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  • 1.
    Stasiulyte, Vidmina
    University of Borås, Faculty of Textiles, Engineering and Business. The Swedish School of Textiles.
    Aesthetics of the Invisible. Sonic Value in the Field of Fashion Design2017In: Aesthetics of the Invisible. Sonic Value in the Field of Fashion Design / [ed] Anne Louise Bang, Head of Research and Development Mette Mikkelsen, Conference Chair Anette Flinck, Head of International Relations, Kolding, 2017, p. 713-719Conference paper (Refereed)
    Abstract [en]

    Design education is mostly based on the visual values and expressions. How do we REDO design education? This paper is questioning the predominance of visual culture and investigating the new non-visual perspectives on fashion design aesthetics. The main discussion of this paper is on sound as a design-thinking material. This paper is focused on the exploration of sonic expressions and sonic identities as the possibility for a new method of teaching on the discourse of non-visual aesthetics. The Sonic Images – a fashion exercise is presented as an example of design-thinking with a sound that could lead to a new approach to teaching on non-visual values of design objects.

  • 2.
    Stasiulyte, Vidmina
    University of Borås, Faculty of Textiles, Engineering and Business. The Swedish School of Textiles.
    Imagining a Future of Sonic Fashion2017In: Utopian studies, ISSN 1045-991X, E-ISSN 2154-9648, Vol. 28, no 3Article in journal (Refereed)
    Abstract [en]

    Although sound, touch, and smell are elements of clothing, the visual sense is predominant in fashion and fashion education, and fashion is essentially understood as a system of visual components. As an alternative to this dominant focus on visuality, fashion could be explored as a sound based interaction between body and dress.This artistic statement invites readers to rethink fashion as a visual culture and opens up a nonvisual perspective on fashion design aesthetics in regards to a sonic identity. The Soundtopia—a scenario of five possibilities for future sonic fashion and behavior—is presented as a new direction for alternative forms of design thinking through sound.

  • 3.
    Stasiulyte, Vidmina
    University of Borås, Faculty of Textiles, Engineering and Business. The Swedish School of Textiles.
    MSCA16: Research and Society2016Conference paper (Refereed)
  • 4.
    Stasiulyte, Vidmina
    University of Borås, Faculty of Textiles, Engineering and Business. The Swedish School of Textiles.
    Sonic Body and Sonic Space2017In: SONIC BODY AND SONIC SPACE, 2017, p. 148-151Conference paper (Refereed)
    Abstract [en]

    Fashion design as a field and fashion design methods are mostly based on visual values and expressions. This paper investigates alternative non-visual perspectives on fashion design aesthetics. The study on sound ontology in fashion, for example, is limited and presents a new and interesting potential territory to be explored. The main aim of this paper is therefor to explore ‘sonic fashion’ through speculative design research methods. The Soundtopia – a speculative fashion design method is presented as the introductory sonic explorations in regards to sonic identity. The paper introduces sonic qualities and sonic identities and suggests the new possibilities for alternative forms of design-thinking to open in research programs in non-visual aspects of person-object relationships in design. 

  • 5.
    Stasiulyte, Vidmina (Artist)
    University of Borås, Faculty of Textiles, Engineering and Business. The Swedish School of Textiles.
    Activating the Surface2016Artistic output (Unrefereed)
  • 6.
    Stasiulyte, Vidmina (Designer)
    University of Borås, Faculty of Textiles, Engineering and Business. The Swedish School of Textiles.
    Anti-ideal2017Artistic output (Unrefereed)
  • 7.
    Stasiulyte, Vidmina (Videographer, Artist, Sound designer)
    University of Borås, Faculty of Textiles, Engineering and Business. The Swedish School of Textiles.
    Mackey, Angella (Videographer, Artist)
    Are We Human?: Micro-Tectonics2016Artistic output (Refereed)
  • 8.
    Stasiulyte, Vidmina (Artist)
    University of Borås, Faculty of Textiles, Engineering and Business. The Swedish School of Textiles.
    Beyond Seeing: Noisy Bodies2018Artistic output (Unrefereed)
    Abstract [en]

    The dress is a part of constructing and defining our identity. As a form of visual communication, clothing is a powerful means of making statements. Currently, fashion design products are developed based on the transmission of an image, referred to as a ‘culture-screen’, which makes the interaction process focused on the visual experience. Although sound, touch, and smell are elements of clothing, the visual sense is predominant in fashion and fashion education, and fashion is essentially understood as a system of visual components. As an alternative to this dominant focus on visuality, fashion could be explored as a sound-based interaction between the body and dress. The existing study of sound ontology in fashion is limited; thus, it is a largely new and interesting territory to be potentially explored. What is a sonic identity in the field of fashion? My research Aesthetics of the Invisible: Toward a Sonic Fashion Ontology is widening the notion of what aesthetics is by developing a new direction for fashion design on non-visual aesthetics based on sonic expressions. The sound is considered as a design-thinking material and an alternative, experimental way of defining a form for a silhouette. The sound installation Noisy Bodies is a part of the research practice–Sonic Fashion Library. The Noisy Bodies consist of 40 selected sound records of clothing, shoes, and accessory. The audience is invited to explore an acoustic dimension of fashion by listening to this sonic collage.

