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  • 1.
    Arnbert, Camilla
    Högskolan i Borås, Akademin för textil, teknik och ekonomi.
    Scattered Print Gathered Form2017Självständigt arbete på avancerad nivå (masterexamen), 20 poäng / 30 hpStudentuppsats (Examensarbete)
    Abstract [en]

    The specific area of interest in this work is to explore decon- struction of printed motifs in relation to shape as a method of construction. One of the main objectives of this explo- ration is to change the traditional ways in which designers work with print and material in relation to form. This implies to question the structures currently present within the fashion industry as well as preconceived ideas of existing techniques, their limitations and visual appearances. What is presented in this work is how print and material can be brought forward and make out the foundation of the process. Please note that this does not imply that form comes secondary. Instead the idea is to present a method of working where these different factors have a vital connection and where form is a product of the construction and placement of print motifs. Resulting in form which is dependent on print and in turn, print which is dependent on form.

  • 2.
    Arnbert, Camilla
    Högskolan i Borås, Akademin för textil, teknik och ekonomi.
    Surfaced Print2015Självständigt arbete på grundnivå (kandidatexamen), 10 poäng / 15 hpStudentuppsats (Examensarbete)
    Abstract [en]

    This bachelor degree work explores the interrelation between print and surface in fashion design and aims to investigate the expressional possibilities in merging of techniques. With focus on creating an irregular surface through embroidery and fringing, three-dimensional expressions are created, resulting in an illusion of depth and movement within the motifs. The work is textile-driven, hence the main focus has been to find materials, applicational techniques and motifs that interact with each other without conflicts. Through the use of heat sensitive yarns within the transfer printing process a clear relationship between texture and motif occur where the different aspects affect each other and are equally important for the final visual expression. It is the heat-press used to transfer print from paper to surface that is the most vital step of the process. This work strives to propose a transposed order of applying techniques within a design process. Whilst the act of embellishing existing prints has been investigated by a range of designers, this project propose an order where the print is added post additive surface-manipulation. Therefore this work is to be seen as a suggestion of new ways of approaching the use of prints within the fashion field. Balancing between fashion design and textile design, the collection is based on generic prints and shapes which are affected by the surface manipulations used.

  • 3.
    Backlund, Axel
    Högskolan i Borås, Akademin för textil, teknik och ekonomi.
    A Bunch of Motherfuckers2018Självständigt arbete på grundnivå (konstnärlig kandidatexamen), 10 poäng / 15 hpStudentuppsats (Examensarbete)
    Abstract [en]

    In this project a collection of clothes, based on the raggar culture has been developed. e work is intended to be a modernization of the clothing, exploring the subculture and developing it, however without loosing its attitude. In uences from other related subcultures have also taken part in the work.

    The aim is to investigate the technique of spray painting directly on garments, as a method for developing prints, taking visual inspiration from the culture of raggare. Sources for inspiration to the painting have been gra ti, airbrush and action painters. In order to keep the attitude of the raggar culture, the collection is largely based on vintage clothing, linked to the culture in question. e result in this project is a collection containing eight out ts, dedicated mainly to raggare but also to others.

  • 4.
    Bendzovski, Daniel
    Högskolan i Borås, Akademin för textil, teknik och ekonomi.
    Trend-sandwich: Exploring new ways of joining inspiration, such as different kinds of trends, through processes of morphing and melding different trendy garments and materials, for new methods, garment types, materials and expressions.2015Självständigt arbete på avancerad nivå (masterexamen), 20 poäng / 30 hpStudentuppsats (Examensarbete)
    Abstract [en]

    The aim of this work is to explore the joining of inspiration, such as different garments and materials, in relation to commonly used methods in the fashion industry when it comes to joining of different trends and references such as clashing and collaging. The work proposes a new method and framework for join- ing inspiration which generates different results depending on what kind of inspiration that is put in to it. A garment can roughly be broken down to a silhouette and shape, materials and details. The material put in to the method and framework is based on information from trend seminars for SS16, because that is how many of today’s trend-oriented fashion brands get there inspiration. Trendy garment silhouettes are mixed through processes of computational morphing in Adobe Flash by a generation of spin in the mixing process were shape hints are used in a new manner. The new generated silhouettes are further developed and materialized through procedures of interpretation and figuration. Different trendy materials are melded in a direct and concrete way through mixed media techniques such as laminating, fusing and vacuum-techniques. The final steps of the method is a garment shape and material synthesis with starting point in the generated shape with the final material. The projects intention is to let the physical experimentation, interpretation and figuration play a central role in the research process for new types of methods, garments, materials and expressive pos- sibilities.

  • 5.
    Berglin, Lena
    Högskolan i Borås, Akademin för textil, teknik och ekonomi.
    Norm vs Fluidity2015Övrigt (Övrigt vetenskapligt)
    Abstract [en]

    The piece illustrates how predefined design objects (girls dancing, boys playing football) maintain gender norms compared to a fluid design (a bunch of pearls) that opens up for a variety of interpretation regardless gender, ethnicities etc.

    Norm vs Fluidity has been exhibited at the exhibitions “The Great and Small” HongKong 2014, “Blue+Pink>>>Rethink” at designxport Hamburg and designtransfer Berlin 2015. iGDN – International Gender Design Network, http://genderdesign.org/ 

  • 6.
    Berglind Stefánsdóttir, Jóna
    Högskolan i Borås, Akademin för textil, teknik och ekonomi.
    Object Poetry: Shaping Through Knit2018Självständigt arbete på avancerad nivå (masterexamen), 20 poäng / 30 hpStudentuppsats (Examensarbete)
    Abstract [en]

    Textile design has long been known for its craft related and traditional ways of working. Different designers and artist have found a way of approaching the field from an unconventional perspective. The aim of this project is to demonstrate an alternative way of approaching the field by applying traditional methods to unconventional materials. By doing so the hope is to bring joy and playfulness to the field.

    As a final result the three groups consisting of nine objects present ways that knit can be used to sculpt and to lend flexibility when combined with stiffer structures, therefore giving way for movement and transformability. Object Poetry engages the viewer to interact and experience fun.

