textile structures into a hybrid material for textile interior scenarios. Consequently the materials’ performative capacity becomes part of the textile design process. A foundational part are forms of human management, e.g. activation of the seeds, maintenance of the plants, interaction with the hybrid textile structures within and beyond interiors, that leads to experiences and expressions. By practice based design research and through a series of design examples that explore the transformative potential of seeds in textile structures, alternative forms of plant organisation and methods for the textile design process lead to scenarios that propose alternatives to how we live with and organise plants today.

  • 8.
    Keune, Svenja
    University of Borås, Faculty of Textiles, Engineering and Business. Svensson AB.
    On Textile Farming: The Interior as an Ecosystem2019Conference paper (Refereed)
    Abstract [en]

    Alongside with smart materials, biomaterials become increasingly available to the field of textile design. This biological paradigm brings an alternative perspective to the ways in which textiles can be designed, present themselves, and can be dealt with. As biomaterials such as plants and bacteria thrive in symbiosis with their environment, their ecosystem consequently becomes disposable to the expressions of textiles and interior spaces. Here, textiles could take on the role of a mediator for ecosystem services, e.g. guiding the growth of crops, regulating indoor climates and supporting the decomposition of waste. This research aims to explore what the design of a ‘textile interior ecosystem’ would be like and discusses what the role of textiles as accommodating biological processes in relation to this system could be. By experimental research, ‘On Textile Farming’ explores the design of ‘textile interior ecosystem’ investigating e.g. growing crops, composting and fermenting in interior spaces in order to speculate how these biological principles could be translated into the design of textiles and how this would change the way we form interior spaces, live with them and understand them - as a community of living systems. By embedding biological agents e.g. plants and bacteria into interior fabrics, a biological perspective is added to their life-cycle. Here, the role of the textile is opened up towards a substrate for biological agents, a template for growth and a mediator in between all actors involved in the ‘textile interior ecosystem’. As a result, this research presents speculative scenarios which exemplify the extended life-cycle, illustrate the increase in interior diversity and forms of habitation using textiles, from an aesthetic and functional point of view. In a time in which the way we handle relationships to biotic and abiotic components is discussed and criticised, ‘On Textile Farming’ could open up a range of concepts unfamiliar to designing textiles and spaces, such as ‘Seasonal Interiors’, ’Multispecies Interplay’ and ‘Textile Hortitecture’.

  • 9.
    Keune, Svenja
    University of Borås, Faculty of Textiles, Engineering and Business. Svensson AB.
    Textile Farming: The power of seeds as a material for textile transformation. Exploring future perspectives of textile design where areas of living and growing intersect.2017Conference paper (Refereed)
  • 10.
    Keune, Svenja
    University of Borås, Faculty of Textiles, Engineering and Business. Svensson AB.
    Textiles as a template/substrate for domestic gardening2018Conference paper (Other (popular science, discussion, etc.))
  • 11.
    Keune, Svenja
    University of Borås, Faculty of Textiles, Engineering and Business. Svensson AB.
    Transforming textile expressions by using plants to integrate growth, wilderness and decay into textile structures for interior2017In: Alive. Active. Adaptive. / [ed] Elvin Karana, Elisa Giaccardi, Nithikul Nimkulrat, Kristina Niedderer, Serena Camere, Delft University of Technology, 2017, p. 90-100Conference paper (Refereed)
    Abstract [en]

     The emergence of biodesign, as a new field in design, opens up the design process for new methods, techniques and materials, consequently these new possibilities offer special potential for the textile design practice i.e. integrating living systems into textile structures. The purpose of this work is to develop knowledge on dynamic and active expressions through using bio–based materials in textile design processes. Major placeholders are exploring new forms of plant organization, and challenging existing concepts of living with plants, focusing on surface aesthetics. By practice–based design research, the experimental design explorations will illustrate the expressiveness of growth, wilderness and decay, using moisture, light and heat as design materials. This pictorial shows 10 sets of experiments that explore dynamic transformations of bio–based materials such as seeds and plants in interaction with textile materials and techniques like weaving, knitting and crochet. Consequently, the experiments illustrate potentialities in a design space where plants are placed as living materials for new processes and dynamic expressions. Subsequently, these materials open up the discussion on alternative aesthetics when designing interior textiles and designing spatial scenarios with them. The integration of living systems and dynamic expressions, especially towards growth, wilderness and decay, rises new issues i.e. their integration, maintenance, application and interaction. 

  • 12.
    Dumitrescu, Delia (Designer)
    University of Borås, Faculty of Textiles, Engineering and Business.
    Kooroshnia, Marjan (Designer)
    University of Borås, Faculty of Textiles, Engineering and Business.
    Keune, Svenja (Designer)
    University of Borås, Faculty of Textiles, Engineering and Business.
    Talman, Riikka (Designer)
    University of Borås, Faculty of Textiles, Engineering and Business.
    Kapur, Jyoti (Designer)
    University of Borås, Faculty of Textiles, Engineering and Business.
    Exhibition on on-going research, experimental work and prototypes in textile design from the Smart Textiles Design Lab at Techtextil 2017 in Frankfurt on 9-12th May 20172017Artistic output (Unrefereed)
  • 13.
    Keune, Svenja
    University of Borås, Faculty of Textiles, Engineering and Business. Svensson AB.
    Living in a Prototype: A Research Diary2019Artistic output (Unrefereed)
  • 14.
    Dumitrescu, Delia (Designer)
    University of Borås, Faculty of Textiles, Engineering and Business.
    Kooroshnia, Marjan (Designer)
    University of Borås, Faculty of Textiles, Engineering and Business.
    Kapur, Jyoti (Designer)
    University of Borås, Faculty of Textiles, Engineering and Business.
    Keune, Svenja (Designer)
    University of Borås, Faculty of Textiles, Engineering and Business.
    Landin, Hanna (Designer)
    University of Borås, Faculty of Textiles, Engineering and Business.
    Talman, Riikka (Designer)
    University of Borås, Faculty of Textiles, Engineering and Business.
    Smart Textiles design: advancement of methods and expressions at MoOD and Indigo 172017Artistic output (Unrefereed)
  • 15.
    Keune, Svenja
    University of Borås, Faculty of Textiles, Engineering and Business. Svensson AB.
    Textile Farming: Speculate, collaborate, define – textile thinking for future ways of living. Textile museum in Borås, March 23 -7 May 20172017Artistic output (Unrefereed)
1 - 15 of 15
CiteExportLink to result list
Permanent link
Cite
Citation style
  • apa
  • harvard1
  • ieee
  • modern-language-association-8th-edition
  • vancouver
  • Other style
More styles
Language
  • de-DE
  • en-GB
  • en-US
  • fi-FI
  • nn-NO
  • nn-NB
  • sv-SE
  • Other locale
More languages
Output format
  • html
  • text
  • asciidoc
  • rtf