Ändra sökning
Avgränsa sökresultatet
1 - 46 av 46
RefereraExporteraLänk till träfflistan
Permanent länk
Referera
Referensformat
  • apa
  • ieee
  • modern-language-association-8th-edition
  • vancouver
  • harvard-cite-them-right
  • Annat format
Fler format
Språk
  • de-DE
  • en-GB
  • en-US
  • fi-FI
  • nn-NO
  • nn-NB
  • sv-SE
  • Annat språk
Fler språk
Utmatningsformat
  • html
  • text
  • asciidoc
  • rtf
Träffar per sida
  • 5
  • 10
  • 20
  • 50
  • 100
  • 250
Sortering
  • Standard (Relevans)
  • Författare A-Ö
  • Författare Ö-A
  • Titel A-Ö
  • Titel Ö-A
  • Publikationstyp A-Ö
  • Publikationstyp Ö-A
  • Äldst först
  • Nyast först
  • Skapad (Äldst först)
  • Skapad (Nyast först)
  • Senast uppdaterad (Äldst först)
  • Senast uppdaterad (Nyast först)
  • Disputationsdatum (tidigaste först)
  • Disputationsdatum (senaste först)
  • Standard (Relevans)
  • Författare A-Ö
  • Författare Ö-A
  • Titel A-Ö
  • Titel Ö-A
  • Publikationstyp A-Ö
  • Publikationstyp Ö-A
  • Äldst först
  • Nyast först
  • Skapad (Äldst först)
  • Skapad (Nyast först)
  • Senast uppdaterad (Äldst först)
  • Senast uppdaterad (Nyast först)
  • Disputationsdatum (tidigaste först)
  • Disputationsdatum (senaste först)
Markera
Maxantalet träffar du kan exportera från sökgränssnittet är 250. Vid större uttag använd dig av utsökningar.
  • 1.
    Berglin, Lena
    et al.
    Högskolan i Borås, Institutionen Textilhögskolan.
    Cederwall, Sara Lotta
    Hallnäs, Lars
    Högskolan i Borås, Institutionen Textilhögskolan.
    Jönsson, Birgitta
    Kvaal, Anne Karine
    Lundstedt, Lotta
    Högskolan i Borås, Institutionen Textilhögskolan.
    Nordström, Maria
    Peterson, Barbro
    Thornquist, Clemens
    Högskolan i Borås, Institutionen Textilhögskolan.
    Interaction Design Methods in Fashion Design Teaching2007Ingår i: The Nordic Textile Journal 2006-07, p. 26-51Artikel i tidskrift (Övrigt vetenskapligt)
    Abstract [en]

    The expressiveness of use is of focal interest in fashion design, which makes the perspective of act design important in learning/teaching. The objective of the project presented here was to introduce interaction design methods in fashion design teaching to make act design explicit throughout the different stages of the design process in a systematic manner; to develop a general workshop curriculum in experimental fashion design focusing on the expressiveness of wearing and use. A series of test workshops were implemented to provide a foundation for reflection and critical discussions. The main results, motivated by workshop evaluations, consist of theoretical models for a systematic development of workshop exercises in fashion design aesthetics.

  • 2.
    Dumitrescu, Delia
    et al.
    Högskolan i Borås, Akademin för textil, teknik och ekonomi.
    Hallnäs, LarsHögskolan i Borås, Akademin för textil, teknik och ekonomi.Hermansson, MarcHögskolan i Borås, Verksamhetsstöd.Nordlund Andersson, AgnetaHögskolan i Borås, Akademin för textil, teknik och ekonomi.Thornquist, ClemensHögskolan i Borås, Akademin för textil, teknik och ekonomi.
    ArcInTexETN2019Samlingsverk (redaktörskap) (Övrigt vetenskapligt)
  • 3.
    Ekström, Karin M
    et al.
    Högskolan i Borås, Institutionen Handels- och IT-högskolan.
    Nordlund Andersson, AgnetaHögskolan i Borås, Institutionen Textilhögskolan.Tijburg, KatrinHögskolan i Borås, Institutionen Textilhögskolan.Torstensson, HåkanHögskolan i Borås, Institutionen Textilhögskolan.Süld, KarinHögskolan i Borås, Bibliotek & läranderesurser.Svengren Holm, LisbethHögskolan i Borås, Institutionen Textilhögskolan.Thornquist, ClemensHögskolan i Borås, Institutionen Textilhögskolan.
    The Nordic Textile Journal: Special Edition: Sustainability & Innovation in the Fashion Field2012Samlingsverk (redaktörskap) (Refereegranskat)
    Abstract [en]

