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Publikationer (10 of 19) Visa alla publikationer
(2019). Costume Agency - Gold.
Öppna denna publikation i ny flik eller fönster >>Costume Agency - Gold
2019 (Engelska)Konstnärlig output (Granskad)
Abstract [en]

This work started off as an exploration of where and how materials are attached to a body forms material conversation but ended up as a far more versatile and complicated conversation with performers and fellow designers in the costume agency 2019. Questions like; When is something a worn costume and when does it make the body into an object? When some choreographing and when something is choreographed? And essentially where these costumes and did it really matter if they were or not? 

 The full documentation of the workshop is available here: https://vimeo.com/381650530

 

Credit list:

Performers: Nadege Kubwayo, Victor Amel Pedersen 

Costume design: Linnea Bågander

Light designer: Kaja Glenne Lund

Photo: Espen Tollefsen

Nyckelord
Costume Agency, Performing garment, choreographic garment
Nationell ämneskategori
Scenkonst
Forskningsämne
Textil och mode (konstnärlig)
Identifikatorer
urn:nbn:se:hb:diva-22635 (URN)
Projekt
Costume Agency
Tillgänglig från: 2020-01-22 Skapad: 2020-01-22 Senast uppdaterad: 2020-01-22Bibliografiskt granskad
Bågander, L. (2019). INSIDE/OUTSIDE – Landscape. Linnea Bågander
Öppna denna publikation i ny flik eller fönster >>INSIDE/OUTSIDE – Landscape
2019 (Engelska)Övrigt (Refereegranskat) [Forskning på konstnärlig grund]
Abstract [en]

The interactive textile sculpture INSIDE/OUTSIDE questions the borders of the body through material form and movement. The form suggest and instructs the choreography and becomes a co-choreographer pushing the narrative further and opening up for interaction between bodies through its materiality. Exhibited at Skövde Art museum, 17 jan - 3 march 2019.

Ort, förlag, år, sidor
Linnea Bågander, 2019
Nyckelord
Bodily experience, bodily aesthetics, somatic garment, wearing, interaction
Nationell ämneskategori
Arkitektur Scenkonst
Forskningsämne
Textil och mode (konstnärlig)
Identifikatorer
urn:nbn:se:hb:diva-21738 (URN)
Tillgänglig från: 2019-09-17 Skapad: 2019-09-17 Senast uppdaterad: 2019-09-17Bibliografiskt granskad
(2019). SKINNING/TRUE MESH 16:9 full time texture.
Öppna denna publikation i ny flik eller fönster >>SKINNING/TRUE MESH 16:9 full time texture
2019 (Engelska)Konstnärlig output (Granskad)
Nationell ämneskategori
Design Scenkonst
Identifikatorer
urn:nbn:se:hb:diva-21739 (URN)
Tillgänglig från: 2019-09-17 Skapad: 2019-09-17 Senast uppdaterad: 2019-09-17Bibliografiskt granskad
Bågander, L. (2019). STM16:9fft_VR: Virtual surrealism and site specific VR. In: : . Paper presented at II. Zip-Scene Conference on Analogue and Digital Immersive Spaces, Budapest, 10-12 November, 2019..
Öppna denna publikation i ny flik eller fönster >>STM16:9fft_VR: Virtual surrealism and site specific VR
2019 (Engelska)Konferensbidrag, Muntlig presentation med publicerat abstract (Refereegranskat) [Forskning på konstnärlig grund]
Abstract [en]

Through this abstract, STM16:9fft_VR, a pilot for a VR film is discussed and presented. The project is developed through a collaboration between Nicole Neidert, choreographer, Joakim Envik Karlsson, film photographer, and Linnea Bågander costume designer. The pilot is part ofNarrative VR Lab, a project initiated and funded by Visual Arena, Region of Halland, Gothenburg city and Gothenburg Film Studios and supervised by Visual Arena.

When entering into a new set of tools we started to, not only explore them physically but also by its definition. We asked ourselves what virtual is and found intriguing definition such as; “almost a particular thing or quality”, “very close to being something without actuallybeing it” or; “not physically existing as such but made by software to appear to do so.” (Merriam-Webster, 2019). The technical tools suggest this ‘almostness’ and we started to explore how to implement it in the process of developing a narrative. Parallels to surrealismcame naturally and when finding the definition of surrealisms narration as “means of unnatural or irrational juxtapositions and combinations” (Merriam-Webster, 2019) it became obvious how to not only work with the technical tools but also to explore the narrative, through a meeting between a natural context and an artificial figure. Methodologically we used the experience of working with a stage-based and site-specificworks to develop a narrative-driven by visual means mainly. The narrative was an interaction between dance, costume and visual situation. A dialogue between materials and bodies, mainly using movements of bodies and directions formed by the natural environment to drive the narrative. In the presentation, the possibilities and limitations to situate, distort and the experience of the reality of both virtual reality and the reality of site-specific and stage based performing arts will be discussed and compared.

