Change search
Refine search result
1 - 37 of 37
CiteExportLink to result list
Permanent link
Cite
Citation style
  • apa
  • harvard1
  • ieee
  • modern-language-association-8th-edition
  • vancouver
  • Other style
More styles
Language
  • de-DE
  • en-GB
  • en-US
  • fi-FI
  • nn-NO
  • nn-NB
  • sv-SE
  • Other locale
More languages
Output format
  • html
  • text
  • asciidoc
  • rtf
Rows per page
  • 5
  • 10
  • 20
  • 50
  • 100
  • 250
Sort
  • Standard (Relevance)
  • Author A-Ö
  • Author Ö-A
  • Title A-Ö
  • Title Ö-A
  • Publication type A-Ö
  • Publication type Ö-A
  • Issued (Oldest first)
  • Issued (Newest first)
  • Created (Oldest first)
  • Created (Newest first)
  • Last updated (Oldest first)
  • Last updated (Newest first)
  • Disputation date (earliest first)
  • Disputation date (latest first)
  • Standard (Relevance)
  • Author A-Ö
  • Author Ö-A
  • Title A-Ö
  • Title Ö-A
  • Publication type A-Ö
  • Publication type Ö-A
  • Issued (Oldest first)
  • Issued (Newest first)
  • Created (Oldest first)
  • Created (Newest first)
  • Last updated (Oldest first)
  • Last updated (Newest first)
  • Disputation date (earliest first)
  • Disputation date (latest first)
Select
The maximal number of hits you can export is 250. When you want to export more records please use the Create feeds function.
  • 1.
    Berglin, Lena
    et al.
    University of Borås, Swedish School of Textiles.
    Cederwall, Sara Lotta
    Hallnäs, Lars
    University of Borås, Swedish School of Textiles.
    Jönsson, Birgitta
    Kvaal, Anne Karine
    Lundstedt, Lotta
    University of Borås, Swedish School of Textiles.
    Nordström, Maria
    Peterson, Barbro
    Thornquist, Clemens
    University of Borås, Swedish School of Textiles.
    Interaction Design Methods in Fashion Design Teaching2007In: The Nordic Textile Journal 2006-07, p. 26-51Article in journal (Other academic)
    Abstract [en]

    The expressiveness of use is of focal interest in fashion design, which makes the perspective of act design important in learning/teaching. The objective of the project presented here was to introduce interaction design methods in fashion design teaching to make act design explicit throughout the different stages of the design process in a systematic manner; to develop a general workshop curriculum in experimental fashion design focusing on the expressiveness of wearing and use. A series of test workshops were implemented to provide a foundation for reflection and critical discussions. The main results, motivated by workshop evaluations, consist of theoretical models for a systematic development of workshop exercises in fashion design aesthetics.

  • 2.
    Ekström, Karin M
    et al.
    University of Borås, School of Business and IT.
    Nordlund Andersson, AgnetaUniversity of Borås, Swedish School of Textiles.Tijburg, KatrinUniversity of Borås, Swedish School of Textiles.Torstensson, HåkanUniversity of Borås, Swedish School of Textiles.Süld, KarinUniversity of Borås, Library and Learning Resources.Svengren Holm, LisbethUniversity of Borås, Swedish School of Textiles.Thornquist, ClemensUniversity of Borås, Swedish School of Textiles.
    The Nordic Textile Journal: Special Edition: Sustainability & Innovation in the Fashion Field2012Collection (editor) (Refereed)
    Abstract [en]

    All articles in fulltext.

  • 3.
    Hallnäs, Lars
    et al.
    University of Borås, Swedish School of Textiles.
    Tornquist, Clemens
    University of Borås, Swedish School of Textiles.
    Fashion design: world making - garment making2005In: The Nordic Textile Journal 2005, p. 9-22Article in journal (Other academic)
  • 4.
    Lindqvist, Rickard
    et al.
    University of Borås, Swedish School of Textiles.
    Thornquist, Clemens
    University of Borås, Swedish School of Textiles.
    Enhanced construction technology for ergonomic clothing: A new approximation of the body and system for garment construction.2014Conference paper (Refereed)
    Abstract [en]