  • 7.
    Berlin, Lena
    Högskolan i Borås, Akademin för textil, teknik och ekonomi. lena.berglin@hb.se.
    Blankout2015Övrigt (Övrigt vetenskapligt)
    Abstract [en]

    Power is unequally shared in the world, one in four people live without electricity. Art and art production is therefore not only a question of choice but a question of power. 

  • 8.
    Berner Wik, Tove
    Högskolan i Borås, Akademin för textil, teknik och ekonomi.
    Let’s talk about Perfection: An investigating of how decorative techniques and non-decorative text can create a dialogue in garments, with the body as a billboard2017Självständigt arbete på grundnivå (konstnärlig kandidatexamen), 10 poäng / 15 hpStudentuppsats (Examensarbete)
    Abstract [en]

    This collection is an investigation of how decorative techniques and non-decorative text can create a dialogue in garments, with the body as a billboard. The work is based on two different aspects. The first one deals with the question of how people look at embellishments, and the second is the message aspect. The investigation wants to find out how we can communicate with the human body as a billboard and the topic of the communication is an idea about perfection. The writer’s dyslexia experiences are used as a recurs and gives the topic a new dimension. The work explores new ways to deal with embellishments, techniques and messages. It shows that the statement T-shirt is not the only perfect garment to decorate and that garments can communicate a message in more ways than with a flat print.

  • 9.
    Blomstedt, Bettina
    Högskolan i Borås, Akademin för textil, teknik och ekonomi.
    LUX: Exploring interactive knitted textiles through light and touch2017Självständigt arbete på grundnivå (konstnärlig kandidatexamen), 10 poäng / 15 hpStudentuppsats (Examensarbete)
    Abstract [en]

    LUX studies the combination of electronics and knitted textiles from a textile design perspective. The thought of experiencing textiles without touching them sparked the idea of designing textiles where touch is essential for the visual appearance. The aim is to design knitted textiles that light up when touched, in order to create an interactive experience for the viewer. Optical fibres were chosen because of their ability to transmit light and copper yarn works as an electrical conductor that triggers the reaction of light. The shapes of the knitted textiles have been created by utilising the characteristics of the optical fibre. LUX introduces a working method in which the optical fibre is given an important role not only as a light source but also as a tool for shaping the textiles. The result of the work is three textiles that display how electronics, consisting of sensors and light, can be merged with textiles and contribute to interactive behaviour.

  • 10.
    Bobeck, Malin
    Högskolan i Borås, Akademin för textil, teknik och ekonomi.
    Binary surfaces - ljusemitterande textiler för inredningssammanhang2015Självständigt arbete på grundnivå (kandidatexamen), 12 poäng / 18 hpStudentuppsats (Examensarbete)
    Abstract [sv]

    Examensarbetet Binary surfaces - ljusemitterande textiler för inredningssammanhang är ett undersökande arbete om hur fiberoptik kan användas i vävda strukturer. I arbetet har de parametrar som påverkar mötet mellan fiberoptik och väv, samt de möjligheter de tillsammans skapar utforskats. Resultatet är två exempel på tyger vävda med fiberoptik i kombination med mer traditionella textila material. Exemplen är framtagna för inredningssammanhang och visas som en rumsavdelare och som yttertyg på sittmöbler.

  • 11.
    Brandenberg, Kristin
    Högskolan i Borås, Akademin för textil, teknik och ekonomi.
    Point of view: How printed patterns evolve through perspective2017Självständigt arbete på grundnivå (konstnärlig kandidatexamen), 10 poäng / 15 hpStudentuppsats (Examensarbete)
    Abstract [en]

    ’Point of view’ is an investigation of changeable surface patterns in the textile design field. The investigation is performed in order to get a deeper understanding of the relationship between changeable surface patterns and three-dimensional contexts to explore alternative methods.  The aim is to design surface patterns in a three dimensional context developed through printing and layering techniques, and to explore how the patterns change depending on the observer’s perspective. Practice based design experiments were carried out to explore materials and printing techniques such as transfer, digital and burn out. The patterns were in turn placed on a cubic frame with inner and outer layers, and studied for their effects on one another.  The project resulted in a series of surface patterns that were applied in a spatial context. The findings propose an alternative method for designing changeable surface patterns in a three-dimensional setting, using layers, transparency and distance as factors.

  • 12.
    Bredberg, Hanna
    Högskolan i Borås, Akademin för textil, teknik och ekonomi.
    DEAR DEER - Exploring the possibilities of materials of animal origin from a textile design perspective2015Självständigt arbete på grundnivå (kandidatexamen), 12 poäng / 18 hpStudentuppsats (Examensarbete)
    Abstract [en]

    Through manipulation of the materials and creation of sculptural forms, the knowledge in textile design was used to develop alternative methods for working with materials of animal origin. The project touches the issue of consumption by accentuating the fascinating features of animal materials and proposes a way of taking care of materials looked upon as disposals. It questions how we value what resources we have in our surroundings and how we use them. Or more important – how we are not using them.

  • 13.
    Bågander, Linnea
    Högskolan i Borås, Akademin för textil, teknik och ekonomi.
    BODY OF MOVEMENT - (IN)forming movement2017Konferensbidrag (Refereegranskat)
    Abstract [en]

    This work aims to suggest materialized expressions based the moving body. As a principle of design, it treats the body as a whole and focuses on the in-betweens that the body creates in movement as aesthetics, not looking at its surface or the traditional ways of dividing the body (e.g. sweater, pants).

    In conclusion, the results suggest that the body movement has a spatial continuation as dynamic space that can be materialized. It is a suggestion a principle of design that can be applied in fashion design, choreography, architecture, furniture design. 

  • 14.
    Bågander, Linnea
    Högskolan i Borås, Akademin för textil, teknik och ekonomi.
    BODY OF MOVEMENT - (IN)forming movement2017Konferensbidrag (Refereegranskat)
    Abstract [en]

    The presentation focuses on the collaborative process that occurs when designing garments for dance. It brings forth the benefits of the interdisciplinary production of knowledge that emerges when fashion is intersected with dance and through this moved. The collaborative process is exemplified in two projects Cuttlefish with Nicole Neidert and INSIDE/OUTSIDE with Karolin Kent and brings forth benefits of different backgrounds, expertise and perspectives in development of experimental costumes. 