Nyckelord
Digital and analogue, immersive, performing arts, artistic methodology
Nationell ämneskategori
Design
Forskningsämne
Textil och mode (konstnärlig)
Identifikatorer
urn:nbn:se:hb:diva-22636 (URN)
Konferens
II. Zip-Scene Conference on Analogue and Digital Immersive Spaces, Budapest, 10-12 November, 2019.
Tillgänglig från: 2020-01-22 Skapad: 2020-01-22 Senast uppdaterad: 2020-01-22Bibliografiskt granskad
Bågander, L. (2019). Wear-thinking: enabling (e)motion. In: : . Paper presented at 2019 Design Culture and Somaesthetics Conference, Budapest, May 6, 2019.
Öppna denna publikation i ny flik eller fönster >>Wear-thinking: enabling (e)motion
2019 (Engelska)Konferensbidrag, Muntlig presentation med publicerat abstract (Refereegranskat) [Forskning på konstnärlig grund]
Abstract [en]

This paper suggests shifting the focus from a visual aesthetic of the body to an aesthetics emerging form the experience of wearing. Historically the aesthetics of wearing has been mainly concerned with visual aspects of body; how dress looks on you/make your body look rather than how it feels and what it does with you. Building further on the notion somatic garment as introduced by Sally E Dean (2011) and somatic style as defined by Shusterman (2012) the project addresses the experience of wearing and its effect on our emotional state and as bodily aesthetics. It is a practical exploration contributing to a theoretical discussion. The findings result from an interdisciplinary study intersecting fashion design and choreography, explored through interactive installations and performances developed over the course of 2 years. In 4 performances, 4 workshops and 3 exhibitions nationally and internationally the tactile and informing potential of wearing has been investigated. The results suggest a particular kind of wear-thinking that affects the body aesthetics through how it imposes movement patterns, positioning, tempo and emotions and through this it affects not only the emotional state of mind body also the appearance of the body. In the study, movements that create well-being, presence and relaxation was enabled with help of the interactive installation.

Examples:

Interactive form exhibited at festival:

https://youtu.be/enaPeIRiELU

Performance: https://youtu.be/9SHC6zRA6TA

Nyckelord
Bodily experience, bodily aesthetics, somatic garment, wearing, interaction
Nationell ämneskategori
Scenkonst Design Arkitektur
Forskningsämne
Textil och mode (konstnärlig)
Identifikatorer
urn:nbn:se:hb:diva-21737 (URN)
Konferens
2019 Design Culture and Somaesthetics Conference, Budapest, May 6, 2019
Tillgänglig från: 2019-09-17 Skapad: 2019-09-17 Senast uppdaterad: 2019-09-17Bibliografiskt granskad
(2018). Cuttlefish.
Öppna denna publikation i ny flik eller fönster >>Cuttlefish
2018 (Engelska)Konstnärlig output (Granskad)
Abstract [en]

The performance Cuttlefish questions the form, identity and movement qualities of the dancer and through this it opens up for the discussion, what is a body? The body forms, the viewer can relate to on an emotional level, they became new personas and identities through the new movement qualities and forms. The costume design suggests and push both the choreography and the narrative further, since these new bodies, in themselves, are a choreography and narrative.Dansers: Viktoria Andersson, Anton Borgström och Linn Ragnarsson

Nationell ämneskategori
Scenkonst
Forskningsämne
Textil och mode (konstnärlig)
Identifikatorer
urn:nbn:se:hb:diva-14181 (URN)
Tillgänglig från: 2018-05-15 Skapad: 2018-05-15 Senast uppdaterad: 2018-05-18Bibliografiskt granskad
Bågander, L. (2018). Cuttlefish - another body. In: : . Paper presented at Critical costumes, costume and risk, Guildford, September 12-14, 2018..
Öppna denna publikation i ny flik eller fönster >>Cuttlefish - another body
2018 (Engelska)Konferensbidrag, Muntlig presentation med publicerat abstract (Refereegranskat) [Forskning på konstnärlig grund]
Abstract [en]

CUTTLEFISH – Another body 

 

This work aims to explore other types of preforming bodies. Bodies extending themselves into material and creating expressions based on the body in a dialogue with materials expression. Through this aiming to remove connotations associated with the body through this create for the audience an experience of freedom of imagination. 