    This paper explores the ergonomic and functional possibilities of a recently developed new principle of construction technology for garments based on a new approximation of the human body in garment development. Although there are several different principles of pattern construction, the far majority are derived from the same approximation of the body based on horizontal and vertical measurements. Based on Lindqvist’s[1] model for enhance pattern technology, building on a number of key biomechanical point and balance lines instead of horizontal and vertical measurements of the body, this paper demonstrates the potential of the proposed technology in two garments for a specific function. The relevance of this new garment construction technology is significance because it presents a previously unknown model to construct garments with significantly increased ergonomics and agility as well as presenting a new theory of

  • 5.
    Thornquist, Clemens
    University of Borås, Swedish School of Textiles.
    Arranged Abstraction: Definition by example in art research2012Book (Other academic)
  • 6.
    Thornquist, Clemens
    University of Borås, Swedish School of Textiles.
    Art and Organisation2010Conference paper (Other academic)
  • 7.
    Thornquist, Clemens
    University of Borås, Swedish School of Textiles.
    Artistic Development in Design2011Conference paper (Refereed)
  • 8.
    Thornquist, Clemens
    University of Borås, Swedish School of Textiles.
    Basic Resarch in Design2013Conference paper (Refereed)
  • 9.
    Thornquist, Clemens
    University of Borås, Swedish School of Textiles.
    Design Research2011Conference paper (Refereed)
  • 10.
    Thornquist, Clemens
    University of Borås, Swedish School of Textiles.
    Fashion Imperialism2008Other (Other academic)
    Abstract [sv]

    Together with Jan Carlsson,

    initiator, project manager and supervisor for this equally textual

    and photographic based research project carried out jointly by final

    year design and management students. The project aimes to explore the

    humanistic dimension of global textile economy and design. This 3rd

    edition specifically aims to look at imperialistic questions in the

    process and expression of design. The project is exhibited in June,

    2008 at Textilmuseet, Borås, and in September, 2008 at Gallery KG52,

    Stockholm.

  • 11.
    Thornquist, Clemens
    University of Borås, Swedish School of Textiles.
    Form and material in design research2011Conference paper (Other academic)
  • 12.
    Thornquist, Clemens
    University of Borås, Faculty of Textiles, Engineering and Business. THS.
    Get to Work: And Embarrass Yourself2015Book (Other academic)
  • 13.
    Thornquist, Clemens
    University of Borås, Swedish School of Textiles.
    Logica Contra2009Book (Other academic)
  • 14.
    Thornquist, Clemens
    University of Borås, Faculty of Textiles, Engineering and Business.
    Material Evidence: definition by a series of artefacts in arts research2015In: Journal of Visual Art Practice, ISSN 1470-2029, E-ISSN 1758-9185, Vol. 14, no 2, p. 110-119Article in journal (Refereed)
    Abstract [en]

    The possibility of the artefact in arts research to hold formal knowledge is still very much questioned. This paper explores the potential of not a single artefact but a series of artefacts to define and demonstrate formal knowledge in itself. Through a comparative analysis of a number of basic art research projects in e.g. painting, music, fashion design and photography, the paper explores how formal aesthetic principles may be not only defined through a series of artefacts but also equally argued for on the basis of the material evidence that the artefacts provide. The analysis of the examples shows how a series of artefacts can define and validate principle results of basic art research rather than narrate interpretative results of applied art research. The self-informed and self-referential character of the examples shows how formal aesthetic principles and its expressive potential can be validated in terms of fit rather than a justified belief in relation to the aim of the research. In conclusion, the result demonstrates significant implications for theoretical conceptualisation of foundational knowledge in art research based on a form of ostensive definition without significant use of text for theoretical reasons.

  • 15.
    Thornquist, Clemens
    University of Borås, Swedish School of Textiles.
    Modelling: Fashion theory and theory of creation2009In: Nordic Textile Journal, ISSN 1404-2487Article in journal (Other academic)
  • 16.
    Thornquist, Clemens
    University of Borås, Swedish School of Textiles.
    Narrations from the Inanimate2008Book (Other academic)
  • 17.
    Thornquist, Clemens
    University of Borås, Swedish School of Textiles.
    Narrations from the Inanimate: a voyage through world fashion2008Other (Other academic)
    Abstract [en]

    Solo exhibition, artistic research project investigating

    and expressing the role, concept and context of the body in fashion

    creation in world fashion schools, Gallery Solo exhibition, artistic research project investigating

    and expressing the role, concept and context of the body in fashion

    creation in world fashion schools, Gallery KG52, Stockholm.