  • 15.
    Bågander, Linnea
    Högskolan i Borås, Akademin för textil, teknik och ekonomi.
    Body of movement: (in)forming movement2017Licentiatavhandling, monografi (Övrigt vetenskapligt)
    Abstract [en]

    In dance many choreographers uses neutral garments not to distract too much from the movement the ”natural” body performs. Still these garments paints the body with color, form, identity and movement qualities. The work exemplifies how the body can extend into materiality and through this it questions the borders of the body not only in form, which is usually the case in fashion design, but also in movement qualities as temporal form. Further it high lightens the importance of awareness of movement qualities in materials of dress as they express the form. The potential of dress in dance is explored in three chapters. For each of these, materials were chosen and arranged in order to provide an additional layer to the movement that the body naturally performs, allowing material to transform the body into various figures of movement. The first part introduces the use of dress in dance and how dress acts with the moving body. The second part explores how movement with the origin in the body can extend spatially and the last part focuses on the materials ability to interpret and materialize the movement.  

    The result of this work suggest that dress has the potential in dance as both choreographic tool and movement quality of equal importance as the movement of a body in a dance performance. Further it intersects the aesthetics of dance, a temporal aesthetic, with the aesthetics of garments, as a form based aesthetic, as it suggests dress as temporal design, allowing dress to create a new body of movement.

  • 16.
    Bågander, Linnéa
    Högskolan i Borås, Akademin för textil, teknik och ekonomi.
    BODY(dress?)SPACE(room?): an exploration of dress at the intersection between body and arranged space through movement2015Självständigt arbete på avancerad nivå (masterexamen), 20 poäng / 30 hpStudentuppsats (Examensarbete)
    Abstract [en]

    This work is an exploration of the spatial boundaries of dress through the moving body’s interaction with arranged space. The work aims to question the distinction that is done between a “garment” and a “room” in the context of set deign and costume design as well as “dress” and “architecture”. The work is carried out through a series of staged experiments with different materials abilities to understand, extend or transform; - Movement of the body - The spatial boundaries of the body The work is a focusing on the similarities of set and costume design and garment and architecture rather than looking up on the differences and by doing so suggesting a more dynamic relationship between the traditional definitions. It challenges both the way dress is viewed upon within the context of fashion design as well as the room is viewed upon with in the context of architecture and through this is seeking to find a new context of the body. Because of its focus on the moving body’s relationship with arranged material the work is closely linked to the field of dance performance and the field of preformance have served as dialogue when developing the work. Eventhough the work is of artistic nature it is in line with the resent developments within architecture as well as textile design questioning the contemporary and suggesting for the future.

  • 17.
    Carlsson, Jan
    et al.
    Högskolan i Borås, Akademin för textil, teknik och ekonomi.
    Pal, Rudrajeet
    Högskolan i Borås, Akademin för textil, teknik och ekonomi.
    Mouwitz, Pia
    Högskolan i Borås, Akademin för textil, teknik och ekonomi.
    Lidström, Anna
    Another Design.
    ReDesign kläder: Förstudie2014Rapport (Övrigt vetenskapligt)
  • 18.
    Ciechomska, Agata
    Högskolan i Borås, Akademin för textil, teknik och ekonomi.
    COLOUR IN LOOPS: Exploring colour perception in relation to lightin weaving and hand-tufting technique2017Självständigt arbete på grundnivå (konstnärlig kandidatexamen), 10 poäng / 15 hpStudentuppsats (Examensarbete)
    Abstract [en]

    The motivation for this MA work is based on the challenge to the preconception of hand-tufting through material, colour and light. When imagining a rug, a very specific image appears in our mind. Some details of that image could vary from person to person, but what is almost certain, dense and heavy, probably made out of wool, woven textile will pop up in front of our eyes.

    This work suggests a possibility of creating new expressions in design by the material driven approach. The investigation was led by practice based research including set up of experiments, experimental work and evaluation complementing the whole process. The exploration proved that qualities of monofilament yarn have a great ability to enhance colours as well as add certain kind of lightness to the hand-tufted piece. Furthermore, due to the transparency of monofilament yarn an interplay between the loops and the backing was possible, opening up for changes in colour perception.

    The outcome of the research is collection of woven and hand-tufted textiles contributing to the field of textiles by bringing new qualities to the hand-tufting technique.

  • 19. Derkert, Siri
    Siri Derkert: modernist, modetecknare. Kläder, konst och kön i avantgardet2001Bok (Övrigt vetenskapligt)
    Abstract [sv]

    Siri Derkert (1881-1973) var inte bara en banbrytare med sin kubism utan överskred också konstens gränser genom att röra sig mellan genrer. I detta unika projekt tolkas och rekonstrueras hennes modeteckningar från 1917-21 och presenteras sida vid sida med hennes måleri. Vi möter en kvinnlig konstnär som försöker skapa sig en väg genom det modernistiska fältet i Sverige på tio- och tjugotalet.

  • 20.
    Dumitrescu, Delia
    Högskolan i Borås, Institutionen Textilhögskolan.
    Relational Textiles2013Konferensbidrag (Övrigt vetenskapligt)
    Abstract [en]

    The relationship between technology and the expression of form have always been interconnected in the architectural design process; associating the art of envisioning spaces with the craft of materializing them. Recently in terms of surface fabrication, computational tools of representation and material fabrication opened for architectural design new possibilities to explore novel spatial expressions. Surface design processes in architecture start to borrow from the logic of representation of different non-hierarchical structures, e.g., biological systems or textile construction techniques. Relating to that, the present fascination of textiles in architectural design relies on this specific way of building surface design as non-hierarchical form, and by that, allowing the designer to play with the depth of the surface design at micro and macro levels. Exploring different relations between digital and physical through textiles expressions, this research reassess static principles of form–marking the turn from static to relational principles. Thus, the intention is to describe how the character of the textiles and computation as design material redefines the notion of space trough surface aesthetics merging the digital to the physical, and how spatiality can be questioned through textile and interaction aesthetics. Using practice-based research methodology, this research opens and explores this design space by relating theory and practice; it questions and reframes fundamental concepts of expression and scale in architecture by proposing methods for surface design, and a specific language to describe textile architectural aesthetics.

