This work began as an exploration of the spatial qualities of awkwardness. It eventually evolved into a fixation on the three planes within the corner of a room, representing the safe haven for an awkward individual. The corner has successfully demonstrated the relationship between body, space and garment as a concept. Furthermore, the corner has proved to function as the ultimate tool for creating a sculpture with the integrated body.

The motive of this work is to spark interest and to provide an alternative criteria for what can be categorised as a sculpture. This new criteria represents functional interchanging sculptures that can be built around the body.

The limits created within this work have been key in formulating the problem, and to generate a wide range of results within a concentrated field to challenge the method. The ultimate limit has been the corner itself, which has been manifested into the ultimate opportunity.

This has resulted in a collection of examples all constructed through the method of the corner and finally bringing it to the body, effectively removing the corner from the space. This has created a mobile wearable space, that can be arranged according to desired fashion and shield awkwardness.