    All articles in fulltext.

  • 4.
    Hallnäs, Lars
    et al.
    Högskolan i Borås, Institutionen Textilhögskolan.
    Tornquist, Clemens
    Högskolan i Borås, Institutionen Textilhögskolan.
    Fashion design: world making - garment making2005Ingår i: The Nordic Textile Journal 2005, p. 9-22Artikel i tidskrift (Övrigt vetenskapligt)
  • 5.
    Lindqvist, Rickard
    et al.
    Högskolan i Borås, Institutionen Textilhögskolan.
    Thornquist, Clemens
    Högskolan i Borås, Institutionen Textilhögskolan.
    Enhanced construction technology for ergonomic clothing: A new approximation of the body and system for garment construction.2014Konferensbidrag (Refereegranskat)
    Abstract [en]

    This paper explores the ergonomic and functional possibilities of a recently developed new principle of construction technology for garments based on a new approximation of the human body in garment development. Although there are several different principles of pattern construction, the far majority are derived from the same approximation of the body based on horizontal and vertical measurements. Based on Lindqvist’s[1] model for enhance pattern technology, building on a number of key biomechanical point and balance lines instead of horizontal and vertical measurements of the body, this paper demonstrates the potential of the proposed technology in two garments for a specific function. The relevance of this new garment construction technology is significance because it presents a previously unknown model to construct garments with significantly increased ergonomics and agility as well as presenting a new theory of

  • 6.
    Thornquist, Clemens
    Högskolan i Borås, Institutionen Textilhögskolan.
    Arranged Abstraction: Definition by example in art research2012Bok (Övrigt vetenskapligt)
  • 7.
    Thornquist, Clemens
    Högskolan i Borås, Institutionen Textilhögskolan.
    Art and Organisation2010Konferensbidrag (Övrigt vetenskapligt)
  • 8.
    Thornquist, Clemens
    Högskolan i Borås, Institutionen Textilhögskolan.
    Artistic Development in Design2011Konferensbidrag (Refereegranskat)
  • 9.
    Thornquist, Clemens
    Högskolan i Borås, Institutionen Textilhögskolan.
    Basic Resarch in Design2013Konferensbidrag (Refereegranskat)
  • 10.
    Thornquist, Clemens
    Högskolan i Borås, Institutionen Textilhögskolan.
    Design Research2011Konferensbidrag (Refereegranskat)
  • 11.
    Thornquist, Clemens
    Högskolan i Borås, Akademin för textil, teknik och ekonomi. THS.
    Essential constituents: the performance of fashion things2019Ingår i: All or Nothing: D&K LOOK BOOK 2019 / [ed] Ricarda Bigolin, Melbourne: Surpllus , 2019, s. 224-231Kapitel i bok, del av antologi (Refereegranskat)
  • 12.
    Thornquist, Clemens
    Högskolan i Borås, Institutionen Textilhögskolan.
    Fashion Imperialism2008Övrigt (Övrigt vetenskapligt)
    Abstract [sv]

    Together with Jan Carlsson,

    initiator, project manager and supervisor for this equally textual

    and photographic based research project carried out jointly by final

    year design and management students. The project aimes to explore the

    humanistic dimension of global textile economy and design. This 3rd

    edition specifically aims to look at imperialistic questions in the

    process and expression of design. The project is exhibited in June,

    2008 at Textilmuseet, Borås, and in September, 2008 at Gallery KG52,

    Stockholm.