  • 21.
    Envall, Matilda
    Högskolan i Borås, Akademin för textil, teknik och ekonomi.
    The Story of a Dress: Ivestigating the visual and formal features of an existing garment & processing the findings into a new design.2018Självständigt arbete på grundnivå (konstnärlig kandidatexamen), 10 poäng / 15 hpStudentuppsats (Examensarbete)
    Abstract [en]

    This project explores the features of a dress through two-dimensional imagery. It uses trompe l’oeil techniques to investigate and highlight the qualities of the garment. This proposes new ways to use trompe l’oeil designs and new ways to draw inspiration from an existing garment.

    The dress has been studied visually; through looking at it, tracing its shape and through drawing and painting it. The shape of the dress has been studied and developed through pattern construction.

    The design elements found in the dress have been expressed and enhanced into new designs. Embellishments and prints are used, to create a refined expression. The project has resulted in a seven outfit collection, where each outfit expresses one or two design element(s) from the inspirational dress.

    The collection shows a way to use decorative techniques to express findings in an artistic garment investigation. It also shows a way to draw inspiration from an existing garment to create an independent new design.

  • 22.
    Erla Adamsdóttir, Lilý
    Högskolan i Borås, Akademin för textil, teknik och ekonomi.
    Tension Attention!: Dancing Embroidery2017Självständigt arbete på avancerad nivå (masterexamen), 20 poäng / 30 hpStudentuppsats (Examensarbete)
    Abstract [en]

    This Master’s degree project explores the design possibilities of thread tension, to create a transformation in an interactive, 3D embroidered, wooden surface. The aim is to create a playful visual expression on a surface triggered by interaction. The surface is manipulated by embroidery and the embroidery is manipulated by the tension in the thread. Together all parts create a simple mechanism that allows the viewer to sink into a playful loop of a rising and collapsing structure. Dancing embroidery.  The work explores the potential of the thread as a key factor together with interaction to make a transformation of a surface possible. The thread is used both in the function of the surface and at the same time it creates a strong visual expression as it stands out to show its strength and power.

  • 23.
    Eurenius, Mario
    Högskolan i Borås, Akademin för textil, teknik och ekonomi.
    Inverted dart2016Självständigt arbete på grundnivå (kandidatexamen), 10 poäng / 15 hpStudentuppsats (Examensarbete)
    Abstract [en]

    The field I’m working in is “design through construction”. Construction as a field in fashion design when creating has expanded and there are many views upon how one can work whit-in this field. I’m working with a cut and then bending or displacing it through placing it on the body so it creates volume which starts from its vertex. One could say that it works like an inverted dart. This way to work has a potential to create volume that stands out from the body without using standard ways e.g. like adding a new pattern piece or build a crinoline. It might answer to the question: How can one create shape or arrange shape without adding anchor points? Therefor I explore the relation between body and shape through inverted dart. I’ve been executing experiments through a trial and error method diverged in three steps when in the physi- cal part examine my aim in tests based on the body pressing a cut apart which gives an effect in the vertex of the cut. Through my research I’ve have come to a conclusion that the body in itself can transform garment trough an inverted dart by stepping into it. The relation between the body and material through the inverted dart has qualities were body can arrange dress and define it trough folding fabric and body can through the inverted dart make room for itself. This idea and development is relating to the basics when make dress, body and material and how we can work whit these opponents. Instead of thinking about new variables like new technical tools, e.g. the laser cutter when pushing boundaries one can also take new turns with basics. In this work the body defines dress through the inverted dart (an interaction between body and dress) and create new ways of handling fabric and shape. This perspective on design and art can also been used when working in other fields when distort basic prin- ciples to create new expression. As an example there might be possibilities to develop basics in architecture by studying society and therefore understand fundamental values in this field and, how you by change these variables can develop design.

  • 24.
    Eurenius, Mario
    Högskolan i Borås, Akademin för textil, teknik och ekonomi.
    Mens underwear: Exploring queer expressions in mensunderwear through post internet aesthetic asVaporwave.2018Självständigt arbete på avancerad nivå (masterexamen), 20 poäng / 30 hpStudentuppsats (Examensarbete)
    Abstract [en]

    This work explores norms of dress design by the use of post internetaesthetics in mens underwear. The exploration of underwear is based onmethods formed to create a wider concept of how mens underwear couldlook like regarding shape, color, material and details.

    Explorations of stereotypical and significant elements of underwear suchas graphics and logotypes has been reworked to create a graphical identitybound to a brand.

    This is made to contextualize the work aiming to present new options andvariety in mens underwear rather than stating examples using symbols orstereotypic elements.

    In the making of the examples for this work the process goes front and back from digital to physical using different media to create compositions of color, graphic designs and outlines using transfer printer, digital print, and laser cutting machine.

  • 25.
    Femenías, Paula
    et al.
    Department of Architecture, Chalmers University of Technology, Gothenburg, Sweden.
    Fridh, Kristina
    Academy of Design and Crafts (HDK), University of Gothenburg, Sweden.
    Zetterblom, Margareta
    Högskolan i Borås, Akademin för textil, teknik och ekonomi.
    Keune, Svenja
    Högskolan i Borås, Akademin för textil, teknik och ekonomi.
    Talman, Riikka
    Högskolan i Borås, Akademin för textil, teknik och ekonomi.
    Henrysson, Erica
    Department of Architecture, Chalmers University of Technology, Gothenburg, Sweden.
    Mörk, Klara
    The Swedish School of Textiles (THS), University of Borås, Sweden.
    Earthy textiles. Experiences from a joint Teaching Encounter between Textile Design and Architecture2017Ingår i: Cumulus REDO Conference Proceedings Design School Kolding 30 May – 2 June 2017 / [ed] Anne Louise Bang,Mette Mikkelsen, Anette Flinck, 2017, s. 236-251Konferensbidrag (Refereegranskat)
    Abstract [en]

    This paper presents experiences from a two-day teaching workshop where first year students in architecture meet with first year students in textile design for an assignment on building structures with textile, soil and plants designing for indoor gardening with the aim of inspiring for more sustainable lifestyles. The background is a research project on textile architecture with the objective of exploring this new field and to establish a platform for long-term collaboration between the disciplines of architecture and textile design. The paper addresses pedagogical challenges in the meeting between first-years students of different disciplines and traditions, but also in the meeting between research and undergraduate teaching. The students produced creative results but had difficulties in exploring the full complexity of the task. An evaluative discussion is based on observations, photo documentation, notes during group discussions, follow-up questionnaires among the students and reflections among involved researchers.

