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  • 1.
    Bågander, Linnea
    University of Borås, Faculty of Textiles, Engineering and Business.
    Cuttlefish - another body2018Conference paper (Refereed)
    Abstract [en]

    CUTTLEFISH – Another body 

     

    This work aims to explore other types of preforming bodies. Bodies extending themselves into material and creating expressions based on the body in a dialogue with materials expression. Through this aiming to remove connotations associated with the body through this create for the audience an experience of freedom of imagination. 

    Fashion design involves an aesthetics that is based the body as form and is often changed in form according to norms, trends and ideals, shaping by “artificially changing the body’s silhouette and sometimes altering its natural structure” (Koda, 2012). Further, the alterations of dress affect how the body behaves and moves by restricting, enhancing (Bugg, 2006) and enabling movements through both physical and psychological means. In Cuttlefish, the body is instead altered in movement qualities and through this as form. 

    The visual removal of the body, contributed to experienced new bodies, it became something that the viewer can relate to on an emotional level as they became new personas and identities. Audience experience a large vary of emotions and personal associations many of them concerning identity; who we are and how we exist together. 

     

     

    CUTTLEFISH credits:

    Choreographer: Nicole NeidertCast: Linn Ragnarsson, Viktoria Andersson, Anton BorgströmCostume design: Linnea BåganderSound design: Elize ArvefjordLight design: Ulrich Ruchlinski 

    Premier: September 26th 2017 Falkhallen, Falkenberg, Sweden 

    Additional performances:Byteatern Kalmar, KonserthusteaterKarlskrona, SPIRA Jönköping, Region Teatern Växjö, Skånes Dans Teater Malmö.

  • 2.
    Bågander, Linnea
    University of Borås, Faculty of Textiles, Engineering and Business.
    INSIDE/OUTSIDE – Landscape2019Other (Refereed)
    Abstract [en]

    The interactive textile sculpture INSIDE/OUTSIDE questions the borders of the body through material form and movement. The form suggest and instructs the choreography and becomes a co-choreographer pushing the narrative further and opening up for interaction between bodies through its materiality. Exhibited at Skövde Art museum, 17 jan - 3 march 2019.

  • 3.
    Bågander, Linnea
    University of Borås, Faculty of Textiles, Engineering and Business.
    Wear-thinking: enabling (e)motion2019Conference paper (Refereed)
    Abstract [en]

    This paper suggests shifting the focus from a visual aesthetic of the body to an aesthetics emerging form the experience of wearing. Historically the aesthetics of wearing has been mainly concerned with visual aspects of body; how dress looks on you/make your body look rather than how it feels and what it does with you. Building further on the notion somatic garment as introduced by Sally E Dean (2011) and somatic style as defined by Shusterman (2012) the project addresses the experience of wearing and its effect on our emotional state and as bodily aesthetics. It is a practical exploration contributing to a theoretical discussion. The findings result from an interdisciplinary study intersecting fashion design and choreography, explored through interactive installations and performances developed over the course of 2 years. In 4 performances, 4 workshops and 3 exhibitions nationally and internationally the tactile and informing potential of wearing has been investigated. The results suggest a particular kind of wear-thinking that affects the body aesthetics through how it imposes movement patterns, positioning, tempo and emotions and through this it affects not only the emotional state of mind body also the appearance of the body. In the study, movements that create well-being, presence and relaxation was enabled with help of the interactive installation.

    Examples:

    Interactive form exhibited at festival:

    https://youtu.be/enaPeIRiELU

    Performance: https://youtu.be/9SHC6zRA6TA

  • 4.
    Bågander, Linnea
    University of Borås, Faculty of Textiles, Engineering and Business.
    Neidert, Nicole (Choreographer)
    Cuttlefish2018Artistic output (Refereed)
    Abstract [en]

    The performance Cuttlefish questions the form, identity and movement qualities of the dancer and through this it opens up for the discussion, what is a body? The body forms, the viewer can relate to on an emotional level, they became new personas and identities through the new movement qualities and forms. The costume design suggests and push both the choreography and the narrative further, since these new bodies, in themselves, are a choreography and narrative.Dansers: Viktoria Andersson, Anton Borgström och Linn Ragnarsson

  • 5.
    Bågander, Linnea
    University of Borås, Faculty of Textiles, Engineering and Business.
    Kent, Karolin (Choreographer)
    Movement and visual art.
    INSIDE/OUTSIDE - Landscape2018Artistic output (Refereed)
    Abstract [en]

    The interactive textile sculpture INSIDE/OUTSIDE questions the borders of the body through material form and movement. The form suggest and instructs the choreography and becomes a co-choreographer pushing the narrative further and opening up for interaction between bodies through its materiality. Exhibited at Järnhallen Gotehburg 12-20 may 2018. 

  • 6.
    Bågander, Linnea
    University of Borås, Faculty of Textiles, Engineering and Business.
    Kent, Karolin (Choreographer)
    Movement and visual art.
    INSIDE/OUTSIDE - tunnel2018Artistic output (Refereed)
    Abstract [en]

    The interactive performance INSIDE/OUTSIDE questions the borders of the body both through how material movement allow the body to extend in scale and by changing the inside and outside perspective of dress. Through this it also questions the notion of wearing. The form suggest and instructs the choreography and becomes a co-choreographer pushing the narrative further and opening up for interaction between bodies through its materiality.

  • 7.
    Kapur, Jyoti (Designer)
    University of Borås, Faculty of Textiles, Engineering and Business.
    Kirkilytė-Jankauskienė, Giedre (Dancer)
    Lithuanian Academy of Music and Theatre, Vilnius.
    Performance: Smells, space and body movement2016Artistic output (Refereed)
  • 8.
    Bågander, Linnea
    University of Borås, Faculty of Textiles, Engineering and Business.
    Niedert, Nicole
    SKINNING/TRUE MESH 16:9 full time texture2019Artistic output (Refereed)
  • 9.
    Kapur, Jyoti (Designer, Actor)
    University of Borås, Faculty of Textiles, Engineering and Business.
    Pečiulytė, Justė (Designer, Actor)
    VAA, Vilnius.
    Staging a smelly atmosphere2017Artistic output (Refereed)
    Abstract [en]

    As a collaborative proposal for a presentation at the Symposium, we suggest a performance/workshop format. The invited participant enacts a specific spatial atmosphere of a design studio, where smells are quintessential to a working space and also to the design process. This workshop/performance becomes a method to investigate, how the spaces can be arranged using the olfactive boundaries. If the tactile surfaces create non-visual expressions going beyond a graphical and visual representation. And how change in smells make a distinctive effect in design decisions and design processes for a designer.

    Additionally, the workshop/performance is an experimental research presentation format that enables an activated state (smells) and gives a playground for learning. It is a way to display, explore and finally, to discuss the ‘designer experience’ conveyed by embodied interactions with the materials.

    We use the design studio as  a framework which is susceptible to be adaptive, hence open for negotiation with existing conditions. We also estimate the importance for it to articulate the tactile, visual and verbal aspects of the designing environment. Therefore, studio as a stage, a material setting to improvise and enact with, is more specifically what interests us.

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