  • 18.
    Thornquist, Clemens
    University of Borås, Swedish School of Textiles.
    Narrations from the Inanimate: life, form and death2008Other (Other academic)
    Abstract [en]

    Solo

    exhibition of an artistic research project investigating and

    expressing the role, concept and context of the body in fashion

    creation through more than 50 higher education fashion schools

    visited world wide, IMA Gallery, Istanbul, Turkey

  • 19.
    Thornquist, Clemens
    University of Borås, Swedish School of Textiles.
    Notes on method 1: photographic sketching2008Book (Other academic)
  • 20.
    Thornquist, Clemens
    University of Borås, Swedish School of Textiles.
    Notes on method 2: experimental fashion design2008Book (Other academic)
  • 21.
    Thornquist, Clemens
    University of Borås, Swedish School of Textiles.
    Notes on method 3: fashion shoot of me myself2008Book (Other academic)
  • 22.
    Thornquist, Clemens
    University of Borås, Swedish School of Textiles.
    Ontologia Pupae2009Book (Other academic)
  • 23.
    Thornquist, Clemens
    University of Borås, Faculty of Textiles, Engineering and Business. THS.
    Pattern: Science and Art2015In: Pattern: Science and Art / [ed] Linda Loppa, Clemens Thornquist , 2015Conference paper (Refereed)
  • 24.
    Thornquist, Clemens
    University of Borås, Swedish School of Textiles.
    Pattern: Sience and Art2010Book (Other academic)
  • 25.
    Thornquist, Clemens
    University of Borås, Swedish School of Textiles.
    Philosophia Academiae2009Book (Other academic)
  • 26.
    Thornquist, Clemens
    University of Borås, Faculty of Textiles, Engineering and Business.
    Physics and Metaphysics of Art2016Conference paper (Refereed)
  • 27.
    Thornquist, Clemens
    University of Borås, Faculty of Textiles, Engineering and Business.
    Plot structure over character and drama: a new aesthetics for art research2016In: Journal of Visual Art Practice, ISSN 1470-2029, Vol. 16, no 1, p. 1-19Article in journal (Refereed)
    Abstract [en]

    Relativistic aesthetics have had a major impact on the development of art research- and practice-based doctoral programmes in the arts. This paper explores research capabilities of arts practice for more propositional knowledge based on more formalist aesthetic qualities in artefacts, as opposed to more relativistic and non-formalist aesthetic qualities. It does so by tracing notions of formal aesthetics from Kant’s natural sublime to Aristotle’s notion of mimesis and catharsis in a number of research works. The examples show how formal aesthetics qualities in the results of art practice are able to demonstrate universal knowledge such as foundational principles, through consideration of a more formal logic in the artwork itself. Together, these works suggest a more formal research agenda based on the capabilities of artistic practices where formal knowledge proposed is rather relative – an aim that has purposiveness but without having purpose, as in Kant’s natural sublime, rather than having a wider social or historic context. Here, non-formalist aesthetic quality of art practice points rather to the applied qualities of a work: that is, to the range of possible applications of the formal aesthetic qualities

  • 28.
    Thornquist, Clemens
    University of Borås, Swedish School of Textiles.
    Reclaim the University2008Conference paper (Other academic)
  • 29.
    Thornquist, Clemens
    University of Borås, Swedish School of Textiles.
    Research and Development in Fashion Design2011Conference paper (Other academic)
  • 30.
    Thornquist, Clemens
    University of Borås, Swedish School of Textiles.
    School Fashion: Fashion School2009Book (Other academic)
  • 31.
    Thornquist, Clemens
    University of Borås, Swedish School of Textiles.
    Sustainability and ethics in Fashion2008Conference paper (Other academic)
  • 32.
    Thornquist, Clemens
    University of Borås, Faculty of Textiles, Engineering and Business. University of Borås.
    The Fashion Condition: redefining fashion from its everyday practices2018In: Fashion Practice: the journal of design, creative process & the fashion industry, ISSN 1756-9370, E-ISSN 1756-9389, Vol. 10, no 3, p. 289-310Article in journal (Refereed)
    Abstract [en]

    This article challenges traditional ways of understanding fashion as a social phenomenon. By considering the everyday social practice of fashion where looking, wearing, choosing, discarding, consuming, and producing fashion have central roles in understanding fashion’s person–object relationships, this study advances an alternative ontological view of fashion as a volatile emotional condition and inconstant state of mind. This suggested shift in theoretical perspective is significant in understanding and stimulating change or maintaining stability in fashion phenomena and could have principal consequences for thinking and developing policy in relation to fashion as well as to more general issues in person–object conditioned design cultures.