  • 26.
    Fransson Dekhla, Linda
    Högskolan i Borås, Akademin för textil, teknik och ekonomi.
    Weaving Dress: Exploring whole-garment weaving as a method to create expressive dress2018Självständigt arbete på avancerad nivå (masterexamen), 20 poäng / 30 hpStudentuppsats (Examensarbete)
    Abstract [en]

    This thesis investigates whole-garment weaving as an experimental design and construction method. The majority of the current development and research within the field focuses on production efficiency and the development of weaving techniques. Here, the intention is to connect form, material and making.

    The aim is to find ways to deconstruct the process of garment making in order to create new knowledge through craft. Within whole-garment weaving, many design processes are dealt with simultaneously, through direct experimentation on the loom. In order to maintain the integrity of the weaving, interferences such as cutting and sewing is limited.

    The basics of the practical method is that the cloth is woven as a double weave on the loom. For the practical work, the first objective was to find basic parameters for the project, freely experimenting with weave constructions and bindings. As the process developed, more aspects of garment construction were included in the design process. The combination of bindings, floats and elastic is used to create expressive textile as well as dress, so that the textile surfaces influences the silhouette or the drape.

    The result shows the expressive potential of whole-garment weaving through a series of nine examples, each showcasing different aspects of the method. The focus is on showcasing experimental approaches to simultaneous fashion/textile design interaction.

  • 27.
    Fredin, Lisa
    Högskolan i Borås, Akademin för textil, teknik och ekonomi.
    (Un)Perfect: Breaking the rules in textile printing2016Självständigt arbete på grundnivå (kandidatexamen), 12 poäng / 18 hpStudentuppsats (Examensarbete)
    Abstract [en]

    This work explores the techniques of printing and preparation, in combination with technical mistakes. It aims to show how to use technical mistakes in different printing and preparation techniques as a design method to find accidental aesthetic expressions using the stripe as a tool to enhance and clarify the methods modification. The method confronts today’s textile industry by showing how these mistakes could develop into new expressions within textile design when fast -fashion is no longer an obligation. The stripe is a common shape, and is explored to clarify the method ans show how different techniques can change the stripes in various ways. This resulted in to three pieces each representing a technique; one transfer printed, one digital printed and one with the starting point in screen print. They present examples of how more time for developing mistakes in textile design can lead to development of the common shape of a stripe, broaden the technical limitations, and give a value to mistakes in the textile industry. By taking the method further more mistakes could be developed, and how to produce the developed designs in the industry could be investigated.

  • 28.
    Gennert Jakobsson, Josefine
    Högskolan i Borås, Akademin för textil, teknik och ekonomi.
    Who’s tooth? Houndstooth!: An investigation about howto use houndstooth patternto generate form andsurface with acut-and-weavemethod.2018Självständigt arbete på grundnivå (konstnärlig kandidatexamen), 10 poäng / 15 hpStudentuppsats (Examensarbete)
    Abstract [en]

    With an interest within colour and print this work developed into questioning their lack of function regarding creating or contributing to from. It investigates how to generate form and surface on a body based on houndstooth pattern. The hypothesis is to find methods that increases a prints expressional possibilities and to find a way to create shape from the prints qualities. It concerns the subject how print, colour and materials relate and affect each other depending on for example saturation, quality and scale.

    Based on the construction of a woven houndstooth a specific method to generate form have been developed, here called cut-and-weave. The result is performed in 7 outfits where this method is applied in various ways. Together they illustrate, not only that a print can give form by manipulating its construction, but also that a print can be enhanced and reinforced by executing it in different ways.

  • 29.
    Gonzalez Andersson, Atocha
    Högskolan i Borås, Akademin för textil, teknik och ekonomi.
    MODULAR SUSTAINABILITY: Modular possibilities and sustainablesolutions from a textile design perspective2018Självständigt arbete på grundnivå (konstnärlig kandidatexamen), 10 poäng / 15 hpStudentuppsats (Examensarbete)
    Abstract [en]

    How can a textile designer design in a sustainable way and with a good conscience, contributing in all aspects, when in theory it is better to not produce at all?

    Modular Sustainability is an explorative project in textile design, emphasizing on the importance of sustainability knowledge as a textile designer. The aim of this project is to design sustainable textiles in a spatial context by exploring weaving, alternative dye and finishing methods in combination with a modular assembly to enable material separation. The result consist of three woven textiles suggesting a variation of modular solutions in a spatial context. The study displays how a textile designer can use sustainability as a design method and how that can result in new design decisions and solutions that might not have been a part of the design process otherwise.

  • 30.
    Gunn, Maja
    Högskolan i Borås, Akademin för textil, teknik och ekonomi.
    Body acts queer: Clothing as a performative challenge to heteronormativity2016Doktorsavhandling, monografi (Övrigt vetenskapligt)
    Abstract [en]

    This artistic, practice-based thesis has been developed based on the idea that design creates social and ideological change. From this perspective, Body Acts Queer — Clothing as a performative challenge to heteronormativity introduces an artistic way of working with and exploring the performative and ideological functions of clothing with regard to gender, feminism, and queer. The thesis presents this program for experimental fashion design—exemplified through a series of artistic projects—while also discussing the foundations of such an approach and the different perspectives that have affected the program and its artistic examples. Working with clothing and fashion design through artistic projects using text and bodies, this thesis transforms queer and feminist theory into a creative process and, by looking into bodily experiences of clothing, Body Acts Queer investigates its performative and ideological functions, with a focus on cultural, social, and heteronormative structures. Body Acts Queer suggests a change in the ways in which bodies act, are perceived, and are produced within the fashion field, giving examples of—and alternatives to—how queer design practice can be performed. In this thesis, queer design is explored as an inclusive term, containing ideas about clothing and language, the meeting point between fiction and reality, and the ability to perform interpretation and bodily transformations—where pleasure, bodily experiences, and interaction create a change. 

  • 31.
    Gunn, Maja
    Högskolan i Borås, Institutionen Textilhögskolan. Högskolan i Borås, Akademin för textil, teknik och ekonomi.
    If you were a girl I would love you even more2013Konferensbidrag (Övrigt vetenskapligt)
    Abstract [sv]

    Paper om ett konstnärligt forskningsprojekt som handlar om laborerandet med en mans genusidentitet.