  • 13.
    Thornquist, Clemens
    Högskolan i Borås, Akademin för textil, teknik och ekonomi. THS.
    Fashion in Art – Art in Fashion2019Ingår i: Nact Review, Bulletin of the National Art Center, Vol. 5, s. 345-345Artikel i tidskrift (Refereegranskat)
  • 14.
    Thornquist, Clemens
    Högskolan i Borås, Institutionen Textilhögskolan.
    Form and material in design research2011Konferensbidrag (Övrigt vetenskapligt)
  • 15.
    Thornquist, Clemens
    Högskolan i Borås, Akademin för textil, teknik och ekonomi. THS.
    Get to Work: And Embarrass Yourself2015Bok (Övrigt vetenskapligt)
  • 16.
    Thornquist, Clemens
    Högskolan i Borås, Institutionen Textilhögskolan.
    Logica Contra2009Bok (Övrigt vetenskapligt)
  • 17.
    Thornquist, Clemens
    Högskolan i Borås, Akademin för textil, teknik och ekonomi.
    Material Evidence: definition by a series of artefacts in arts research2015Ingår i: Journal of Visual Art Practice, ISSN 1470-2029, E-ISSN 1758-9185, Vol. 14, nr 2, s. 110-119Artikel i tidskrift (Refereegranskat)
    Abstract [en]

    The possibility of the artefact in arts research to hold formal knowledge is still very much questioned. This paper explores the potential of not a single artefact but a series of artefacts to define and demonstrate formal knowledge in itself. Through a comparative analysis of a number of basic art research projects in e.g. painting, music, fashion design and photography, the paper explores how formal aesthetic principles may be not only defined through a series of artefacts but also equally argued for on the basis of the material evidence that the artefacts provide. The analysis of the examples shows how a series of artefacts can define and validate principle results of basic art research rather than narrate interpretative results of applied art research. The self-informed and self-referential character of the examples shows how formal aesthetic principles and its expressive potential can be validated in terms of fit rather than a justified belief in relation to the aim of the research. In conclusion, the result demonstrates significant implications for theoretical conceptualisation of foundational knowledge in art research based on a form of ostensive definition without significant use of text for theoretical reasons.

  • 18.
    Thornquist, Clemens
    Högskolan i Borås, Akademin för textil, teknik och ekonomi.
    Material Explorations2019 (uppl. 1)Bok (Övrigt vetenskapligt)
    Abstract [en]

    While the idea of material-driven processes is not new and the publication list of theories and models is not short, this book on material explorations in design aims to jump-start your curiosities and desire to push material boundaries through fundamental research. Considerations required in this process of exploring materials design – those that will provide some direction in the research process – demand both confidence and stamina, especially in relation to persistent questions of usefulness, as one conceptualize your own approach or open up fresh thinking about alternative approaches. The number of approaches to material research presented in this book is not to be understood as a complete inventory; in fact the list could probably be longer. Methods are abundant, and these suggestions simply demonstrate the wide field of possibility for divergent thinking in materials research for new aesthetics – both functionally and expressively and in combination.

  • 19.
    Thornquist, Clemens
    Högskolan i Borås, Institutionen Textilhögskolan.
    Modelling: Fashion theory and theory of creation2009Ingår i: Nordic Textile Journal, ISSN 1404-2487Artikel i tidskrift (Övrigt vetenskapligt)
  • 20.
    Thornquist, Clemens
    Högskolan i Borås, Institutionen Textilhögskolan.
    Narrations from the Inanimate2008Bok (Övrigt vetenskapligt)
  • 21.
    Thornquist, Clemens
    Högskolan i Borås, Institutionen Textilhögskolan.
    Narrations from the Inanimate: a voyage through world fashion2008Övrigt (Övrigt vetenskapligt)
    Abstract [en]

    Solo exhibition, artistic research project investigating

    and expressing the role, concept and context of the body in fashion

    creation in world fashion schools, Gallery Solo exhibition, artistic research project investigating

    and expressing the role, concept and context of the body in fashion

    creation in world fashion schools, Gallery KG52, Stockholm.