  • 9.
    Stasiulyte, Vidmina (Designer)
    University of Borås, Faculty of Textiles, Engineering and Business. The Swedish School of Textiles.
    Design Week’16: Sounding Objects2016Artistic output (Unrefereed)
  • 10.
    Stasiulyte, Vidmina
    University of Borås, Faculty of Textiles, Engineering and Business. The Swedish School of Textiles.
    Everything and Everybody as Material: Sonic Somatic2017Artistic output (Refereed)
    Abstract [en]

    The sound installation Sonic Somatic is based on the exploration of the sonic identities. This art project considers the notion of sonic object and sonic subject as a binary system of interaction between human body and sounding object(s) and two stages: (1) being a sound and (2) wearing a sound. Sonic Somatic consists of three parts: a) low-tech sound amplifiers b) interactive sonic fashion library; c) sonic dummy. 

  • 11.
    Stasiulyte, Vidmina (Artist)
    University of Borås, Faculty of Textiles, Engineering and Business. The Swedish School of Textiles.
    Nachtigall, Toy (Artist)
    Mackey, Angella (Artist)
    Svechtarova, Mila (Artist)
    Bertin, Marion (Artist)
    Rivera, Esteban (Videographer)
    Heisler, Christopher (Actor)
    Future Ways of Wearing: AHTI2016Artistic output (Unrefereed)
    Abstract [en]

    Collaborative project Ahti is a speculative short film about the first human being

    born in space. The story is happening in the future. It’s 2076 and there is no water

    left on our Blue Palnet Earth. Ahti is the main character of this story. Ahti collects ice

    from asteroids and brings it back to the nearest space station. Ahti is wearing the

    same suit every day. It is like a second skin. The skin has different properties, which

    protect and allow walking on any surface, levitating, communicating, storing energy,

    and etc.

  • 12.
    Stasiulyte, Vidmina (Artist)
    University of Borås, Faculty of Textiles, Engineering and Business. The Swedish School of Textiles.
    Future Ways of Wearing: Wearing Sound2016Artistic output (Unrefereed)
    Abstract [en]

    Presentation of the research project - Sonic Fashion Library

  • 13.
    Stasiulyte, Vidmina (Artist)
    University of Borås, Faculty of Textiles, Engineering and Business. The Swedish School of Textiles.
    Mackey, Angella (Artist)
    Nachtigall, Troy (Artist)
    Bertin, Marion (Artist)
    Svechtarova, Mila (Artist)
    Heisler, Christopher (Actor)
    Rivera, Esteban (Videographer)
    Speculate, Collaborate, Define: AHTI2017Artistic output (Unrefereed)
    Abstract [en]

    Collaborative project Ahti is a speculative short film about the first human being

    born in space. The story is happening in the future. It’s 2076 and there is no water

    left on our Blue Palnet Earth. Ahti is the main character of this story. Ahti collects ice

    from asteroids and brings it back to the nearest space station. Ahti is wearing the

    same suit every day. It is like a second skin. The skin has different properties, which

    protect and allow walking on any surface, levitating, communicating, storing energy,

    and etc.

  • 14.
    Stasiulyte, Vidmina (Artist)
    University of Borås, Faculty of Textiles, Engineering and Business. The Swedish School of Textiles.
    Bågander, Linnea (Dancer)
    University of Borås, Faculty of Textiles, Engineering and Business.
    Speculate, Collaborate, Define: Sound Map2017Artistic output (Unrefereed)
    Abstract [en]

    What is the notion of a sounding body? During a collaborative project Sound Map me and PhD student Linnea Bågader were exploring the relationship between the body, movement, and sound. Various attachable sounding objects choreographed the movements of body and inspired to speculate on the future identity and behavior based on sonic expressions. Map format installation invites to listen and explore the bodily rhythms as an echo of a particular sound. During a collaborative project Sound Map, PhD students Vidmina Stasiulyte and Linnea Bågader were exploring the relationship between the body, movement, and sound. Various attachable sounding objects choreographed the movements of body and inspired to speculate on the future identity and behavior based on sonic expressions. 

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