  • 32.
    Gunn, Maja
    Högskolan i Borås, Akademin för textil, teknik och ekonomi.
    Utopian Bodies – Fashion Looks Forward2015Övrigt (Refereegranskat)
  • 33.
    Gunn, Maja
    Högskolan i Borås, Akademin för textil, teknik och ekonomi.
    Utopian Bodies: Gender2015Övrigt (Refereegranskat)
  • 34.
    Gunn, Maja
    Högskolan i Borås, Institutionen Textilhögskolan. Högskolan i Borås, Akademin för textil, teknik och ekonomi.
    Why?2013Konferensbidrag (Övrigt vetenskapligt)
    Abstract [sv]

    Inbjuden att prata på en genusdesignkonferens på Parsons i New York

  • 35.
    Hahn, Phyllis
    Högskolan i Borås, Akademin för textil, teknik och ekonomi.
    Flex: Exploring flexibility through solid and soft materials in woven structures2018Självständigt arbete på grundnivå (konstnärlig kandidatexamen), 10 poäng / 15 hpStudentuppsats (Examensarbete)
    Abstract [en]

    This work places itself in the field of textile design, weaving and interactive objects. It explores how the combination of solid and soft materials in a woven structure affect its flexibility and pliability. By integrating solid materials as a weaving material the work aims to propose an alternative context for woven structures, not necessarily becoming fabrics but rather objects that can be interacted with. The design process consisted of series of workshops where woven samples were made on a hand loom, weaving frame and by hand. The result are three woven structures each of which show of different flexibilities attained through the combination of solid and soft materials. The pieces are meant to be interacted with and can be shaped in various ways by folding, stacking or connecting parts of the structure. Combining solid and soft materials with the weaving technique shows the potential of interactive structures and objects which propose multiple functions, and can be developed further into products for interior design or play.

  • 36.
    Hahne Gadd, Jenny
    Högskolan i Borås, Akademin för textil, teknik och ekonomi.
    Layered Light: Exploring dynamic light patterns with textile as medium2015Självständigt arbete på grundnivå (kandidatexamen), 12 poäng / 18 hpStudentuppsats (Examensarbete)
    Abstract [en]

    Layered light is a textile design project aiming to explore light as a design variable and its abilities to - in combination with layers of laser cut textiles - create dynamic patterns. The reason being to explore how light can be used to create the very pattern itself and what the textile quality can bring to the expression. Through a practice based working method, laser cutting has been used to manipulate different textile materials, that in combination with movement have resulted in range of design examples displaying various effects of the technique. Three of the found effects have been used to take forth a collection of patterns drawing inspiration from the elusive beauty of light in nature. One of which has been produced in a larger scale, exemplifying how the expression could be used in a spacial context. The result implicates the usefulness of integrating light early on in a design process and how textile and light can be combined to enhance each other all well as displaying a whole new expression for laser cut textiles.

  • 37.
    Halldórsdóttir, Helga Lára
    Högskolan i Borås, Akademin för textil, teknik och ekonomi.
    CORNERED COMPOSITIONS: EXPLORING the CORNER of a ROOM as a METHOD of GARMENT CONSTRUCTION2018Självständigt arbete på avancerad nivå (masterexamen), 20 poäng / 30 hpStudentuppsats (Examensarbete)
    Abstract [en]

    This work began as an exploration of the spatial qualities of awkwardness. It eventually evolved into a fixation on the three planes within the corner of a room, representing the safe haven for an awkward individual. The corner has successfully demonstrated the relationship between body, space and garment as a concept. Furthermore, the corner has proved to function as the ultimate tool for creating a sculpture with the integrated body.

    The motive of this work is to spark interest and to provide an alternative criteria for what can be categorised as a sculpture. This new criteria represents functional interchanging sculptures that can be built around the body.

    The limits created within this work have been key in formulating the problem, and to generate a wide range of results within a concentrated field to challenge the method. The ultimate limit has been the corner itself, which has been manifested into the ultimate opportunity.

    This has resulted in a collection of examples all constructed through the method of the corner and finally bringing it to the body, effectively removing the corner from the space. This has created a mobile wearable space, that can be arranged according to desired fashion and shield awkwardness.

  • 38.
    Helgesson, Anna
    Högskolan i Borås, Akademin för textil, teknik och ekonomi.
    Constructing Reality: a textile illusion!2016Självständigt arbete på grundnivå (kandidatexamen), 10 poäng / 15 hpStudentuppsats (Examensarbete)
    Abstract [en]

    This bachelor degree work explores textile print with illusionary qualities, and aims to challenge the viewers visual perception and ideas of reality. With focus on creating three-dimensional illusionary prints the motive is to question how we evaluate design in relation to society and expected imagery. By working with the techniques of weaving, digitally developed print and transfer printing techniques this work strives to create an opportunity for the viewer to expand their idea of reality.

  • 39.
    Hobbs, Klara
    Högskolan i Borås, Akademin för textil, teknik och ekonomi.
    Defining garments through details2015Självständigt arbete på avancerad nivå (masterexamen), 20 poäng / 30 hpStudentuppsats (Examensarbete)
    Abstract [en]

    Looking at defining factors of garment, means to look at garments that has the possibility to be reduced to a extent and would still be seen as a specific garment. So, which garments are we so familiar with, both visually and the meaning, to the extent that we only need a small amount of information in order to recognise and understand it? This work investigates defining factors in garments that would be enough to describe and recognise a certain type of garment. The aim of this work is to explore the use of details as a way to define a garment and to question our learnt knowledge and presumption of what we refer to as a certain type of garment. The work is built on the objectification of a garment and is explored through the methods of abstraction and reduction. The result from this investigation consists of physical examles and conclusions in regards to the approached methods and knowledge about archetypal garments. What is presentend in this thesis, is nine examples of how one could describe a garment. Not what is the right way, but an alternative of combinations and the use of details as a refernce to the original garment we have knowledge about.