  • 22.
    Thornquist, Clemens
    Högskolan i Borås, Institutionen Textilhögskolan.
    Narrations from the Inanimate: life, form and death2008Övrigt (Övrigt vetenskapligt)
    Abstract [en]

    Solo

    exhibition of an artistic research project investigating and

    expressing the role, concept and context of the body in fashion

    creation through more than 50 higher education fashion schools

    visited world wide, IMA Gallery, Istanbul, Turkey

  • 23.
    Thornquist, Clemens
    Högskolan i Borås, Institutionen Textilhögskolan.
    Notes on method 1: photographic sketching2008Bok (Övrigt vetenskapligt)
  • 24.
    Thornquist, Clemens
    Högskolan i Borås, Institutionen Textilhögskolan.
    Notes on method 2: experimental fashion design2008Bok (Övrigt vetenskapligt)
  • 25.
    Thornquist, Clemens
    Högskolan i Borås, Institutionen Textilhögskolan.
    Notes on method 3: fashion shoot of me myself2008Bok (Övrigt vetenskapligt)
  • 26.
    Thornquist, Clemens
    Högskolan i Borås, Institutionen Textilhögskolan.
    Ontologia Pupae2009Bok (Övrigt vetenskapligt)
  • 27.
    Thornquist, Clemens
    Högskolan i Borås, Akademin för textil, teknik och ekonomi. THS.
    Pattern: Science and Art2015Ingår i: Pattern: Science and Art / [ed] Linda Loppa, Clemens Thornquist , 2015Konferensbidrag (Refereegranskat)
  • 28.
    Thornquist, Clemens
    Högskolan i Borås, Institutionen Textilhögskolan.
    Pattern: Sience and Art2010Bok (Övrigt vetenskapligt)
  • 29.
    Thornquist, Clemens
    Högskolan i Borås, Institutionen Textilhögskolan.
    Philosophia Academiae2009Bok (Övrigt vetenskapligt)
  • 30.
    Thornquist, Clemens
    Högskolan i Borås, Akademin för textil, teknik och ekonomi.
    Physics and Metaphysics of Art2016Konferensbidrag (Refereegranskat)
  • 31.
    Thornquist, Clemens
    Högskolan i Borås, Akademin för textil, teknik och ekonomi.
    Plot structure over character and drama: a new aesthetics for art research2016Ingår i: Journal of Visual Art Practice, ISSN 1470-2029, Vol. 16, nr 1, s. 1-19Artikel i tidskrift (Refereegranskat)
    Abstract [en]

    Relativistic aesthetics have had a major impact on the development of art research- and practice-based doctoral programmes in the arts. This paper explores research capabilities of arts practice for more propositional knowledge based on more formalist aesthetic qualities in artefacts, as opposed to more relativistic and non-formalist aesthetic qualities. It does so by tracing notions of formal aesthetics from Kant’s natural sublime to Aristotle’s notion of mimesis and catharsis in a number of research works. The examples show how formal aesthetics qualities in the results of art practice are able to demonstrate universal knowledge such as foundational principles, through consideration of a more formal logic in the artwork itself. Together, these works suggest a more formal research agenda based on the capabilities of artistic practices where formal knowledge proposed is rather relative – an aim that has purposiveness but without having purpose, as in Kant’s natural sublime, rather than having a wider social or historic context. Here, non-formalist aesthetic quality of art practice points rather to the applied qualities of a work: that is, to the range of possible applications of the formal aesthetic qualities

