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Publications (10 of 34) Show all publications
Hallnäs, L. (2018). The Textile-Thinking Paradox. In: Ebru Kurbak (Ed.), Stiching Worlds: Exploring Textiles and Electronics. Berlin: Revolver Publishing
Open this publication in new window or tab >>The Textile-Thinking Paradox
2018 (English)In: Stiching Worlds: Exploring Textiles and Electronics / [ed] Ebru Kurbak, Berlin: Revolver Publishing , 2018Chapter in book (Other academic)
Place, publisher, year, edition, pages
Berlin: Revolver Publishing, 2018
National Category
Humanities and the Arts
Identifiers
urn:nbn:se:hb:diva-14390 (URN)
Available from: 2018-06-28 Created: 2018-06-28 Last updated: 2018-07-10Bibliographically approved
Hallnäs, L. (2017). Once again... what is artistic research?. In: Jan Kaila, Anita Seppä, Henk Slager (Ed.), Futures of Artistic Research: At the Intersection of Utopia, Academia and Power. Helsinki: The Academy of Fine Arts, Unitarts Helsinki
Open this publication in new window or tab >>Once again... what is artistic research?
2017 (English)In: Futures of Artistic Research: At the Intersection of Utopia, Academia and Power / [ed] Jan Kaila, Anita Seppä, Henk Slager, Helsinki: The Academy of Fine Arts, Unitarts Helsinki , 2017Chapter in book (Refereed)
Place, publisher, year, edition, pages
Helsinki: The Academy of Fine Arts, Unitarts Helsinki, 2017
Series
Writings from the Academy of Fine Arts ; 05
National Category
Humanities and the Arts
Research subject
Textiles and Fashion (Design)
Identifiers
urn:nbn:se:hb:diva-13284 (URN)978-952-7131-42-8 (ISBN)
Available from: 2017-12-27 Created: 2017-12-27 Last updated: 2018-01-02Bibliographically approved
Hallnäs, L. (2017). Outline of a general artistic design research program. Borås: Smart Textiles Design Lab Research Outlet
Open this publication in new window or tab >>Outline of a general artistic design research program
2017 (English)Other (Other academic)
Abstract [en]

As “artistic research” is establishing itself as a field of academic research, a branch of academic research, it is only natural that we ask what it is all about. Not only from the outside trying to understand this “new” member of the academic research family, but also from within the field itself discussing directions, defining new research programs, mapping out sub fields and sorting out ideological matters. Results is clearly a key issue here. What is common here, irrespectively of the artistic subject in question, is that the result comes in the form of suggestions. Methods, techniques and programs are not propositions stating facts, but suggestions about ways, and directions, of working. If that is the characteristics, and nature of result content, what is the bearer, what is it that brings forth the result? In all three cases it makes perfectly sense to think of the bearer in terms of text providing for general presentations, descriptions, explanations and discussions. But what is missing in such a more general presentation is what suggestive and convincing examples bring forth; expressional implications. If it is a performance, an intervention, a painting, a piece of music, a film, a theater play, a building, a text etc that display methods, techniques, programs by example, then it is in the design of the performance, the intervention, the piece of music, the film, the theater play, the building, the text etc that the result, with respect to expressional implications, resides.

Place, publisher, year, pages
Borås: Smart Textiles Design Lab Research Outlet, 2017. p. 30
Series
Smart Textiles Design Lab Research Outlet
National Category
Humanities and the Arts
Identifiers
urn:nbn:se:hb:diva-13285 (URN)
Available from: 2017-12-27 Created: 2017-12-27 Last updated: 2018-07-10Bibliographically approved
Hallnäs, L., Tomico, O., Liang, R.-H. & Wensveen, S. (2017). Towards a Next Wave of Wearable and Fashionable Interactions. International Journal of Design, 11(3), 1-6
Open this publication in new window or tab >>Towards a Next Wave of Wearable and Fashionable Interactions
2017 (English)In: International Journal of Design, ISSN 1991-3761, E-ISSN 1994-036X, Vol. 11, no 3, p. 1-6Article in journal, Editorial material (Refereed) Published
National Category
Humanities and the Arts
Identifiers
urn:nbn:se:hb:diva-13305 (URN)000423762200001 ()2-s2.0-85040026696 (Scopus ID)
Available from: 2018-01-03 Created: 2018-01-03 Last updated: 2018-11-30Bibliographically approved
Hallnäs, L. (2015). On the Philosophy of Slow Technology. Acta Universitatis Sapientiae, Social Analysis, 5(1), 29-39
Open this publication in new window or tab >>On the Philosophy of Slow Technology
2015 (English)In: Acta Universitatis Sapientiae, Social Analysis, ISSN 2248-0854, Vol. 5, no 1, p. 29-39Article in journal (Refereed) Published
National Category
Humanities
Research subject
Textiles and Fashion (Design)
Identifiers
urn:nbn:se:hb:diva-8312 (URN)
Available from: 2016-01-06 Created: 2016-01-06 Last updated: 2018-06-01Bibliographically approved
Hallnäs, L. (2015). On the Proof Theoretic Foundations of Set Theory. In: Thomas Piecha and Peter Schroeder-Heister (Ed.), Advances in Proof-Theoretic Semantics: (pp. 161-171). Springer Science+Business Media B.V.
Open this publication in new window or tab >>On the Proof Theoretic Foundations of Set Theory
2015 (English)In: Advances in Proof-Theoretic Semantics / [ed] Thomas Piecha and Peter Schroeder-Heister, Springer Science+Business Media B.V., 2015, p. 161-171Chapter in book (Refereed)
Place, publisher, year, edition, pages
Springer Science+Business Media B.V., 2015
Series
Trends in Logic ; 43
National Category
Mathematics
Identifiers
urn:nbn:se:hb:diva-8313 (URN)
Available from: 2016-01-06 Created: 2016-01-06 Last updated: 2018-04-23Bibliographically approved
Hallnäs, L. & de Freitas, N. (2012). Editorial: Where Art, Technology and Design Meet. Studies in Material Thinking, Vol 7, 03-06
Open this publication in new window or tab >>Editorial: Where Art, Technology and Design Meet
2012 (English)In: Studies in Material Thinking, ISSN 1177-6234, Vol. Vol 7, p. 03-06Article in journal (Other (popular science, discussion, etc.)) Published
Abstract [en]