  • 40.
    Hohenstein, Viviana
    Högskolan i Borås, Akademin för textil, teknik och ekonomi.
    The Space in between: Exploring weave knitted textiles by constructing surface patterns on three-dimensional shapes2017Självständigt arbete på grundnivå (konstnärlig kandidatexamen), 10 poäng / 15 hpStudentuppsats (Examensarbete)
    Abstract [en]

    In the field of knitting, the binding weave knitting is mainly used for technical textiles, where the textiles have a high performance require- ment. Weave knit is constructed by placing an inlay thread between the knitting rows in a similar manner as a weft thread in a woven tex- tile. This work sets out to design three-dimensional weave-knitted tex- tiles in combination with intarsia and partial knit with the intention to develop surface pattern on three-dimensional shapes. The material used are effect yarn, monofilament and chenille yarn, which improve the properties of the textile. The three techniques enhance each other by their characteristics and give the possibility of formability. The re- sult shows an installation of textiles with three-dimensional character- istics, meant for spatial contexts which have the ability to function with light. The value of this work lies in the combination of the techniques and the application area in which the work is set.

  • 41.
    Hákonardóttir, Halla
    Högskolan i Borås, Akademin för textil, teknik och ekonomi.
    The Role of the Hole2015Självständigt arbete på avancerad nivå (masterexamen), 20 poäng / 30 hpStudentuppsats (Examensarbete)
    Abstract [en]

    The design project presented here explores the relation between body and a garment. It is concerned simultaneously with the fundamental notion of a garment and the act of dressing. The project can be contextualized as a constructive design research since the aim does not involve analysis of the material world nor rational problem solving. Rather, the aim is to create new imaginary realities, and visualize them. As a startup method to construct a theory, workshops were set up using life size vertical action collages, in order to integrate the act of dressing with the aim to develop a new construction method. Two actors, one of them myself, were used to provide a greater diversity of perspectives and interpretations. A method of dressing which involved interlocking the body - limbs and waist - with vertically hanging textiles, was developed through the search for the holes, that constitute the infrastructure of a garment. The results are both artefacts, that visualize the new garment construction as well as a new routine of dressing through the novel method of garment construction. Dressing a body in textiles through interlocking which results in an intimate connection between body and the garment as the body reacts to the garment and vice versa. The motivation for exploring the act of dressing is an urge to reflect upon the fast evolving society of today which tends to emphasize a static relationship between body and a garment.

  • 42.
    Im, Vika
    Högskolan i Borås, Akademin för textil, teknik och ekonomi.
    Corkodiles: Challenging body standards by exploring techniques of cutting and assembling primitive materials, which are mainly derivatives of wood, in order to rethink the visual expression of the body.2016Självständigt arbete på grundnivå (kandidatexamen), 10 poäng / 15 hpStudentuppsats (Examensarbete)
    Abstract [en]

    The motive of this work is to illustrate and visualize the socio-political objectification of the female body, in order to suggest explanations as to how female body standards are derived as a result of this objectification. The objective was obtained by exploring cut and assembling designs with powerful visual expressions, with sustainability as a point of emphasis. As the result 8 shapes were created out of one single pattern formula, the formula that would probably never be discovered if the starting point were not a fragile cork material.

  • 43.
    Ingeholm Danielsson, Caroline
    Högskolan i Borås, Akademin för textil, teknik och ekonomi.
    Defiant Nonesense: To explore everyday objects in relation to clothes and body with a focus on composition.2018Självständigt arbete på grundnivå (konstnärlig kandidatexamen), 10 poäng / 15 hpStudentuppsats (Examensarbete)
    Abstract [en]

    This work is a exploration of objects, selected out of personal perception, in relation to clothes and body with focus on composition by the means of different placements on the body where the goal is to find new expressions in dress. Objects have been the interest of many artists throughout history, objects surround us everyday and we constantly have a connection to them. Instead of only using the objects in this work they are given a new purpose, to be worn. The exploration in the work is based on openly finding objects to study, the selection of which is based upon the suggestion of object selection in Clemens Thornquist’s, Wonder Room:realizsing a world (2010). This work argues that by using known pre-existing everyday objects as a material base and to study its relationship with clothes and body it will open up for new expressions in clothing design. The final result can be viewed upon as seven examples which is a clear product of the study in objects and how they relate to body and clothes, but it can also be seen as a suggestion for others wanting to study design based in object research.

  • 44.
    Ingvarsson, Ottilia
    Högskolan i Borås, Akademin för textil, teknik och ekonomi. textilhögskolan i Borås.
    Kurvor i jeansgren: En jämförande studie av hur grenkonstruktionen påverkar passformen på damjeans2016Självständigt arbete på grundnivå (kandidatexamen), 10 poäng / 15 hpStudentuppsats (Examensarbete)
    Abstract [sv]

    Denna studie är ett kandidatarbete inom området designteknik. Studien undersöker olika jeansgrenars form och mått, och hur detta påverkar komfort och visuell passform vid användning. Grunden till studien ligger i en problematik som upptäckts på ett svenskt modeföretag. Företagets jeansbyxa är problematisk då veck och dragningar bildas, speciellt kring grensömmen fram, vilket varken är smickrande eller komfortabelt för användaren. Studien undersöker och jämför företagets, marknadens och litteraturens jeansgrenar. Detta för att studera vilka samband som finns på detta inte så utforskande område. Studiens syfte är att analysera och jämföra passform, mått och konstruktion på jeansgrenar från olika grupper.

    Metoder som används är avprovning på provmodell, digitalisering av konstruktioner, mätning av plagg samt visuell jämförelse av grenkonstruktioner. Jeansens komfort och visuella passform bedöms vid avprovning och med hjälp av en passformsmatris kartläggs vilka jeansbyxor som visar bäst resultat. Slutligen verifieras studien genom att applicera resultatet av studien på företagets befintliga jeansbyxa.

    Studiens resultat visar på god passform vid omplacering av form i grensöm samt på samband mellan god passform och grenspetsens vinkel. 

  • 45.
    Jansson, Emelie
    Högskolan i Borås, Akademin för textil, teknik och ekonomi.
    ...believing in fusion of worlds to make another one.: A fusion of wear from 19th century America and the Russian designer Gosha Rubchinskiy2017Självständigt arbete på grundnivå (konstnärlig kandidatexamen), 10 poäng / 15 hpStudentuppsats (Examensarbete)
    Abstract [en]

    This work explores the opportunities of working with multiplicity in fashion. This provides the freedom ofcombining inspiration from different times, places and cultures. At the same time, it is important that the viewerunderstands the fusion and that the work shows relevance to the current time in fashion. The selected parts inthis fusion are costumes from 19th century America and garments from the Russian designer GoshaRubchinskiy. The focus of this work is a fusion of these two worlds with the aim to find a new way of dressing.By finding methods that explore the complexity of Worldmaking, it led to a better understanding of theimportance of finding the balance between multiplicity and reduction. The materials from these two worlds arebased on items from websites relating to the origin worlds. These items are then developed with inspirationfrom both pleasure and insight.