  • 32.
    Thornquist, Clemens
    Högskolan i Borås, Institutionen Textilhögskolan.
    Reclaim the University2008Konferensbidrag (Övrigt vetenskapligt)
  • 33.
    Thornquist, Clemens
    Högskolan i Borås, Institutionen Textilhögskolan.
    Research and Development in Fashion Design2011Konferensbidrag (Övrigt vetenskapligt)
  • 34.
    Thornquist, Clemens
    Högskolan i Borås, Institutionen Textilhögskolan.
    School Fashion: Fashion School2009Bok (Övrigt vetenskapligt)
  • 35.
    Thornquist, Clemens
    Högskolan i Borås, Institutionen Textilhögskolan.
    Sustainability and ethics in Fashion2008Konferensbidrag (Övrigt vetenskapligt)
  • 36.
    Thornquist, Clemens
    Högskolan i Borås, Akademin för textil, teknik och ekonomi. University of Borås.
    The Fashion Condition: redefining fashion from its everyday practices2018Ingår i: Fashion Practice: the journal of design, creative process & the fashion industry, ISSN 1756-9370, E-ISSN 1756-9389, Vol. 10, nr 3, s. 289-310Artikel i tidskrift (Refereegranskat)
    Abstract [en]

    This article challenges traditional ways of understanding fashion as a social phenomenon. By considering the everyday social practice of fashion where looking, wearing, choosing, discarding, consuming, and producing fashion have central roles in understanding fashion’s person–object relationships, this study advances an alternative ontological view of fashion as a volatile emotional condition and inconstant state of mind. This suggested shift in theoretical perspective is significant in understanding and stimulating change or maintaining stability in fashion phenomena and could have principal consequences for thinking and developing policy in relation to fashion as well as to more general issues in person–object conditioned design cultures.

  • 37.
    Thornquist, Clemens
    Högskolan i Borås, Akademin för textil, teknik och ekonomi. University of Borås.
    The potential of dance: Reducing fashion consumption through movement therapy2018Ingår i: Journal of Cleaner Production, ISSN 0959-6526, E-ISSN 1879-1786, Vol. 183, s. 824-830Artikel i tidskrift (Refereegranskat)
    Abstract [en]

    Fashion is one of the elements contributing to human phenomena such as self-concept, social interaction, and cross-cultural communication. Despite the significance of this reality however the link between the consumption of fashion and its lack of sustainability in relation to natural resources is one of ongoing concern. To investigate how large-scale changes in consumption can be encouraged, this paper explores the theoretical potential of dance as a replacement for the emotive person-product relationship related to the fast rate of fashion consumption, an exchange that would not disable essential functions such as expressive self-concept, social interaction, and cross-cultural communication. By refocusing the means of self-expression from material products to gestures and movement, dance and dance/movement therapy can help individuals resist the impulsive and compulsive consumption promoted by the fashion industry. This study identifies a potential for dance and dance movement therapy to reduce an individual's dependence on material goods for self-expression. Further research is needed to develop and evaluate practical implementation of place, scale, and longevity. In addition, research methods need to be developed to evaluate the effectiveness of different dance methods. 

  • 38.
    Thornquist, Clemens
    Högskolan i Borås, Institutionen Textilhögskolan.
    The Watermill Center: A Laboratory for Performance - Robert Wilson's Legacy2011Ingår i: The Watermill Center - A Laboratory for Performance - Robert Wilson's Legacy / [ed] José Enrique Maciàn, Sue Jane Stoker, Jörn Weisbrodt, Daco , 2011Kapitel i bok, del av antologi (Övrigt vetenskapligt)
  • 39.
    Thornquist, Clemens
    Högskolan i Borås, Akademin för textil, teknik och ekonomi. University of Borås.
    Unemotional Design: An Alternative Approach to Sustainable Design2017Ingår i: Design Issues, ISSN 0747-9360, E-ISSN 1531-4790, Vol. 33, nr 4, s. 83-91Artikel i tidskrift (Refereegranskat)
    Abstract [en]

    Conspicuous consumption of products is problematic for the development of a sustainable relationship to cultural and natural resources. Drawing on an emotional design approach, this study explores emotional conditions involved in the buying phase of socially visible products used in a typically expressive consumption activity. Through an extreme character approach, impulsive and compulsive buying is explored to expose principal and generic emotional conditions in the drive for new design products. The study demonstrates a range of primary negative emotional conditions or emotional fluctuations related to anxiety, mood, and self-esteem in the buying of appearance-related products. In conclusion, to achieve a more sustainable consumer relationship with fashion-conditioned material goods, the study reveals a need for unemotional design to acquire emotional detachment, rather than design to acquire emotional attachment.