  • 33.
    Thornquist, Clemens
    University of Borås, Faculty of Textiles, Engineering and Business. University of Borås.
    The potential of dance: Reducing fashion consumption through movement therapy2018In: Journal of Cleaner Production, ISSN 0959-6526, E-ISSN 1879-1786, Vol. 183, p. 824-830Article in journal (Refereed)
    Abstract [en]

    Fashion is one of the elements contributing to human phenomena such as self-concept, social interaction, and cross-cultural communication. Despite the significance of this reality however the link between the consumption of fashion and its lack of sustainability in relation to natural resources is one of ongoing concern. To investigate how large-scale changes in consumption can be encouraged, this paper explores the theoretical potential of dance as a replacement for the emotive person-product relationship related to the fast rate of fashion consumption, an exchange that would not disable essential functions such as expressive self-concept, social interaction, and cross-cultural communication. By refocusing the means of self-expression from material products to gestures and movement, dance and dance/movement therapy can help individuals resist the impulsive and compulsive consumption promoted by the fashion industry. This study identifies a potential for dance and dance movement therapy to reduce an individual's dependence on material goods for self-expression. Further research is needed to develop and evaluate practical implementation of place, scale, and longevity. In addition, research methods need to be developed to evaluate the effectiveness of different dance methods. 

  • 34.
    Thornquist, Clemens
    University of Borås, Swedish School of Textiles.
    The Watermill Center: A Laboratory for Performance - Robert Wilson's Legacy2011In: The Watermill Center - A Laboratory for Performance - Robert Wilson's Legacy / [ed] José Enrique Maciàn, Sue Jane Stoker, Jörn Weisbrodt, Daco , 2011Chapter in book (Other academic)
  • 35.
    Thornquist, Clemens
    University of Borås, Faculty of Textiles, Engineering and Business. University of Borås.
    Unemotional Design: An Alternative Approach to Sustainable Design2017In: Design Issues, ISSN 0747-9360, E-ISSN 1531-4790, Vol. 33, no 4, p. 83-91Article in journal (Refereed)
    Abstract [en]

    Conspicuous consumption of products is problematic for the development of a sustainable relationship to cultural and natural resources. Drawing on an emotional design approach, this study explores emotional conditions involved in the buying phase of socially visible products used in a typically expressive consumption activity. Through an extreme character approach, impulsive and compulsive buying is explored to expose principal and generic emotional conditions in the drive for new design products. The study demonstrates a range of primary negative emotional conditions or emotional fluctuations related to anxiety, mood, and self-esteem in the buying of appearance-related products. In conclusion, to achieve a more sustainable consumer relationship with fashion-conditioned material goods, the study reveals a need for unemotional design to acquire emotional detachment, rather than design to acquire emotional attachment.

  • 36.
    Thornquist, Clemens
    University of Borås, Swedish School of Textiles.
    Watermill2008Other (Other academic)
    Abstract [en]

    Group exhibition, selected artistic works in photographic exhibition curated by Dmitry Komis, Dumbo Art Gallery, New York, NY, U.S.A.

  • 37.
    Thornquist, Clemens
    University of Borås, Faculty of Textiles, Engineering and Business.
    What is it?: Material systems System of materials Material categories Categorical systems Volume 1 2016Book (Other academic)
1 - 37 of 37
CiteExportLink to result list
Permanent link
Cite
Citation style
  • apa
  • harvard1
  • ieee
  • modern-language-association-8th-edition
  • vancouver
  • Other style
More styles
Language
  • de-DE
  • en-GB
  • en-US
  • fi-FI
  • nn-NO
  • nn-NB
  • sv-SE
  • Other locale
More languages
Output format
  • html
  • text
  • asciidoc
  • rtf