    This collection started with two worlds that resulted in a lineup of seven looks. These looks have come torepresent another world, but still contain fragments that can be derived from its origins. This ”another world” isa young concept and eager to continue the creation of a new culture of fashion.

  • 46.
    Jardesten, Alice
    Högskolan i Borås, Akademin för textil, teknik och ekonomi.
    Clashing Contexts2018Självständigt arbete på grundnivå (konstnärlig kandidatexamen), 10 poäng / 15 hpStudentuppsats (Examensarbete)
    Abstract [en]

    Fashion is a social construct and its very essence is to express identity and status. Depending on context we dress differently and we are constantly adapting in order to meet social expectations of dress.

    This work explores the relationship between archetypical garments and status. The main objective of this exploration is to challenge hierarchies in fashion by clashing different stereotypes by the means of construction. This implies to question social structures currently present in fashion. Due to these structures, we conform to stereotypical ideas of how to dress, which restricts us.

    What could be defined as missing within fashion today is the clash between garments on opposite sides of the hierarchy in fashion. While meetings within the same garment group has been explored before by numerous designers, combining archetypes from opposite sides of the hierarchy is yet relatively unexplored.

    If one was to transcend the boundaries and jump freely between garment groups, there is a possibility to select fragments from different categories in a garment to work with. This could then create more free ways of expressing oneself through dress.

    What is presented in this work is an approach aiming to challenge hierarchies in fashion. The examples can be read as archetypical and stereotypical hybrids with the intention to question how we dress in certain contexts. Resulting in new meetings of materials and expressions relating to dress codes.

  • 47.
    Jazayeri, Statira
    Högskolan i Borås, Akademin för textil, teknik och ekonomi.
    Sculptural Textiles: Exploring sculptural possibilities in woven textiles through construction and contrasting yarns.2016Självständigt arbete på grundnivå (kandidatexamen), 10 poäng / 15 hpStudentuppsats (Examensarbete)
    Abstract [en]

    Sculptural Textiles is a material investigation exploring sculptural possibilities for machine woven textiles. Two important factors are yarn combinations and textile construction, and how these two together can result in fabrics that can be manipulated by hand into shapes and thus adaptable to various settings. The essence of this project is in the meeting between contrasts such as shiny-dull, elastic-stiff, transparent-opaque, natural and synthetic and how these meetings can create sculptural qualities. The project is aiming to create a range of sculptural textiles as well as being an exploration in material. Construction and density are tools to bring forth the beauty and function of the materials. The result is a range of textiles showing that small changes in material and construction can lead to different sculptural characteristics.

  • 48.
    Johansson, Alva
    Högskolan i Borås, Akademin för textil, teknik och ekonomi.
    LOVE2017Självständigt arbete på avancerad nivå (masterexamen), 20 poäng / 30 hpStudentuppsats (Examensarbete)
    Abstract [en]

    This project explores the dimensional relationship between body and dress through using features of corsetry. Where is the garment tight? Where do we place volume and where do we show skin? This project addresses these questions and the construction of dress through broadening the concept of corsetry.

    With the vision to improve the relationship between body and dress through exploring new methods for an existing technique. Searching for alternative construction techniques in dress which enhances the circular relationship between body, dress and form. By exploring new working methods that includes the body in the process of constructing garments, the corsetry tools has been used to investigate how the garment stays on the body in terms of how we tighten it to the body and by that also give the garment its shape.

    The project is practice based and built on concrete experiments. The relationship between body, fabric and form has been explored through working hands on with the material on the own body.

    The design method was developed in the beginning of the project. Further, it was carried out through using rectangular and tube shaped fabrics together with features of corsetry, mainly focusing on eyelets and lacing.

    Resulting in both a new method for an existing technique, as well as a result that expresses new possibilities in the composition of the dressed body. It also proposes alternative ways of constructing and wearing garments, where the body and the garment work together.

  • 49.
    Johansson, Carolina
    Högskolan i Borås, Akademin för textil, teknik och ekonomi.
    Linkin' Parts2016Självständigt arbete på grundnivå (kandidatexamen), 10 poäng / 15 hpStudentuppsats (Examensarbete)
    Abstract [en]

    This work aims to explore the linking of bodyparts and the internal interaction of material, body and motion in order to establish a new relationship between body and dress. The common system in construction of dress is based on an absent body, consequently dividing it into predetermined pieces, where the parts of the body are being isolated from eachother. With the intention of challenging those fixed structures, the work proposes a change of order in dress through a change of practice when investigating the linking possibilities within the body. Based on the elasticity of the moving body and the haptic perception, in terms of constructing directly on the own body, the work presents a series of examples which connects and compose dress from new positions of the body. This should be considered a contribution to what is perceived as dress and bridging the gap in the lacking discussion between body and dress.

  • 50.
    Johansson, Elisabeth
    Högskolan i Borås, Akademin för textil, teknik och ekonomi.
    Extra Ordinär2011Självständigt arbete på grundnivå (kandidatexamen), 12 poäng / 18 hpStudentuppsats (Examensarbete)
    Abstract [sv]

    Extra Ordinär är en digitaltryckt tapetkollektion inspirerad av den gråa och rutinbundna vardagen. I denna kollektion har vardagliga attribut som rostig metall, vattenskadat laminat- golv och sliten plast förvandlats till mönster. I vår vardag finns många saker som vi ser varje dag men ändå aldrig riktigt lägger märke till. Genom att inspireras av vardagen som en sammanhängande helhet av olika arkitektoniska material och färger i min omgivning har jag för att hylla det alldagliga tagit fram ett antal mönster för hemmiljö. I stället för att dölja skarvar, fogar, ledningar och slitage som finns överallt i min vardag, blir dessa i denna kollektion till dekoration i form av bårder och tapet.

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