  • 40.
    Thornquist, Clemens
    Högskolan i Borås, Institutionen Textilhögskolan.
    Watermill2008Övrigt (Övrigt vetenskapligt)
    Abstract [en]

    Group exhibition, selected artistic works in photographic exhibition curated by Dmitry Komis, Dumbo Art Gallery, New York, NY, U.S.A.

  • 41.
    Thornquist, Clemens
    Högskolan i Borås, Akademin för textil, teknik och ekonomi.
    What is it?: Material systems System of materials Material categories Categorical systems Volume 1 2016Bok (Övrigt vetenskapligt)
  • 42.
    Thornquist, Clemens
    Högskolan i Borås, Akademin för textil, teknik och ekonomi. THS.
    Blomgren, Erika (Konstnär)
    Högskolan i Borås, Akademin för textil, teknik och ekonomi.
    Eklöf, Andreas (Konstnär)
    Högskolan i Borås, Akademin för textil, teknik och ekonomi.
    Body Dress Movement2018Konstnärlig output (Ogranskad)
  • 43.
    Thornquist, Clemens (Konstnär)
    Högskolan i Borås, Akademin för textil, teknik och ekonomi. THS.
    Life Art2019Konstnärlig output (Granskad)
    Abstract [en]

    They work explores the practising of visioning: the concrete making of concepts with the aim to resolve, in a  pragmatic way, the artificial break between abstract theory and concrete practice.

  • 44.
    Lidström, Anna (Formgivare, Forskare)
    Högskolan i Borås, Akademin för textil, teknik och ekonomi.
    McDonnald, Chantal (Forskare)
    RMIT Melbourne.
    Bigolin, Ricarda
    RMIT Melbourne.
    Thornquist, Clemens (Forskare)
    Högskolan i Borås, Akademin för textil, teknik och ekonomi.
    Swatch of Luxury : Searching for the New Luxury,: Research Exhibition, Conference, Fashion Colloquium: Searching for the New Luxury, ArTez/Musis in Arnhem, Holland.2018Konstnärlig output (Granskad)
  • 45.
    Thornquist, Clemens (Konstnär)
    Högskolan i Borås, Akademin för textil, teknik och ekonomi. University of Borås.
    Vital materialism: design methodologies for social change2015Konstnärlig output (Granskad)
    Abstract [en]

    Socially responsible design education is often grounded in case-based approaches. The problem with these approaches to socially responsible design is that they are usually based on a given set of design methods. Such methods respond to conditions of practice that are outmoded and don’t respond to the contemporary presence of the image, and it’s affect on materiality and the body in design practice. This is a problem in relation to evolving ecologies where new methods are needed to tackle problems that arise because of the change. In response, this work tries to develop alternative design methods for social change, particularly by exploring the relationships between image and vital material as a key variable. Through a series of experiments the work argues for the potential of material as foundational for creating changing within a system. This proposes engagement with material, body, space & image as a precursor to the linear and formalistic version of the design process.

  • 46.
    Thornquist, Clemens (Konstnär)
    Högskolan i Borås, Akademin för textil, teknik och ekonomi. THS.
    What is it?: Investigation of new societal possibilities through alternative material systems2019Konstnärlig output (Granskad)
    Abstract [en]

    The installation explores material systems to form new and alternative social categories based on known material categories through reweighting, reordering, adding, and for finding new and alternative “worlds”

1 - 46 av 46
RefereraExporteraLänk till träfflistan
Permanent länk
Referera
Referensformat
  • apa
  • ieee
  • modern-language-association-8th-edition
  • vancouver
  • harvard-cite-them-right
  • Annat format
Fler format
Språk
  • de-DE
  • en-GB
  • en-US
  • fi-FI
  • nn-NO
  • nn-NB
  • sv-SE
  • Annat språk
Fler språk
Utmatningsformat
  • html
  • text
  • asciidoc
  • rtf