Fashion design involves an aesthetics that is based the body as form and is often changed in form according to norms, trends and ideals, shaping by “artificially changing the body’s silhouette and sometimes altering its natural structure” (Koda, 2012). Further, the alterations of dress affect how the body behaves and moves by restricting, enhancing (Bugg, 2006) and enabling movements through both physical and psychological means. In Cuttlefish, the body is instead altered in movement qualities and through this as form. 

The visual removal of the body, contributed to experienced new bodies, it became something that the viewer can relate to on an emotional level as they became new personas and identities. Audience experience a large vary of emotions and personal associations many of them concerning identity; who we are and how we exist together. 

 

 

CUTTLEFISH credits:

Choreographer: Nicole NeidertCast: Linn Ragnarsson, Viktoria Andersson, Anton BorgströmCostume design: Linnea BåganderSound design: Elize ArvefjordLight design: Ulrich Ruchlinski 

Premier: September 26th 2017 Falkhallen, Falkenberg, Sweden 

Additional performances:Byteatern Kalmar, KonserthusteaterKarlskrona, SPIRA Jönköping, Region Teatern Växjö, Skånes Dans Teater Malmö.

Nyckelord
Body, materiality of movement, expressions of the body, fashion, performing arts.
Nationell ämneskategori
Scenkonst
Forskningsämne
Textil och mode (konstnärlig)
Identifikatorer
urn:nbn:se:hb:diva-15822 (URN)
Konferens
Critical costumes, costume and risk, Guildford, September 12-14, 2018.
Tillgänglig från: 2019-02-21 Skapad: 2019-02-21 Senast uppdaterad: 2019-02-25Bibliografiskt granskad
(2018). INSIDE/OUTSIDE - Landscape.
Öppna denna publikation i ny flik eller fönster >>INSIDE/OUTSIDE - Landscape
2018 (Engelska)Konstnärlig output (Granskad)
Abstract [en]

The interactive textile sculpture INSIDE/OUTSIDE questions the borders of the body through material form and movement. The form suggest and instructs the choreography and becomes a co-choreographer pushing the narrative further and opening up for interaction between bodies through its materiality. Exhibited at Järnhallen Gotehburg 12-20 may 2018. 

Nyckelord
Interactive design, material choreography, somatic materials
Nationell ämneskategori
Scenkonst
Forskningsämne
Textil och mode (konstnärlig)
Identifikatorer
urn:nbn:se:hb:diva-14177 (URN)
Tillgänglig från: 2018-05-15 Skapad: 2018-05-15 Senast uppdaterad: 2018-05-15Bibliografiskt granskad
(2018). INSIDE/OUTSIDE - tunnel.
Öppna denna publikation i ny flik eller fönster >>INSIDE/OUTSIDE - tunnel
2018 (Engelska)Konstnärlig output (Granskad)
Abstract [en]

The interactive performance INSIDE/OUTSIDE questions the borders of the body both through how material movement allow the body to extend in scale and by changing the inside and outside perspective of dress. Through this it also questions the notion of wearing. The form suggest and instructs the choreography and becomes a co-choreographer pushing the narrative further and opening up for interaction between bodies through its materiality.

Nyckelord
Material choreography
Nationell ämneskategori
Scenkonst
Forskningsämne
Textil och mode (konstnärlig)
Identifikatorer
urn:nbn:se:hb:diva-14180 (URN)
Tillgänglig från: 2018-05-15 Skapad: 2018-05-15 Senast uppdaterad: 2018-05-15Bibliografiskt granskad
(2018). Reflect.
Öppna denna publikation i ny flik eller fönster >>Reflect
2018 (Engelska)Konstnärlig output (Granskad)
Abstract [en]

Video dokumentation of 'reflect' exhibited 26/05 - 30/09 2018 at Transfashinal, Kalmar Art Museum.

The work explored the relation of form and surface through having a reflective surface that changes the appearance of the form through its interaction with the environment. 

Nyckelord
Fashion, performance, body movement
Nationell ämneskategori
Design
Forskningsämne
Textil och mode (konstnärlig)
Identifikatorer
urn:nbn:se:hb:diva-14183 (URN)
Tillgänglig från: 2018-05-15 Skapad: 2018-05-15 Senast uppdaterad: 2018-06-20Bibliografiskt granskad
Organisationer
Identifikatorer
ORCID-id: ORCID iD iconorcid.org/0000-0002-8753-9070

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