With a foundation in artistic practice, the Ambience´11 conference was organised as a meeting place where researchers from digital architecture, smart textiles, new media art and interaction design communities could come together to discuss and share ideas on the new expressional crossroads of art and technology and to take new ideas back to their own communities. As post modernism slowly fades away, a new interest in the expressional possibilities of constructions, techniques and materials, as well as the craftsmanship of artistic work, is becoming more and more visible in artistic practices. It is like revisiting “free” modernistic experimentation not bound by the utopian systems and dogmas targeted by post modernistic critique.

Place, publisher, year, edition, pages
de Freitas, Nancy, Auckland University of Technology, 2012
National Category
Other Humanities not elsewhere specified
Research subject
Textiles and Fashion (General)
Identifiers
urn:nbn:se:hb:diva-1278 (URN)2320/10784 (Local ID)2320/10784 (Archive number)2320/10784 (OAI)
Available from: 2015-11-13 Created: 2015-11-13 Last updated: 2017-11-28Bibliographically approved
Hallnäs, L., Hellström, A. & Landin, H. (Eds.). (2011). Ambience´11 Proceedings. CTF
Open this publication in new window or tab >>Ambience´11 Proceedings
2011 (English)Collection (editor) (Other academic)
Abstract [en]

The Ambience’11 conference focuses on the intersections and interfaces between technology, art and design. The first international conference in the Ambience series was held in Tampere, Finland in 2005. In Tampere the basic theme was “Intelligent ambience, including intelligent textiles, smart garments, intelligent home and living environment”. In Borås 2008 it was “Smart Textiles – Technology & Design” in focus and in Borås 2011 it is the new expressional crossroads where art, design, architecture and technology meet.

Place, publisher, year, edition, pages
CTF, 2011
Keywords
smart textiles, digital architecture, new media art, interaction design, Smart textiles, Digital architecture, New media art
National Category
Art History
Research subject
Textiles and Fashion (General)
Identifiers
urn:nbn:se:hb:diva-3604 (URN)2320/9903 (Local ID)978-91-975576-8-9 (ISBN)2320/9903 (Archive number)2320/9903 (OAI)
Note

Sponsorship:

University of Borås, Smart Textiles, TEKO - Sveriges textil- och modeföretag, Marketplace Borås, Simonsland/The Creative Factory, Borås stad, Tampere University of Technology, ACG Nyström

Available from: 2015-12-04 Created: 2015-12-04 Last updated: 2018-02-10Bibliographically approved
Hallnäs, L. (2011). Borås School of Weaving: the final years 2007-2008. CTF, The Swedish School of Textiles, University of Borås
Open this publication in new window or tab >>Borås School of Weaving: the final years 2007-2008
2011 (English)Book (Other academic)
Place, publisher, year, edition, pages
CTF, The Swedish School of Textiles, University of Borås, 2011
Keywords
photography, weaving
National Category
Art History
Research subject
Textiles and Fashion (General)
Identifiers
urn:nbn:se:hb:diva-3609 (URN)2320/10255 (Local ID)978-91-975576-9-6 (ISBN)2320/10255 (Archive number)2320/10255 (OAI)
Available from: 2015-12-04 Created: 2015-12-04 Last updated: 2018-01-02Bibliographically approved
Hallnäs, L. (2011). On the foundations of interaction design aesthetics: Revisiting the notions of form and expression. International Journal of Design, 5(1), 73-84
Open this publication in new window or tab >>On the foundations of interaction design aesthetics: Revisiting the notions of form and expression
2011 (English)In: International Journal of Design, ISSN 1991-3761, E-ISSN 1994-036X, Vol. 5, no 1, p. 73-84Article in journal (Refereed) Published
Abstract [en]

Form and expression are basic notions in design aesthetics and design aesthetics education. This is something firmly rooted in architecture, product design, industrial design, fashion design and so forth, but how should we understand these notions in interaction design? There is a need here to fill a gap in the foundations of interaction design. This paper revisits “form” and “expression” to discuss the interpretation of these concepts in the context of interaction design aesthetics. The paper provides a general foundational discussion and considers the implications of relating interaction design to design aesthetics at a fundamental level, rather than to notions from behavioral and social science as is usual in the area of Human Computer Interaction.

Place, publisher, year, edition, pages
National Taiwan University of Science and Technology * Graduate Institute of Design, 2011
National Category
Humanities Other Humanities
Research subject
Textiles and Fashion (General)
Identifiers
urn:nbn:se:hb:diva-3115 (URN)2320/8173 (Local ID)2320/8173 (Archive number)2320/8173 (OAI)
Available from: 2015-11-13 Created: 2015-11-13 Last updated: 2017-11-28Bibliographically approved
Organisations
Identifiers
ORCID iD: ORCID iD iconorcid.org/0000-0003-2270-9064

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